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takeyourselftosleep

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Posts posted by takeyourselftosleep


  1. 42 minutes ago, Im a ghost now said:

    C'mon y'all... just listen to Miss Peppers, you won't regret it

     

    Devil Kronk (@TheDevilKronk) / Twitter

     

    if people have the willpower not to definitely dont because it'll sound soooo much better in high quality. I just listened to the grants on Apple Music and for the first time noticed so many subtle instruments/inflections in the back of my headphones. peppers sounds like it has the most complex production of any song on the album thus far so it needs to be heard in maxxxximum qual


  2. 14 minutes ago, living legend said:

    the credits reveal that they are nowhere else

     

    i do agree that i wish their voices were more spaced out in the record rather than just the first two songs 

     

    That's a shame, yeah I think having them spaced out would be better so it doesn't feel a bit top-heavy? Although maybe it speaks to the notion that the album is broken up into the 4 vinyl sides, each with their own distinct 'sounds.'


  3. 2 minutes ago, Fingertips said:

    This album is shaping up to be a true masterpiece. I know people are worried about Kintsugi, but we have three insiders who love or at least like that song (Rosemead, Kintsugi, Floridakilos) vs 2 who don't (111 and Bozo). I think Kintsugi is going to be a song that you either love or hate!

     

    One of the things im loving about this album (so far) is that she's really managing to combine all of her different styles over the years into something very original and cohesive. like with peppers, for example, she 

    Spoiler

    is merging fast tempo trap beats with the psychedelic synth flutters and rhythmic, raw bass.

     

    Lana has always had the trap side, the piano ballad side and the psychedelic rock side, and I think Fuck it I Love You was the first time she found a unique way of combing those different sides into one concentrated song. So far every track on Ocean Blvd feels like it's all part of one cohesive body of work, even though they're not all the same genre.

     

    Like I love Honeymoon, but the title track doesn't sound to me like it's from the same album as High by The Beach, and HBTB doesn't sound like it's from the same album as Religion (at least in my opinion.)


  4. 21 minutes ago, Sportscruiser said:

     

     

    I hope we’re wrong at the end! Even if I don’t take value in the Grammys as a barometer of quality these days, it would be awesome to see Lana  nominated for the big ones again to see her being vindicated. I hope all this love she’s being receiving from the likes of Eilish, Rodrigo, Rosalía, SZA, Kim Petras, Madison Beer, etc translates into goodwill and recognition. She’s truly the closest we have to Kate Bush/Tori Amos/Fiona Apple for the millennials and Gen-Zers.

     

    This is the only reason I want her to win a grammy. I also don't have respect for The Grammy's and wouldn't trust them as a barometer of quality, I just want her to finally receive that industry recognition.

     

    As you pointed out, she's an artist's artist, meaning that some of her biggest fans are actually artists themselves, and I could give another thousand examples of celebrities saying that Lana is their number 1 and that she "just keeps getting better" and hopefully the academy will reflect that sentiment.

     

    While I agree that Ocean Blvd is shaping up to less accessible than previous works, the idealist in me believes that, if the songs are good enough, their untraditional structure won't necessarily make them unaccessible. The two interludes seem to be the most unaccessible, but they're interludes, and as for something like Fingertips, I can't envision people discounting the other 13-15 incredible tracks because they find one song 'too weird.'

     

    So yeah, could be the idealist in me but I really do think she has a chance (of at least being nominated.)


  5. 1 minute ago, love deluxe said:

    did you guys know that

      Hide contents

    a singer could still be lookin like a side piece at 33

     

     

    I think that line (all the way to "im a ghost now") has beaten out my previously held favourite verse of Lana's (v2 of get free where she sings about "there's no more chasing rainbows"). there's so many ways to interpret this verse, and the mystery surrounding what exactly she's saying in the final recording, and the way its sung... ugh I really love A&W.


  6. Just now, Thats why they call me Dita said:

    What on Earth is going on here, Lana just trying to take us to church and somebody out here spitting hate crimes :omfg2:

     

    the lanaboards delulu claimed another casualty. this is what months of speculation, listening to Rosemead exclusives and begging boz for clarity does to an impressionable mind.


  7. The interviewer could not hide how little she knew/cared about Lana… like what were those questions?

    at least Lana gave us something… an explanation for the intro. But still.

     

    now where’s that surprise?

    bozo - I know you’re lurking these forums hoping people forgot about you…

    you have until the end of this week for this massive unexpected overdue surprise to reveal itself. deactivating won’t save you from the wrath of a thousand Lana fans


  8. I stole this from a random reddit post but this is quite interesting and I hadn’t made this connection:

     

    So many references to Lana's unreleased song Yes To Heaven.

    "Do you think about heaven" - "Say yes to heaven"

    "Do you think about me" - "Say yes to me"

    "I'm gonna take mind of you with me" - "I've got my mind on you"

    "Should I do a dance for once" - "If you dance I'll dance"


  9. My last post before I force myself to get back to work...

     

    of the songs I've heard, here's my colour associations:

    the grants - earthy browns, autumn leaves and deep ocean-blues that turn into a lighter sky-blue as the song progresses

    ocean blvd - ivory white and dirty, stained porcelain over dark blues, with a few tiny bits of neon blue when the piano dances over verse 2

    sweet - earthy browns, autumn leaves and deep forest greens, occasional yellow like her shirt in the Arcadia video

    a&w - faded sepia tones, almost black and white, and when the beat switches it goes dirty gun-metal, oil, smoke, petrol and electric blues

    fingertips - all very light baby-pink, baby-yellow, baby-blue and lots of smoky grey over everything.

     

    ok now do yours, bye

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