cherrytropico

oh now y’all are gonna make her deactivate…who tf had the nerve to comment this knowing she’ll see it

she’s never making a high budget music video ever again back to homemade videos recorded on her iphone

i am salivating just look at these pictures…every time i buy lip scrubs i end up eating them out of the container. they taste so fucking good and i’m like this with lip glosses too, i always lick my lips. also when i was little i would literally chomp my mom’s lipsticks 🙈 idk why i did that because those don’t taste good, but lip glosses and lip scrubs SMACK it’s not my fault companies make them taste yummy

are we ready for tonight i’m excited to see how badly syth can be butchered

same and i hate how swifties are so dramatic about the original versions saying it’s unethical to listen to and we’re terrible people. the originals are always superior, the way her voice sounds younger and more emotional fits with the lyrics better. i anticipate the rep re-recorded songs to not have as drastic of a difference since that album had her mature voice already. i’m most excited for rep/1989 vault tracks and don’t think i’ll even bother with the debut ones lol

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the exception to this is let the light in, that track worked so well because fjm was just harmonizing with her and contributed to the vintage effect of that song. plus i didn’t mind jon batiste at the end of candy necklace. but tommy genesis taking up majority of peppers and being louder than lana…jack’s unintelligible parts in margaret…two interludes that were just yelling…it was a no from me.

i hope there’s no features i just wanna hear my girl

and still ruthless to this day. i have NEVER in my life been in a fandom where the ‘fans’ criticize an artist’s appearance this much. i still see lana fans on twitter talking about her looking old or fat, or critiquing her outfits as if they’re joan rivers. genuinely never seen a fandom trash the person they stan this much - usually fans praise their fave not tear them down.

currently watching love in the afternoon ︎♡

UGH knowing lana asked a fan if the choreo was “too much” makes me upset she saw this comment. she teeters between not giving a fuck and being self-conscious/anxious.

the next person who meets lana needs to be brave and ask if she's going to release another poetry book anytime soon, because she has not mentioned working on poetry at all ever since her laptop was stolen. i'm itching for a new collection, as her audiobook of violet is so relaxing, and the collection inspired me to get back into poetry.

it's better than hearing the same old blue jeans-young and beautiful-born to die-cherry-white mustang run. i'm glad she let cocc and nfr shine

1. honeymoon - 12 2. music to watch boys to - 11 3. terrence loves you - 13 4. god knows i tried - 10 5. high by the beach - 10 6. freak - 11 7. art deco - 12 8. burnt norton - interlude - 2 9. religion - 11 10. salvatore - 13 11. the blackest day - 14 (+1) 12. 24 - 8 13. swan song - 13 14. don’t let me be misunderstood - 0 (-) OUT

when the live unfreezes and it cuts to lana singing "he was a big wave surfer living down by wayamaya bay"

JACK?

lucarscola on instagram

i cant hate the dancers, they're cute girls having fun and they make lana happy/comfortable. she's smiling

GIRL MY LIVE UNFROZE AND IMMEDITAELY WENT TO DANCERS SWAYING AROUND WITH CANDLES shit was so random

“live video paused”

i also don’t see the whole “the last few tracks reflect the next album” thing. this has been only accurate for lfl - nfr - cocc so it’s not a sustainable theory. how is this is what makes us girls and without you like ultraviolence? how is guns and roses and florida kilos like honeymoon? how is 24 and swan song like lust for life? maybe there’s a connection between sweet carolina & the grants, but sweet carolina definitely does not reflect a&w, let the light in, candy necklace, peppers, etc. overall we really don’t know what to expect until lana teases something or insiders start spilling. as of now we have almost no info except that jack will be a producer. we don’t even know if what she recorded in the alabama studio is for ldr10 or a different project.

top 3 from each album ♡ sirens: try tonight, drive by, out with a bang ♡ aka: raise me up, yayo, for k part 2 ♡ btd: without you, national anthem, off to the races ♡ paradise: bel air, ride, body electric ♡ uv: shades of cool, brooklyn baby, old money ♡ hm: religion, blackest day, honeymoon ♡ lfl: heroin, 13 beaches, when the world was at war ♡ nfr: mariners apartment complex, venice bitch, the greatest ♡ cocc: white dress, chemtrails, not all those who wander ♡ bb: thunder, text book, violets for roses ♡ dykttatuob: a&w, let the light in, dykttatuob

until lana makes “classic lana” music again people will keep saying the same thing. it’s been like this since nfr. i doubt lana is ever gonna go back to those “classic” sounds and melodies, we get glimpses of it in her recent works (ie candy necklace) but right now she’s very happy to create music with a bunch of different people and keep the production simple to express her writing rather than to be glamorous, dreamy, or melancholic. then again with lana you never know what she’ll put out 🤷‍♀️ i’m personally still hoping for a rock album in the future, we’ll see what happens.

A&W - 62 Candy Necklace - 44 Let The Light In - 54

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