Crimson and Clover

it’s like an epic that tells the story of her discography..if there was ever a “this is the story of Lana Del Rey” song, this would be it this is her Odyssey

They removed Judah Smith interlude from titty vinyl??? Was about to buy but..it’s honestly integral to the album for me

I think the song highlights her fear of losing people in her family and her deep ancestral bonds she has with them. It shows how her family shaped her more and not the industry plan accusations

LOL pls don’t get me wrong it’s obviously a baroque pop song but there are at least some post rock influences just listen to any GYBE and Sigur Ros song…they’re definitely there. The swelling guitars, the layered rock instruments leaning towards an electronica sound, the build up and mini-crescendo - its not a post rock song by itself (it still follows conventional verse chorus structure, is vocal dominated, it’s extremely short, etc) but the sounds and textures are there at least as influences, especially in that gorgeous last chorus..either way lana always has at least one or two songs per album exploring a new genre fir her and isn’t really a stretch to say she explored this

the post rock-ish atmosphere of Grandfather… the girls who get it get it

this reads like a message from my manager understood

The lukewarm reception that the Grants has received confuses me so much like the moment I heard the lines do you think about heaven I KNEW this was going to be one of her best songs, and it is for me I just can’t imagine not crying while hearing this live, my eyes literally well up with tears every time I listen to it..seeing people call it her worst single???

Lana eating at the Woodland Hills Maggiano is sending me the most random place I can think of especially since she’s always at like Studio City. It’s really cute of her tbh

Pretty When You Cry was the first song I ever learned on guitar. I found Flipside easy also

I think people are mainly saying this because the amount of work she seemed to put into TUOB and how ‘major’ the album seems (not uncommon to hear people say during the pre-release “I haven’t been this excited for an album from her since NFR”) . I see it a bit as closure for all of her newer’ albums and to say it’s more similar to NFR vs. COCC vs BB is a bit pointless because it draws from all of them (for example, saying that the singer-songwriter songs are more similar to BB when LFL/NFR introduced them to her discography in the first place). This album’s an amalgamation of all of the sounds and themes of these albums (even some parts of LFL). I will point out though that it does literally end with an NFR song and samples NFR more than any of her other albums, i don’t blame people for some of their opinions on their similarities

I just can’t get over the NFR sample in A&W..it’s so glorious and the song wouldn’t be the same without it

I heavily agree with your last paragraph since I experienced it myself. I love all her music, especially Ultraviolence and NFR since they really got me into discovering new music. Ultraviolence got me really into music as a teenager and NFR a young adult, and they both taught me about music genres I would’ve otherwise not bothered with (e.g. dream pop, trip hop, etc). At the time they were new sounds and textures to me, while for example my older sister or parents would say stuff like “this sounds like the Beatles/Dido/Goldfrapp etc”. Looking back, most of her music isn’t groundbreaking - you can find similar alt rock/downtempo/pop/whatever genre songs that were bigger in the 90s that sound a lot like UV/NFR and her other works. But Lana’s works bring something really nice to the current pop landscape that young people who haven’t experimented much with their music taste can enjoy. It’s like how a lot of people heavily praise Ptolemea by Ethel Cain (a song I enjoy, don’t get me wrong) as something revolutionary but it’s essentially a post-metal ethereal wave song, which is nothing new.

it’s so post ironic I think it could work (idk what post ironic means at all but putting say yes to heaven in a Barbie movie gives me those vibes)

I need a live performance of Did you know right now

whoever made this it’s kinda messy but extremely iconic already..hearing the chorus with the new instrumental kind of a random comparison but the song has given me I’m God by Clams Casino vibes since its release but if Jack kept the verses/chorus it could’ve been his I’m God moment I’m afraid..(not sure how possible this would be though or if the verses were even created during this stage the song was in, but anyways)

1. A&W 2. Sweet 3. Did You Know 4. The Grants 5. Grandfather 6. Taco Truck x VB 7. Let the Light In 8. Fingertips 9. Paris, Texas 10. Peppers 11. Candy Necklace 12. Kintsugi 13. Margaret 14. Judah Smith interlude 15. Jon Batiste interlude 16. Fishtail i will say I enjoy most of these tracks. The only track I truly don’t really listen much to is Fishtail. Top 3 for me for sure

I was very annoyed with the people in the front row because of that Radio would’ve been amazing..

I’m pretty sure in my show in SF she asked if we wanted Body Electric or Radio, and they chose Body Electric as if that wasn’t one her most performed songs at that time

Going to a 21+ Lana club night this Friday that’s celebrating the tunnel album usually I’m not super interested in these things but I’m excited to shake it to A&W and Peppers

“American bore” would’ve been iconic idk

Spectrum Pulse also had a very positive review for Tunnel. He has never really liked any Lana album before so it’s also a pleasant surprise

aw this reminds me when I would force my dad to listen to her whenever he’d drive me to school

Fantano gave a 9/10 well deserved

this video is sending me

Scaring the hoes is actually kinda iconic though Lana should collab with Peggy for sure