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Everything posted by HighbytheSea
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See this is the first album since NFR *but really L4L where my craving to put it on has grown. Chemtrails did give me needed peace during the pandemic, and it definitely got replayed to hell, same with Blue Banisters-but I think it's because they were there, they were what's new for her and I rarely play through other artists albums like her. Ocean I NEED to put on after a certain amount of time or my mood sours lol. I truly need to hear Paris Texas for brain recalculation. it's like the Violin to Frankensteins Monster-instantly calming and beautiful
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A&W to Judah to Candy Necklace is some of the most Lynchian work she's ever done. She channeled him so hard with this run. Blue Velvet indeed, the seediness of what's below a pristine surface. A young girl cartwheeling, the preacher preaching, and the Candy man himself. But the girl is in danger, the preacher is shouting, and the the Candy necklaces don't taste right.
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Ocean Blvd is such a comfort song it's ridiculous. Very much like The Greatest where it's style is just timeless Americana like only she can do. I could have it on repeat all day and would not be bothered. Is it a set up that the next half of the album is full of challenging emotions? Yes lol but we have Cocc if we want peace with her.
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I do find it so interesting to compare the score to someone like Caroline Polacheck, who's last album was Godly, but the critics seem so much more receptive to the fact that Caroline herself is a genius than bestowing that on lana. They have a built in misunderstanding no matter how much she says otherwise that Lana, even with the recent praise, still has some sort of machine behind her, like it's not enough for them. Idk what more she can give them to make them happy, so fuck em.
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I said this a couple days ago and THE next day the streaming numbers were given and Fingertips was listened to like 100 grand less times. Like wtf is that and why did no one consider My feelings! Stream gurl, we got this. It's almost funny how it's my favorite but I can't even listen to Kintsugi cus it is currently too sad (dealing with some family stuff) I could listen to Fingertips all day. It's the start of the back half of the album for me and it soars from there.
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Fingertips' growth to me on this album is astounding, it now fights with Paris, Texas for the number one spot. It's lyrics are so devastating, but also some of her best ever. The Aaron Greene run has quickly become one of my most treasured by her, it's achingly beautiful-and I don't mean that as some normal adjective-that shit truly hurts me, a kind of echoed pang of sadness, I...what a massive song. That's not the right word-shockingly haunting is better. Damn
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Let's get spicy then! Two things-there are ALOT of times where Kintsugi is the ultimate skip. Its fucking SAD. It's the saddest song she's ever done. Her lower register, that we've known so long, so reflective yet plain, cruelly plain, about how it feels when someone is slipping/has passed away. It's a personal hell that you can't help but sob. The "Daddy I miss them" portion is just evil ( and Yes Fingertips has shockingly tragic lyrics but they're so specific that it's clearly ONLY about her life, and the beautiful arrangement and her high notes make that song sing much more to me than Kintsugi) 2. The "Wipeout" section of Peppers is just as epic as the A&W transition and is easily, Easily the most fun I've ever had with a Lana song. That shits so fucking groovy baby! Ugh the second half of Peppers is just pure joy and fun in the sun and it will be murdered by the replay button this summer. *edit* none of these takes are that hot but let's hear the takes sistrens, we've been in post release for over 2 weeks!
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I think this is an album written for herself and those who are truly invested in her story, like us, and it just so happens that the bops are undeniable and she's in a bigger light than she ever really has been before so all the casuals are giving a listen or two. We should be shocked THIS album is doing this well. A&W is an unmatched all timer from her, but the majority of this album has no business being as streamed as it is, especially Paris, Texas growing as an organic hit. The masses truly found some taste this year but we're just lucky we stan an artist who is still pushing herself and absolutely has more to give 9/10 albums in.