TheBoss

I think as of now the old recordings will stay there unti the owner (which is no longer Scooter I think) whishes. I'm not sure how that works and if Big Machine has a call in the matter Tbh I'm not sure since the other example of discography I know which is JoJo is a complete different situation. She was blocked from releasing or getting out of her contract close to a decade, and her label stopped working as a proper record label without her being able to get out off her contract, so there was no publishing going on, promotion or intention of keeping things working basically and so her entire catalog was taken down from digital services. In her case she wanted to keep it as close to the original as possible, since she wanted to get that nostalgic factor so she used the smiliar production and touches, a good example of a re-recording that quite changes stuff from the original is Lana's Yayo tbh And here's an example from the snippet of the commercial compared to the original and a JoJo banger:

I haven't been able to watch the NYT documentary but I watch Deep Dive's documentary, truly heartbreaking, hope with the new media exposure she finally gets out of it

I think the main reason of re-recordings have always been ownership of her own material, it's not like the good sis needs an extra coin, but I don't see nothing wrong with her getting money for her own musical work (I mean isn't that one of the main reasons of any artist signed to a label lol) I found it quite special actually, to see how an artist can give that little twist or new approach to their own hard work that is probably way more personal for them that it ever was for us JoJo made the same decision and the outcome was absolutely amazing so I'm excited to see with what she comes up, the original recordings are always available online anyway

Disco Darling is amazing oh wow The fact we will have to wait two more years for another project of hers, criminal

OOOOH MY GOOOD FINSLLYYY

I just know we're gonna get a 100% unknown mid-tier track, before we ever get Disco Darling

Earned it was THAT bitch, I loved it, a little dast paced but It didn't felt awkward to me at least, king

I must have forgotten, maybe you could share Disco Darling to refresh my memory

More dates! Summer Love (the boppy final version) is from 2015 - Gladius / Axident / Priscilla Renea / Charli XCX Love Me is Jan 20th 2016 I used the Sophie demo for Vroom Vroom and the tropical for XCX, and both of them flow incredible in my opinion

Is this getting broadcasted? Like half of the setlist are all cover smh

I know, I always feel like I'm the only one that LOVES the final Lust for Life track, I know it's not her best I just feel like it's a great pop track

A bit more info: "Question: I’m assuming Real Love is from the same sessions as Porsche/Million/Champion, making it a Pop 2 outtake, right? But do you know the specific month 100, Never Felt Better and Thrills are from? Because I think they might be some of the first songs she made after finishing Pop 2, meaning they could be some of the earliest Charli sessions (if they could even be called “album sessions” yet)? Or is that wrong? Also, you mentioned scrapped features on No Angel... is there any truth to No Angel feat. Jay Park? Cause that was an old rumour in mid 2017 lmao (before we even knew he was on Pop 2). BOZ: Since Real Love was produced by King Henry - yes! Speaking of, Million almost made it to Pop 2 as MO featuring, I believe a version with her verse hasn't leaked? Never Felt Better and Thrills are right after Pop 2, december 2017 I need to check on 100, but definitely 2017 I can't confirm it myself, but according to Dennis and Bloom - yes one of the collaborators on No Angel was to be Jay Park EDIT: leaked 100 is September 2017 - Jack & Coke, cowritten by Noonie Bao." I guess most of you will have to make a few tweaks on your unreleased albums lol

That's a messy opinion I'll give you that Joking, but actually I'm not a Sad Girl stan, I actually consider it the first "good" track from UV, I do feel the downgrade a little after the first six AMAZING tracks, so I do recognize both its strengths and weaknesses

Sure they have repetive choruses, but we can't deny the absolutely outstanding production that Sad Girl has, the verses are great as well. Same with PWYC. And THAT vocal delivery! I'm sorry, they might not be career highlights like West Coast or Shades Of Cool, but they're far from being considered universally bottom of the barrel stuff. The girl put some effort on those two tracks and it shows!

Simply It just comes off as a very weak and mediocre song altogether, it doesn't do much for me, I don't feel like it adds absolutely anything to UV as an album. It SCREAMS filler and the fact that she had amazing songs like Flipside, ITH? or the other leaked outtakes on the table... And she chose this track. It has a cute production though, I'll give her that, but UV shines production wise so I'll give her props for doing the bare minimum.

