IanadeIrey

Hmmm, that's interesting. Her store says September but since these retailers are saying early Aug/the 21st, the vinyl may ship this week then, right? Thank you! It's an edit I made

Thank you!

Just to clear things up - the CD arrives on 7/21, but the vinyl arrives in late September, correct?

Yesss, it's amazing. I remember in the Beats 1 interview with Zane Lowe, though, she mentioned how songs like Cherry and White Mustang sounded "annoyed," sonically speaking, and I guess that addition before the chorus hits definitely suggests feeling "annoyed." Idk, just my two cents

I'm so glad Lana worked with Tim Larcombe again, this time with Cherry. It's already a classic Lana Del Rey song, and I love the choreography for it on stage.

Cutie cutie gang, Lana said that when she face-timed Boi-1da during the Beats 1 interview with Zane Lowe.

The tracklist couldn't have just "coincidentally" ended up the way it did. Lana truly did plan this out well. I love how the first half has more summery and gritty songs with a contemporary production, while the second half has a more stripped back, lowkey feeling that speaks to the lost era of Woodstock. She truly bridges the gap between the past and the present and is appealing to both the younger and older audiences she has. She truly has outdone herself with this record. I cannot wait to see where we're headed with Lana Del Rey.

Couldn't agree with this more, I don't think the tracklist could just "coincidentally" end up like this. Lana truly did plan this out well. I love how the first half has more summery and gritty songs with a contemporary production, while the second half has a more stripped back, lowkey feeling that speaks to the lost era of Woodstock. She truly bridges the gap between the past and the present and is appealing to both the younger and older audiences she has. She truly has outdone herself with this record.

I recall Lana saying that the sound of LFL mixed a "heavier, beatsy sound that's similar to BTD" and an acoustic sound, which really is evident from the snippets. Cherry and In My Feelings really sees hard beats - and that classic BTD sound with the hey!" and I believe I heard a faint autotuned loon in Cherry. I am really excited for the last 5 tracks of the record, though. I feel like Lana wrote some of her more folkier tracks in early 2016 when she went auburn and blonde and was hanging out with that "indie crowd" of her musician friends, like Jonathan Wilson, etc., and like she said, when she started to do more collabs, she started to get into a more contemporary sound. I remember in November, she and Stella went to I believe A$AP's concert, and some people on LB began speculating if that would have an impact on her sound for LDR5, and it clearly has, with Summer Bummer.

I wonder if "In My Feelings" is about Donald Trump, or a figure similar to him. In the handwritten tracklist she wrote all of the seemingly political songs in blue (clearly democratic), and that song was one of them. In the snippet, she also says "you're taking what's mine with what you're doing" and "talk that talk, well now they all know your name" and Donald Trump is known to be all talk. Just my analysis

I wonder if "In My Feelings" is about Donald Trump, or a figure similar to him. In the handwritten tracklist she wrote all of the seemingly political songs in blue (clearly democratic), and that song was one of them. In the snippet, she also says "you're taking what's mine with what you're doing" and "talk that talk, well now they all know your name" and Donald Trump is known to be all talk. Just my analysis

Groupie Love and Summer Bummer truly are beautifully crafted songs, as are Love, Lust for Life, Coachella - Woodstock in My Mind, and the live version of Cherry (based on the snippets, the studio version sounds just as incredible!) I can't even begin to imagine what the rest of the record is going to sound like. Which songs are you most excited for? I'm excited to hear every song but God Bless America - And All the Beautiful Women In It, Tomorrow Never Came, Beautiful People Beautiful Problems, When the World Was At War We Kept Dancing, and Change stood out to me in particular.

It's from the presumed back cover of the physical versions of LFL! Lana posted it on Twitter this morning

I hear it in both Spotify and iTunes, and I love it. It adds something a bit personal to the song, and truly solidifies that fan-artist connection that she's trying to convey in the song.

When can I expect Amazon to put the record (LP format) up for pre-order? Thanks in advance.

Groupie Love is so beautifully done. From the slightly tropical and 'wet' atmosphere, I feel like it's the perfect blend between what we loved so much about BTD/Paradise and Honeymoon. It really feels like an homage to her past work but with something new. A 'retro-future' indeed.

I haven't usually pre-ordered any other physical records from Lana, I've usually just pre-ordered the digital album and waited for the vinyl to be released at UO or some other vinyl retailer, and I'd like to pre-order LFL on Amazon, however, I don't see it there yet. When does Amazon usually list the record for pre-order? Thanks in advance

I love that she posted fan art! It truly showcases that whole "album for the fans" line she was associating with the record. Love it love it love it

That's very nice of you to say, thank you! And no, I'm not actually Lana, although my username says otherwise, haha

I know it's a little premature to already be talking about LDR6, but since Lana said she's not completely at where songs like Yosemite portrayed her to be, maybe while she continues writing for her next record (assuming she's probably already began, knowing her) maybe she'll grow a bit more into that mindset? She did say that BAR/Architecture, Yosemite, Roses Bloom For You, and another track (maybe SR?) did not fit the aesthetic of LFL, so maybe we'll see them on the next record, since she alluded to the fact that a few of those songs would have their place in the future. Maybe another EP/reissue as Paradise was to BTD will be released. I do hope we'll hear Yosemite one day, though, since she talked so fondly of it. However, I'm just grateful that we have new music from Lana regardless. Stanning Lana truly is a treat and I love everything she's put out during all her eras, so I know she will not disappoint with this record.

On her Twitter!

Same

Off topic, but Lana just shared the back cover of the physical version of the record. I love the picture on it, she looks absolutely gorgeous and her stare kills me.

I love that background note Lana does throughout the last choruses of the song. Adds a bit of a horror vibe that I and I'm sure many others love about Lana's work.

I'm ready for the Cola high note part 2. Also, so sorry for accidentally unfriending you and @, I'm not entirely sure how to use the site, haha.