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marryingkind

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Posts posted by marryingkind

  2. Posted

    1 minute ago, Vertimus said:

    She has been good at them in the past, and in a variety of styles, from 'Live Or Die' to 'Velvet Crowbar' and 'Blue Jeans' and 'Serene Queen' and onward. Do you consider 'Doin' Time' an example of what you're referring to? 

    Not really! But I think that Live or Die would be a great example. 
     

    Spoiler

    And Peppers maybe. But it’s hard to listen with this AI voice all over it

     

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  3. Posted

    4 minutes ago, Vertimus said:
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    I've been waiting, wondering if someone else noticed this and would comment. This is the sort of thing many Lana Stans will defend to their last breath, but I agree. I can only think that she's gasping and straining on purpose, and singing in the thinnest voice possible sometimes. What this means and why she's doing it, I don't know. Could it be that she thinks it's 'more artistic,' or 'more genuine,' or even something her critics will approve of, since they 'hate me'/her anyways? If the former, it reminds me of some 'artists' I've known here in NYC that think not bathing, ever, or brushing one's teeth or hair, or using deodorant, makes them more 'authentic' as artists and human beings.  

    We do know there are some deeper vocals in the music we've heard, so maybe there will be considerably more. For me, her voice is half of her total appeal for me, the other half being her songwriting. 

     

    I mean, I’m not like “Lana HAVE TO DO A SMASH HIT”. I think it would be funny bc that would be kinda unexpected, you know?

    at some point, I do get her. Sometimes I think that Lana is both a pop singer dressed as a alternative singer and a alternative singer dressed as a pop singer (she's a princess, she's divisive) 

    Being in the spotlight is harsh, and the critics bashes her until she's flesh wound.

    But I do think that making a banger is the most controversial thing she could do. It would be interesting to see

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  5. Posted

    19 minutes ago, barttttender said:

     

    Is it as bad as that crappy "Flowers" song?

    Her voice in this album unbearable. It really sounds like she smokes 4 packs of cigarrettes/day.

     

    but, now talking about lana: 

    i’d die for her to release a bop as a single. Idk why, as much as I know that lana doesn’t care about the charts, I think that it would be funny for her to have like a smash hit

    6

  14. Posted

    2 minutes ago, Poor Stacy said:

    Candy Necklace tea, forwarded to me from @Kintsugi: 

     

     

      Hide contents

    - The reason no one's talking about it is because it's ... not really a song (?). Or more of a non-song.

    - The Judah Interlude ends, and CN begins with the background gospel singers laughing...

    - The song starts with a 1 minute "interlude" like The Grants, where the background singers are messing up/rehearsing another line

    - The piano starts near the 1 minute mark with the snippet we heard

    - "Rockefeller, my umbrella" isn't even a finished verse, she basically just riffs with the piano, humming and singing "D'ya like my candy necklace... Wanna bite my candy necklace, papi..." 

    - There's a literal piano interlude for the next 3 minutes of the song, with soft instruments played behind it, no singing at all

    - Lana finishes the track by singing the chorus of Yes to Heaven over the melody before laughing, and then the Jon Baptiste interlude starts.

     

     

    Spoiler

    Idk if you’re being fr rn

     

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  20. Posted

    26 minutes ago, sadness is a butterfly said:

    Am I the only one who can’t really wrap my brain around snippets? :awkney:

     

    I listened to them the other day but to me it’s just kinda like “yep that’s Lana singing”. I don’t remember them at all after the fact, and i haven’t really formed any opinion of the songs based off them. 

    Girl I’m gonna sound like a whore but it’s like when someone send you a semi-nude (or even a nude). You’re not experiencing nothing in full, but you still get excited

    (sorry if I said it in a too explicit way)

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