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What are your favorite Lana Del Rey Demos?

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Ya'll got taste  :defeated:

 

I love the BTD demos as well. 

 

I can't wait to hear the UV demos.


𝓉𝒽𝑒 𝒷𝑜𝒶𝓇𝒹𝓌𝒶𝓁𝓀 𝓆𝓊𝑒𝑒𝓃𝓈 𝓇𝑜𝓁𝓁 𝒹𝒾𝒸𝑒 𝓌𝒾𝓉𝒽 𝓉𝒽𝑒 𝒶𝓇𝒸𝒽𝒶𝓃𝑔𝑒𝓁𝓈 𝒻𝑜𝓇 𝓅𝒾𝓃𝓀 𝓈𝓁𝒾𝓅𝓈 𝒶𝓃𝒹 𝓉𝒽𝑒 𝓈𝑜𝓊𝓁𝓈 𝑜𝒻 𝓉𝒽𝑒 𝒹𝑒𝓅𝒶𝓇𝓉𝑒𝒹

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Beautiful People

National Anthem (The Nexus)

Diet Mountain Dew (The Flight)

Black Beauty

Tomorrow Never Came (what we’ve heard)

Mermaid Motel

Brite Lites (Mertens)

Best American Record (assuming what we have is a demo)

This Is What Makes Us Girls (Larcombe)


If by not 'up to par' you mean distilling the worst elements that only kind of work in songs, sure. I could put a dictionary audiobook on shuffle and put it to an instrumental of old money and some of y'all would still be saying it's 50/50 lmfao.

8LQ1.gif

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Fuck My Way (It's unleaked but the two snippets that leaked slayedT my existence)


"ser bella me dio privilegios, pero ser astuta me dio poder"  :makeup:

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BP and the original bridge of TNC was heartbreaking


tumblr_pne98wa26x1wk694yo1_500.gifv

"You can't be a muse and be happy, too.

You can't blacken the pages with Russian poetry and be happy." - Blue Banisters

Quote

I asked Asmodeus (the demon of lust) to make Miley Cyrus suffer. I am not happy with these new developments. After Miley rips off Lana's aesthetic, she bullies Lana into changing her release date. It is infuriating. 

 

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[iNSERT OBLIGATORY PEDANTIC COMMENT THAT THE TERM "DEMO" IS USED INCORRECTLY HERE AND PROBABLY NOT EVEN IN A CONSISTENT WAY]
 
Take it away @Monicker...
 

Re: demo: With some notable exceptions (ex: the Video Games demo) the LDR fan base tends to misuse the term demo. I think people just view demo as interchangeable with unreleased. Most of her recordings that are labeled demos are fully arranged, full studio productions, i.e. not actual demos as the term is generally understood and used. They are simply early or alternate versions--different arrangements and productions--of either songs that were later released on an album or unreleased songs. She just tends to record several versions of songs is all.

This is a topic that has and continues to come up a lot, so i want to give some of my thoughts on the matter.

It’s pretty much all semantics when it comes to the term demo because its definition is open-ended and it has changed some throughout the decades, from the early days of record production to today. More importantly, the meaning changes from artist to artist. Consider the following variants and contradictions:

-Demos are not intended for commercial release, yet they make it onto albums all the time. So what does this mean? Can something exist as something but then suddenly, without actually changing, be something else just because of where it winds up?

-A demo can be described as an audio “sketch” of sorts, yet the final version of a song can end up being more stripped down and bare than its demo. Having a fuller arrangement or being more “produced” is not always the approach taken for the final product.

-Demos are typically recorded cheaply with more “primitive” equipment and means, but a demo can also very well be recorded in a professional studio, while on the other hand, album tracks can be recorded in a bedroom.

-Similarly, demos are usually defined by their quickly-recorded nature, but it can also take a good amount of time to put together a demo, and yet there are countless albums that contain songs that were cut in just a few hours.

-Contrary to the inherent meaning of the term demo, a fairly polished performance can indeed show up on a demo recording. Conversely, rather rough performances often show up on studio albums.

-Additionally, it is not uncommon for different elements (tracks/“stems”) of a demo to be “flown in” to the final album version (look at how many of Lana’s “demo” vocals were used on the final record).

