Evergreen

I will, I have no self-control and therefore I will suffer.

I'm not. It ruins the experience for me. But glad it keeps you entertained.

We don't need a vinyl rip leak, but a cute review from them would be nice.

But no one said it will be UVxHM

Now how is that supposed to sound Two totally different songs

Here we go with pixels

We haven't heard Taco Truck yet but I love this idea already.

"solar power era"

These last pages are a total abomination to humanity. And I mean it. No words only prayers for all of you

We have three interviews about the album and Lana hasn't mentioned any of these songs yet - The Grants - Sweet - Candy Necklace - Paris, Texas - Grandfather... - Let The Light In - Fishtail - Peppers - Taco Truck Correct me if I'm wrong, but yeah...

There are a lot of songs she didn't talk about... Yet.

Lana already mentioned "world-building" in a interview with Billie where she said this: "It’s funny, this album felt totally effortless. When I did Norman Fucking Rockwell! it was about world-building, whereas this was straight vibing." Many of you said that with NFR! she was trying to please the critics, but it was just the same "world-building" as with Born To Die and other albums. She's not trying to limit herself, she's enjoying the whole process and trying out a new style of songwriting. That's all.

1. Let The Light In 2. Candy Necklace 3. A&W 4. Grandfather 5. Fingertips 6. The Grants 7. Ocean Blvd 8. Fishtail 9. Taco Truck 10. Peppers 11. Kintsugi 12. Margaret 13. Sweet 14. Paris, Texas Can't wait to compare it to my actual ranking in 2 4 weeks.

“A&W” is unlike anything she’s ever made. It’s a psychedelic, collagist freakout that rides from exasperation—“I’m a princess, I’m divisive/Ask me why I’m like this/Maybe I just kinda like this”—all the way through to the delirious liberation of accepting your status as a lifelong outcast. By its end, she’s taunting the object of her affection with a wry, wily grin: “Your mom called, I told her you’re fucking up big time/But I don’t care, baby, I already lost my mind.” Lana has always operated with a kind of creative abandon seemingly at odds with conventional wisdom, but “A&W” might be the ultimate expression of that wildness, a chimeric, haunted folk-trap ballad welded together with nothing but the heat of her own star power. Lana Del Rey - "A&W". Best New Track by Pitchfork.

Kesha's mother

The piano on A&W is amazing. If she continues to use it that way, I'm all for it.

A&W just got the Best New Track from Pitchfork, the biggest streaming day on Spotify for her ever and a 94/100 score on AOTY (and there aren't many Lana fans on that site), but apparently it's us who's exaggerating just because this is "something new" for Lana, please.

Omg, 6:12

Okay.

The food in question:

Can't wait to hear so that's why I won't wait at all.

Seems like Ellie Goulding is now releasing her album on February 24 instead of March 24. I wish Lana did the same because her date is stacked with big releases (Fall Out Boy, Pink Floyd, Luke Combs, etc.) and this way we'll get the album sooner.

Can't wait to hear "the best song of all time" aka...

I wish BOZ didn't spoil about A&W being a 2-part song, imagine listening to the song for the first time, and there's an unexpected switch..

Imagine the next week... Lana's first post on oceanblvd account, the release of A&W and 2 magazine covers with interviews!