shadesofloveduthenandnow

Idk who that is

Charlene

Ummm

HELP

It’s giving UV outtake 👀

Breaking Up Slowly (10 Minute Version) [ft. Taylor Secman, Daneel Olivaw & Nikki Lane] 😍

I hope there’s a Taylor Secman collab 😍

her

big boobs? what?

Del Rey-Lane 2024!

From ✨She✨

Idk those pixels look uneven af

RAY RAY RAY RAISE ME UP

I’m sitting on Rosemary

I’m feeling delusional someone make something up

It’s real afaik. Not much is knows apart from a lyric excerpt (assuming the lyrics are real) and I think it’s pretty much assumed to be a random laptop demo from the Lizzy era

[MASS LEAK] Trans Am, Dope, Star Lux, Loved You Then and Now, Crazy for You, California Demo, Fine China (final UV version), Let Me Love You Like a Woman (UV demo), Tomorrow Never Came (solo demo)

LEAK DOPE

DRAGON SLAYER

Dope (finished) track 6 LYTAN track 8

Osaka

Omg I forgot about that Also remembering that major sources claimed the album was to be released March 29th without a peep from Lana/her managers confirming or debunking. The 29th came and went without a word

I’ve really started to appreciate this album more in the past month and a half or so. Most of the songs have grown on me at least to some extent, and others i would put as some of my post-LFL favorites I want to talk about LMLYLAW in particular because I was so disappointed with it when it was released as a single . It really isn’t half bad as an album track; it was just a horrible lead single. Today with the volume pretty much on full blast I was able to really appreciate the instrumental and the harmonies of this song. The subtle guitars and the way the beat resembles a heartbeat (which I never noticed until today) really stuck out to me. The bridge is one of the best on the album. Its still not one of my favorites but I can see why she likes this one so much. I still kind of hate how the piano sounds like just chords on a loop tho. Other notable mentions go to Wild at Heart, which I’ve always liked but have come to love and identify with to an extent, DBJAG, which again, I’ve always liked well enough but didn’t fully appreciate until the last month or so, and Tulsa Jesus Freak, which I thought was ok-to-good at first but is now one of my go-to songs with I want to listen to more recent Lana. The title track, which tbh I kind of hated and couldn’t for the life of me understand the praise for at the time of release, I’ve come to enjoy some. I’m still not sure if I fully “get” it but it’s pleasant enough to listen to. I can listen to Breaking Up Slowly and DTWD without going for the skip button now as well. The only song I still regularly skip (and left out of my resequenced/custom playlist for the album ) is For Free, which is a good enough song in and of itself, but I’d still say it’s her worst cover and a prime example of the bad mixing in the NFR/COCC era. This recording of this song is a mess. Annie Waze sorry for the novel but it’s like 3 am and I can’t sleep and feel like rambling ab COCC love y’all xx ALSO ranking just bc: Yosemite White Dress Wild at Heart Dark But Just a Game Tulsa Jesus Freak Let Me Love You Like a Woman Chemtrails Over the Country Club Breaking Up Slowly Not All Who Wander Are Lost Dance Till We Die For Flop

Lana Del Rey Heardle #92 🔊🟩⬜️⬜️⬜️⬜️⬜️ https://lana-del-rey-heardle.netlify.app/ ICONIC

After dropping MAC and VB she shared the title of the album, 100 snippets of practically every song on the album, released HIADT in January 2019, and then went radio silent for 6-7 months except to talk about VBBOTG like 3 times. It seemed like she refused to even acknowledge the album after teasing it for months. Litcherally a nightmare. By the time the album was released she had shared at least a snippet of literally every song on the album. The COCC and BB pre-release eras were child’s play compared to NFR