So, as you see, the qualities that define a demo recording and set it apart from a studio recording aren’t really set in stone. It’s really defined by those who create the recording, as well as their intent (which we often don’t know). All this said, i myself don’t classify a lot, or even most, of LDR’s "demos" as demos per se, but rather as fully arranged studio productions (so: alternate versions). One of the exceptions, just to give an example, is Video Games, a demo that actually does fit the more traditional description of the term, given it’s minimal arrangement, its use of cheap keyboards that stand in for real instruments, and the quality of the recording. Everything about it has the sound and feel of a demo recording.

It seems that, in the LDR fan community, the term demo often (not always, because we have gotten files from within her team that were labeled as a demo) gets applied after the fact, once an alternate version of a previously released song has leaked. Ultimately, though, i don’t think it’s that big of a deal because of all the aforementioned difficulties that exist in concretely defining the word. The important thing is that we, as a fan community, come up with these designations and labels in order to easily identify stuff to each other, to make discussion possible, something that is very useful.

As for the chronology of the various versions of these songs, these numbers that we sometimes assign them (ex: Dum Dum v.1, v.2, v.3; Lolita 1, Lolita 2, etc.) obviously correspond, not to the order in which they were created (given our limited resources, how can we know that sort of information?) but to the order in which we obtained them/they leaked. It is merely a simple and effective identifier/labeling system for us so that we know what the hell we’re talking about when we bring up all these different versions in conversation. This, too, is very useful.

Sorry 4 rambling.

 

:monicker: :monicker: :monicker:


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Stalking you has sorta become like my occupation.

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Beautiful People (Demo)

Tomorrow Never Came (Demo)

Pawn Shop Blues (Demo)

Mermaid Motel (Demo)

Brite Lites (Mertens Demo)

Yayo (Demo)


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Oh, I dunno. I couldn't find a video for it if it had one.

 

I think the one you are talking about is either demo 1 or demo 4


𝓉𝒽𝑒 𝒷𝑜𝒶𝓇𝒹𝓌𝒶𝓁𝓀 𝓆𝓊𝑒𝑒𝓃𝓈 𝓇𝑜𝓁𝓁 𝒹𝒾𝒸𝑒 𝓌𝒾𝓉𝒽 𝓉𝒽𝑒 𝒶𝓇𝒸𝒽𝒶𝓃𝑔𝑒𝓁𝓈 𝒻𝑜𝓇 𝓅𝒾𝓃𝓀 𝓈𝓁𝒾𝓅𝓈 𝒶𝓃𝒹 𝓉𝒽𝑒 𝓈𝑜𝓊𝓁𝓈 𝑜𝒻 𝓉𝒽𝑒 𝒹𝑒𝓅𝒶𝓇𝓉𝑒𝒹

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Mermaid Motel - GODLY and probably her best demo imo but i love both versions so much for their totally distinct vibes

Lucky Ones and Without You - both WAY preferable to the finals, which ended up totally overproduced

Money Power Glory - demo is much more listenable than the final to me

 

honorable mentions are the Lolita demos (song sucks in general but the demos are slightly better), National Anthem demos (not I Want It All tho, she can choke), Mertens' Brite Lites, and probably the rest of the UV demos if we ever hear them  :fabcat:


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reviving this very old thread of mine...

 

- mermaid motel (demo)

- queen of the gas station (demo 1)

- oh say can you see (demo)

- for k, pt. 2 (demo 3)

- off to the races (mix 9)

- million dollar man (demo)

- freak like me

- lust for life (demo 1)

- disco (demo 3)

- trash magic (demo 1)

- neon palmmm


𝓉𝒽𝑒 𝒷𝑜𝒶𝓇𝒹𝓌𝒶𝓁𝓀 𝓆𝓊𝑒𝑒𝓃𝓈 𝓇𝑜𝓁𝓁 𝒹𝒾𝒸𝑒 𝓌𝒾𝓉𝒽 𝓉𝒽𝑒 𝒶𝓇𝒸𝒽𝒶𝓃𝑔𝑒𝓁𝓈 𝒻𝑜𝓇 𝓅𝒾𝓃𝓀 𝓈𝓁𝒾𝓅𝓈 𝒶𝓃𝒹 𝓉𝒽𝑒 𝓈𝑜𝓊𝓁𝓈 𝑜𝒻 𝓉𝒽𝑒 𝒹𝑒𝓅𝒶𝓇𝓉𝑒𝒹

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