SlowGinFizzzz

The fact that Ariana dropped her lead single after Lana did and still managed to release her album already while Lana's doesn't even have a cover, tracklist, or release date yet. Edit: AND that she released two (2) studio albums since Lana's last one came out.

I still think that NTLTC not even reaching number one in most countries was an absolute pop injustice, it should've been the biggest song of 2018. Like, obviously I'm glad she got two number one singles now with Thank U, Next and 7 Rings, but NTLTC deserved and it was robbed!

...right.

I need both Bad Idea and Bloodline to become singles.

Born To Die is always gonna be my favourite album of all time and I don't think anything could ever change that, but after the (to me) overall disappointing LFL came out and especially throughout most of 2018, when nothing interesting happened, I was afraid that I might stop caring about her future releases sooner or later, which I guess would equal "unstanning". However, the moment I heard Venice Bitch, my faith in her was restored. She demonstrated that she still has that magic I adore inside her, so I think I'm good now.

Queen

Black nails, black sky, black house, black leather wedding dress; The Blackest Day... Black coffee, of course.

Even if both Lana and Cédric had received a Grammy for the Summertime Sadness remix, I'm pretty sure Lana would not count hers, considering how much she hates that remix. I mean, it is pretty much incompatible with everything Lana stands for musically, it just happens to be her vocals.

I know this thread is kinda dead right now, but I just wanted to thank @@abombnd for the brilliant OMG and Champagne & St. Germain edits. I've been listening to them quite a lot lately, and whew, the talent! I can't believe Allie is sleeping on these bops.

So I've listened to Handmade Heaven quite a few times and tried to get into it, but I'm... not really feeling it. Like, it's cute, it's beautiful, but it kinda lacks a clear direction, the writing is average for her standard (we all know what she's capable of), and generally it just doesn't feel single-worthy, especially not for a comeback after a four-year break. I don't know, I guess after her previous lead singles that were all brilliant, I just had too high expectations. Hopefully I'll like this more in the context of the album. The video is gorgeous, though!

Grammys are cancelled. Pink ended them last year, and Ari ended them again now. They're over.

Well, it's not like they're promoting and playlisting her for free. If anything, we should be thanking Ben and Ed for getting her a decent deal with Spotify.

Track no. 12 and 13 better be BAR and Yosemite and not the two country-ish songs she played live. I don't want those anywhere near NFR.

Don't want you in my bloodline, yuh Not tryna make you all mine, yuh Ain't no need to apologize, no But you gon' have to let this shit go, yeah

Great minds think alike! Not everyone can relate.

Wow, I love it! Can't believe she recorded such an amazing album in such a short time. Let me just tack NTLTC, GIAW, and Breathin' at the end of Thank U, Next and pretend that Sweetener never happened.

Ugh those were the days! Fighting the good fight with our honourable sistrens @TheBoss, @xcx (RIP), and Atticus (?), whew!

First time EVER, ever? In case you've only listened to the (shorter) video edit, here's the full one:

Pop Perfection™

I'm talking about the "revised" tracklist for the American release, which was then (unfortunately) also used for the vinyl release. They are, of course, still part of the European deluxe edition.

The thing is that, as @@Terrence Loves Me said, this interview probably took place months ago. Maybe back then, the album was still scheduled to be released in March, but things have changed for whatever reason (Lana wanting to release the poetry book first, Lana deciding to keep working on the album and release it at a later date etc.) and these changes are simply not reflected in this interview. Otherwise I am 100 % sure we'd have the March release date officially confirmed by both the record label(s) and Lana herself by now.

She should've just released the standard edition of Electra Heart first and then re-released it as "The Su-Barbie-A Edition" (or whatever it'd be called) with the deluxe edition bonus tracks, the title track, EVOL, Su-Barbie-A, Just Desserts, Miss Y and another one or two new tracks. The possibilities!

I'll never understand why she decided to remove Living Dead, Lonely Hearts Club, and Buy The Stars from the tracklist, and didn't put EVOL and the title track on the album at all. They're all such integral parts of Electra Heart!