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About IanadeIrey
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lanadelrey
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I was thinking about it, and now that we know that Lana sings “white hot forever” during the chorus of Tulsa Jesus Freak, I wonder if the song actually was titled the words she teased in her IG post and Tik Tok from July 2020, “Tulsa Jesus Freak: White Hot Forever” - much like how she changed “White Dress/Waitress” to White Dress? Makes sense to me, and hopefully solves the mystery of what she meant by grouping what we thought were two tracks at the time!
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IanadeIrey liked a post in a topic: Chemtrails Over the Country Club - Pre-Release Thread: OUT March 19th, 2021
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IanadeIrey liked a post in a topic: Chemtrails Over the Country Club - Pre-Release Thread: OUT March 19th, 2021
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IanadeIrey liked a post in a topic: Chemtrails Over the Country Club - Pre-Release Thread: OUT March 19th, 2021
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IanadeIrey liked a post in a topic: Chemtrails Over the Country Club - Pre-Release Thread: OUT March 19th, 2021
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It definitely is a sadder song for sure, I agree! I was thinking more instrumentally - I too think Yosemite will be a bit brighter in tone but will share some mellow elements with Fade Into You! I'm so excited <3 I love this song so much, I would die! I love Mazzy Star's sound so much. When I first heard Hope Sandoval's voice, I was reminded of Lana, so I could totally see her going in a direction sonically similar to Give You My Lovin and Fade Into You I cannot wait!
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Right now, I'm imagining Yosemite to sound like Fade Into You by Mazzy Star! There's a prominent acoustic guitar, keyboard, and tambourine in that song and we know Yosemite has those 3 instruments! The mood of Fade Into You is also nostalgic and at times, very saccharine while still being bittersweet, so I could see Yosemite sounding similar!
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I feel the same way! I also think the fact that I never really thought about what the cultural landscape looked like in relation to Lana as her records were released helped with that. I know a lot of people associate Born to Die with Tumblr, for example, but I just never happened to be on Tumblr, so the presumed-outdatedness of that didn't affect how I listened to the album. And to be honest, I'm really grateful that I didn't participate too much in whatever was 'hot' in the culture because I'm not sure if I would be able to develop the discerning ear that allows me to pull back and really just appreciate the music for what it is without the 'white noise' that can make music feel dated. I love how Lana is able to dip her toe into various trends and genres while still making the music characteristically her own - and timeless, of course! <3
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Knowing that all of Lana's records generally contain evocations of 1 or 2 particular places (AKA being Nevada and New York; BTD being New York with a touch of Los Angeles, and then Paradise through NFR being various regions of California with Ultraviolence briefly going back to New York) it's interesting to note that Lana has said numerous times over the last year that spiritually, karmically, etc. she was wanting to "leave LA" (as written in LMLYLAW). You can definitely hear the Midwestern influence in LMLYLAW - some of the guitar-work on that song reminds me a bit of the traditional melodic-patterns that are indigenous to America's original inhabitants; I was particularly reminded of when Lana invited Andrew Thomas (a Navajo flutist from Albuquerque) to perform on tour in November 2019, and I recall in her original video announcing VBBOTG's spoken-word album (from December 2019), she said something about how connecting to the lineage of America and donating the proceeds of Violet to various Indigenous communities "informed this next album that [she's] working on". I am imagining that the album will incorporate the earliest sounds of Midwestern-American history and will pay homage to the Navajo community that Lana has talked about being touched by in her youth and has discussed making reparations to recently. I'm excited!
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It could! I could be wrong, but I totally heard piano riffs as well as synthesizers beneath her vocals during the chorus and a lone piano during the “you should come back to our place” part of the snippet. The piano sounded really muted, as though someone had pressed down the Celeste pedal (or “practice pedal” - the middle pedal on the piano)!