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TEMPORARY Chemtrails Over the Country Club - Pre-Release Thread: OUT March 19th, 2021

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This might be harsh but I’m glad she may be somewhat uncomfortable with this album, just means she didn’t have time to delete amazing songs and quickly record duds for their place. :hooker: Nor completely change the era’s aesthetic halfway thru.

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2 minutes ago, UltraviolentJack said:

This might be harsh but I’m glad she may be somewhat uncomfortable with this album, just means she didn’t have time to delete amazing songs and quickly record duds for their place. Nor completely change the era’s aesthetic halfway thru.

u might have a point. usually when there's discomfort w the writing process it's either just really bad or real close to home. Lana can't make a bad song so math 



FSiy5w3.giftumblr_nv0881L0Od1s4fz4bo1_500.gifVvJr.gif
 

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15 minutes ago, Dragon said:

u might have a point. usually when there's discomfort w the writing process it's either just really bad or real close to home. Lana can't make a bad song so math 

I love this logic 

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honestly venice is an every mood song for me (except for anger), even though i can see it as a love song, it's mainly a song about reminiscing about the past and I view it as bittersweet/melancholic albeit soothing as well. so if white dress is really about her lizzy days, i can see how the two can go hand in hand if they're both about nostalgia in a way.


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How have we managed to get less than a month away from this record but still feel starved? Lol. I’m not talking shit because I feel it too. We are greedyyyyy. But at the same time, it’s like Lana girl u have a whole album coming out soon. Where is the fanfare?? 

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wait, she really did post "LMLYLAW out tomorrow" :deadbanana: the anxiety


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"You can't be a muse and be happy, too.

You can't blacken the pages with Russian poetry and be happy." - Blue Banisters

Quote

I asked Asmodeus (the demon of lust) to make Miley Cyrus suffer. I am not happy with these new developments. After Miley rips off Lana's aesthetic, she bullies Lana into changing her release date. It is infuriating. 

 

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Only few hours left until we know da truth. @Eclipse we are waiting. Lemme manifest these great events that can happen before the album drops:

:legend:manifesting:legend:

-February 25th, ig post 'White Dress is out tomorrow in the USA'

-February 26th, White Dress released

-March 1st, White Dress MV premiere

-March 12th, Album Trailer

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In my head, I feel like Ultraviolence and Honeymoon are kind of two halves of a whole experience. 
 

while she said Ultraviolence doesn’t have a specific narrative or through-line, the themes are consistent. It’s an album dripping with depression, heartbreak, drugs, and passion. There are some brighter moments (Brooklyn Baby and West Coast aren’t necessarily dark and broody) but those are just kind of cute songs. As a whole, this album is very dark and moody. It feels like a highlight reel of some of the worst moments in her life: estrangement and breakup with Barrie, abusive relationship in New York, looking back at failed relationships, her bad experiences in the industry, and a dependency on drugs and alcohol throughout. 
 

So if we take Ultraviolence as descending to her emotional rock bottom, I look at its follow up Honeymoon as her just kind of dwelling in that rock bottom, if that makes sense. I’m not gonna say she starts to look upward, cause tbh she doesn’t until Lust for Life (which is the whole point of that album). But the protagonist of Honeymoon is definitely a woman who is at her lowest. 
 

If Ultraviolence was a summation of her trauma and her sorrow, Honeymoon is her self-medication in their wake. Honeymoon carries similar themes to UV, but presents them almost in the past tense. She’s no longer singing about losing her baby, she’s singing about how she’s living since she’s lost him. He’s already gone. Now, she’s just fantasizing of a honeymoon she’ll never go on, listening to music and daydreaming while she people watches. She just wants to run away from her problems and get high by the beach. She has a new romantic interest, who she just wants to run away with, but the depression is still hovering over her. Despite the temporary highs she describes (drugs, sex, partying), she still feels like she doesn’t matter to anyone, she’s unlovable, and that she has nothing left to live for. 
 

so yes that’s my ramble on thematic/narrative connection between Ultraviolence and Honeymoon. 


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let's be real, all you bitches wanna look like me

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5 minutes ago, ShadesOfFool said:

In my head, I feel like Ultraviolence and Honeymoon are kind of two halves of a whole experience. 
 

while she said Ultraviolence doesn’t have a specific narrative or through-line, the themes are consistent. It’s an album dripping with depression, heartbreak, drugs, and passion. There are some brighter moments (Brooklyn Baby and West Coast aren’t necessarily dark and broody) but those are just kind of cute songs. As a whole, this album is very dark and moody. It feels like a highlight reel of some of the worst moments in her life: estrangement and breakup with Barrie, abusive relationship in New York, looking back at failed relationships, her bad experiences in the industry, and a dependency on drugs and alcohol throughout. 
 

So if we take Ultraviolence as descending to her emotional rock bottom, I look at its follow up Honeymoon as her just kind of dwelling in that rock bottom, if that makes sense. I’m not gonna say she starts to look upward, cause tbh she doesn’t until Lust for Life (which is the whole point of that album). But the protagonist of Honeymoon is definitely a woman who is at her lowest. 
 

If Ultraviolence was a summation of her trauma and her sorrow, Honeymoon is her self-medication in their wake. Honeymoon carries similar themes to UV, but presents them almost in the past tense. She’s no longer singing about losing her baby, she’s singing about how she’s living since she’s lost him. He’s already gone. Now, she’s just fantasizing of a honeymoon she’ll never go on, listening to music and daydreaming while she people watches. She just wants to run away from her problems and get high by the beach. She has a new romantic interest, who she just wants to run away with, but the depression is still hovering over her. Despite the temporary highs she describes (drugs, sex, partying), she still feels like she doesn’t matter to anyone, she’s unlovable, and that she has nothing left to live for. 
 

so yes that’s my ramble on thematic/narrative connection between Ultraviolence and Honeymoon. 

Perfectly stated. 


tumblr_pne98wa26x1wk694yo1_500.gifv

"You can't be a muse and be happy, too.

You can't blacken the pages with Russian poetry and be happy." - Blue Banisters

Quote

I asked Asmodeus (the demon of lust) to make Miley Cyrus suffer. I am not happy with these new developments. After Miley rips off Lana's aesthetic, she bullies Lana into changing her release date. It is infuriating. 

 

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