No, I wouldn't consider it a good song

BlackoutZone shared this huge info post on ATRL: "The amount of misinformation that is being spread lately from clueless users, wish someone else came to clarify, but I guess everyone gets tired at some point... This is not an actual album campaign. In early album stages AG Cook was asked to come up with a visual plan for the era, he called it XCX Manifesto and wrote it all by himself and presented as his art direction for XCX3. It was never 100% finalized although they based some of the visuals on it, cause it was cool. That leaked picture is just a small part of whole thing AG Cook wrote originally. The album was not called XCX either, it was an idea and a placeholder name they used just like XCX World, but XCX World absolutely felt like an actual contender to me. The "draft tracklist from June 2016" is not really an actual tracklist either, the album was still heavily worked on, but Charli's manager asked her, just to have an idea, IF an album was to be released now what would be the tracklist, so she pieced it together to have something as for that day. Also at that time Bounce was solo :ryan2: Things started taking real shape when in late 2016 when Spike Stent, popular mixing engineer got requested and paid to mix Charli's album or more exactly 12 songs. Shortly after 12 got narrowed to 9 for unknown reasons and that's exactly what happened. Spike mixed and mastered the following songs by november 2016: After The Afterparty - which was ready earlier and already released Can You Hear Me? Die 4 Down Like Wow Girls Night Out Good Girls I Wanna Be With You Queen Lizzy Waterfall And this is literally why and how they leaked. Spike got hacked and the songs got spread (along with the stems which somehow still stay unleaked to this day). They would not pay him for mastering the songs if they weren't meant to be released. The mystery remains in 3 remaining tracks and why would they get pulled just shortly after Spike got booked for mixing of 12 songs. Since it's unlikely that Charli would cut the album to length of 9 songs it's more probable that she decided to do some last minute changes or adjustments. One of the 3 songs would for sure be Bounce and HERE is where Kyary probably steps in and the song was possibly not ready for mastering yet, cause maybe Kyary hasn't provided all the vocals yet? Maybe they were simply still working on it, on figuring out the bridge or ad libs or God knows what. That's why the Bounce she performed on Kimmel isn't necessarily final final, it's simply the last version she managed to get ready FOR the performance. The remaining 2 songs are unknown to me, most probably want to accept that it's Taxi and Come to My Party, but that seems unlikely, Taxi was never a ready song during that time and they had some issues with releasing it, I honestly don't remember what was it exactly. I hope we will find out one day. The 3 songs and "issues" with them must have been crucial and time consuming, maybe that's why we got N1A to feed us while we wait :matty: Maybe one of the songs to be in was actually No Angel since at some point she tried to get multiple different features to jump on it, but it didn't work out with any, no idea. Some other things that I saw being mixed up here and there: Paint the Town is a 2018 song by EasyFun HBHG was never meant to be released or even finished The recently leaked Sticky is not a 2020 rework but 2020 rework still exists Real Friend was still being work on last year, but more recently rewritten by Raye and re-recorded with different lyrics Problematic Song is just called Pop It Both 100 by Jack & Coke and Real Love are from 2017 That's on my side, do what you want with that, I wish everything was released and we would have more clarity from the START. "

JUMP IN IS A BAAANGER

INCREDIBLE

Idk why but I feel like I don't like it as much as I should? Sometimes I feel it looks quite cheap or messy :c

This, also her demo of Feel A Vibe!!!

Apparently this is a reworked from last year, sad to see they are leaking new material for her now that she independent

https://www.instagram.com/p/CKxmC6IFTNs/?igshid=1xlaoc0h62onu Cry Baby video out tomorrow!! It has grown on me SO much, she totally killed her verse

I can totally see Bree Runway breaking through somehow with ATM if her team plays her cards right, it has gained a lot of views in such a short time. Although Little Nokia deserved!!! I really hope she has a big year in 2021, she deserves everything, she's really talented

This is absolutely beautiful Kallum, ai have no words