Veinsineon

fat

in my opinion, every record she releases is better than the last so my ranking is TR < Sucker < VV < N1A < P2

she honestly deserves all the attention in the world for single handedly breathing life back into pop music

she honestly deserves all the attention in the world for single handedly breathing life back into pop music

WOW. thank you

updated Genius with the info for Shine : https://genius.com/Allie-x-shine-lyrics

my impact

https://genius.com/Allie-x-not-broken-lyrics ???

ive come to the conclusion that all those demos, Purge and Scultpure to be more specific, would sound great with dark synthwave production like in this CLX3 snippet from that song Doctor. Im actually very confident shes going to update them and include them, It would be a great concept. https://soundcloud.com/kh6is/clx3

maybe she DID do it for the witchy dark vintage version of LFL

that V is the N from CollXtioN the E in AlliE X is three lines symbolizing 3

finished my concept for CLX3!

only an updated version

no. political songs are not lanas forte

my xcx3 tracklist + reasoning for placement 1) Girl's Night Out <-- gentle opener; sets the stage for what the album will entail. 2) Bounce <-- most album's best songs are 2nd/3rd track, Bounce perfectly picks up after GNO and speeds the alum up a bit 3) Boys <-- the double B tracks are side by side and this slows things back down after Bounce 4) Come To My Party <-- shoves boys to the back and forces itself and the album to pick back up 5) Queen Lizzy <-- For most albums I've heard the 5th track is usually just a filler or is really dull 6) Down Like Woah <-- retains the same toned down beat as QL but picks up at the end ; sends songs into a more sexual spectrum 7) Ring <-- introduces the sexual anthems of the album picks up that weird synth at the end of DLW. 8) Waterfall <-- immediately is faded into by Ring and slows things down. The dramatic stripper anthem is a go big or go home track. 9) After The Afterparty (feat. Lil Yachty) <-- Lets the listener know the party is going to go on, no matter what 10) Good Girls <-- the last slammer of the album, finishes strong and lets the listener know this is very "out of the ordinary" 11) I Wanna Be With U <-- rips open the heart of the album and plunges you into the emotions 12) Die 4 <-- The build up of emotion continues and if Die 4 doesnt make u cry, the last two tracks will. 13) Can You Hear Me <-- The last love sick song of the album. The strongest one as well. tells you charli has no regrets about anything 14) Bottles <-- A more depressing end to XCX3, starts off by saying there's no time for regrets and lets us know charli will continue to party and suppress her emotions; alo closes because at the end she says "lets do it all again" then the album starts over JAPANESE EDITION BONUS TRACK: 15) After The Afterparty (Acoustic) - its always cute to include an acoustic song, especially when the song is so representative of the album

@ @XCassieX and anyone else that needs it here's the HighestQ CTMP that I have: https://dbr.ee/pVZU I wouldnt want anyone listening to her best song in LQ or MQ

i think Painkiller, It's My Party, Baby Boy, and Offline dont get the recognition they deserve. Dennis and Music Mafia... give us these underrated SLAMMERS I Concur but why is that so LQ? let me upload a HQ version

no angel is so BORING!!! WHY DOES EVERYONE OVERHYPE IT

charli's best song ever is a tie between Come To My Party & Good Girls...

you must have low standards for a 'best song'

am i high or would Boys be so funny if she didn't sing the S and she was like I was busy thinking bout BOY

where tf is sticky

I know there's Deadstream & Don't Delete The Kisses but someone help

DID WE EVER FIN OUT WHAT THE POP2 BESIDES WERE