PatentLeatherDoOver

5 minutes ago, littleredpartydress said:

It’s nothing from honeymoon sadly because Rick and Kieron would be credited if it was and we have the writing credits of the album already 

When Lana samples Venice & I finally get another “everything, whatever” moment

I assumed the “@honeymoon from hell” post from Jack was just a reference to Lana/her account, but what if she is indeed sampling a song from Honeymoon in a darker,  more rage-y way..

an angry track closing the record…I’d like to see it

Wait, didn’t Eclipse initially say something about ending with HBTB? Or something along those lines?

it was in front of us the entire time, I fear..

@Kintsugi I don’t really have a specific question, but is there anything you found interesting on a personal level that you want to share?

BoZ said A&W was unprecedented. He’s familiar with Lana’s discography, so I doubt the presence of trap beats alone make A&W experimental. 
 

Also, unless one has heard the album, how can assumptions be made about how they’re woven into the record, much less about why Lana chose to incorporate them?

If someone doesn’t like trap beats or the samples she used, that’s fine, but making broad assumptions about unheard tracks and their compositions is nonsensical. 

I just noticed the voice saying, “Okay,” at the beginning of Sweet Carolina

35 minutes ago, Pretty On The Indide said:

I am so touched to be nominated for Self Loathing Poet once again. I know I haven;t posted as much this year as Ive been in my Dumb Happy Slut Era but I promise if I win to begin posting psychotic ramblings disguised as poetry on the daily once more. I am now on a heroic dose of prozac daily and feel great and can't wait to wriyte pages and pages of incoherent nonsense including my 5 million word dissertation on Lust For Life (2017) and how it reveals the secrets of life. Yes the same one I've been promising the wonderful @PatentLeatherDoOver for years now. But only if I win. I wanna be the gay with the most cake

when I tell you I will be READY to take notes on this!!!! Much deserved!!!

Also, thank you for the Best Taste and the Anti-Noff (Audio) nominations—genuinely means a lot 

2 minutes ago, annedauphine said:

Incredibly thankful for these nominations guys

I wonder if they meant, like..LanaBoards fan favorite or general public?

Maybe the acronym starts with “God powerlifting”

When the sample starts with, “Boy, you wanna come to my motel, honey?”

I can’t remember if the “trilogy” comment from forever ago was just speculation, but it would make so much sense for TUOB to be the “transition” record like LFL

So which song did she send to Pusha T to remix 

Haven’t been this excited for a Lana record in so long

 March 10 needs to hurry

When one of the interludes starts, “You know, sometimes I think god’s playing a little game with me.” (I know there’s no reworked but I fucking love that song)

1 minute ago, bluedealer said:

Didn't Rob said something about creating some piano song with Lana for next record a year ago? Maybe he isn't credited 

Wait I thought Rob had his own album? Or was that a joke lol

I’ve said it a million times, but I really want an “Everything, whatever” (VB) moment on TUOB..

the lackadaisical lyricism with fuzzy guitars and jumping, almost futuristic synths juxtaposed on a folky landscape..it was truly the moment 

Maybe instead of releasing a TUOB single that could detract from the record’s continuity she could release the real Fine China x Your Girl x SYTH versions as a silly little triple single release

Manifesting HM‘s interconnectedness, LFL’s sonic variety, NFR’s acclaim, COCC’s cohesion, UV’s cathartic delivery, BTD’s novelty, Paradise’s lushness, Blue Banister’s intimacy, and AKA’s lively and unique spirit

edit: obviously more strengths to these records but yeah lol

when the sermon brings up powerlifting & the comment from @111 comes together

this album is going to be so good regardless of where she goes sonically. I can feel it

Lana when the pastor started yelling

1 minute ago, hotshot2am said:

Is there any background music or is he just screaming and cursing gays? 

 

Yes, I think that's what carries it. It kinda sets the unsettling eerie tone that makes pastors bullshit intriguing

But it's just something very random, you can hear Lana giggling and whispering while he's talking so she must have recorded it with her phone while being on the sermon

 

more info on the interlude by BoZ

Lana giggling while the pastor is screaming alongside eerie music is sending me