evalionisameme

It really is a snooze fest -Chemtrails and let me love you like a f*ggot make me sleepy.

I want the trans Atlantic accent to return for the new promo

I’m not feeling it either-it gives Rupauls drag race vibes

If she did a hole song it would obvs be Malibu as she is obsessed with it.

If we’re having an angry rock moment I’d love a cover of It fits the Rock Candy Sweet, it’s a bit bratty but I think it would fit in her media narrative with “wild girl” and she could dial down some of the pace and put more airy vocals.

Not saying there’s anything wrong with not...but why can’t 35 year old women sing about it? She’s still very young, y’all act like she’s 60

Something up tempo and by that I obvs mean mid would be a dream please.

As the last time today I will speak on Jack or NFR- no one is asking for her to repeat producers really, we want her to continue with her writing uncompromised and to express how she feels. she stated aspects of Cocc would have this about her media treatment and return to themes but all we got was insta thots and polka dots.

If you love Jacks work you’re entitled to. It’s a massive on how you’re always hurt by these opinions though. Anyway it’s all love ❤️

I loved this soul/jazz vibe, I was so disappointed when the covers album got cancelled.

It is Taylor momsen, I’ve never bothered to change the Avi and it started as an ironically outdated joke but I loved the going to hell record when it came out and still do-house on a hill, sweet things and fucked up world were bops.

In my eyes her entire career shifted after honeymoon was released(her last “Lana” album to me), she was caught in the motions with political events, had tons of scrapped album ideas which reflected the final cut of lust for life with lots of filler being present and to top it all off it was very incohesive which subjectively to me made it her worst album. NFR was then released as which continued to stray even further from Lana as a character with her writing becoming incredibly vague itself and had a very different lyrical style to prior releases with it being very safe in songwriting and production-I would say this was a critics wet dream, it doesn’t particularly innovate or offend and has lots of piano ballads with it completely demolishing any cinematic feel. I also find the consensus critic feedback for this album incredibly sexist-a woman is only deemed good when she strips herself back from glamour or uses a piano and a simple melody(most of the critics stated she behaved as an actual human being on this album). If I’m being honest I feel from what we’ve learned of Lana over the years she craves the liking of others and is a people pleaser no matter much how she denies it, she will continue to make records like NFR and CoCC as long as she is heaped with praise -she’s stated her misgivings with aspects of Cocc but can’t make her mind up but as long as the feedback hails her as a genius she will continue to play it safe. I don’t believe any of this is Jacks fault but he is a yes man and will not push Lana outside of her comfort zone. she ironically displays some of what she protests about in some ways-Narcissistic values as displayed when she gets irritate with the tiniest amount of critique. She is a sweet person but also stuck inside a perception of herself.

Bitches none of these songs are wild, we want a big production like honeymoon or uv

Predicting rock candy sweets title track now: verse 1: sipping on strawberry daiquiris pink flamingos me on my porch Rock Candy Sweet tongue Candle in the wind fading bitter sweetly. Cue piano and faint guitar chords(the ones used in Mac and let me love you like a woman). Mumbling of the rest of song incurs.

I’d even take a pharrell album over Jack, atleast the beats would be amazing.

As long as it isn’t Jack, we’re good and I know people are going to kill me but I Love his work with Lorde and even some of the bleachers-it’s just him and Lana I find awful together, she needs a more weird production.

I don’t really see how her weight is our concern- the only time we should be able to comment on her at all is outfit wise during concerts as she needs to display an image-the jeans and t shirts needed to go, and thankfully they did. the fact people think they are entitled to her appearance and how she chooses to display herself is both misogynist and overstepping the line on idol worship. Yeah but Lana sounded terrible with Nikki’s voice, Lana does not harmonise with women’s voices well at all especially voices like stevie Nicks and Nikki lane.

I want her to sing in full voice on the next album like BTD, none of this whispery falsetto -variation is needed like low notes, high notes and some falsetto. I feel this was more of a lizzy problem she brought back after UV. aka though I adore it, has a lot of whisper sections.

I really like ultraviolence as a song tbh, when you turn it up it’s so layered and creepy- UV, Shades of cool and Pretty when you Cry are my top 3 UV songs with flipside and West Coast just missing the cut.

Yeah it’s weird to think how much I loved it at the time. It’s still iconic and I’d rank it above some other works but the beats feel kinda dated and that Rick James scream needs to die

Change is actually really good and one of her most heartfelt and understated lyrical moments. she needs to get a vocal coach for her voice and stop smoking(if she hasn’t) as she has so much wasted potential.

Speaking of AkA lizzy does anyone have a download link? Preferably not google drive so I can download as an actual album

And I agree it is strange that people often dismiss as some cheap badly produced record. I’d rank its production above BTD it’s more concise and less overproduced.

I love LDR aka, it’s a great record and is an essential listen for me personally.

I’d rank quarter of lust for life as worse tbh, I do not think the issue is the song itself, the production was just ruined with too many elements and that Rick James scream