Deleted Member
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wait are we sure the benji on the album is known for trap songs, Benji Lysaught? looking at his genius credits, he’s worked with artists like HAIM, Father John Misty, Sharon Van Etten, Vampire Weekend, and Lana herself on California. i’m not seeing any trap songs in his discography though he mostly is just credited as playing guitar on songs, i’m having difficulty finding tracks that he’s actually produced so it seems like production is somewhat new for him but him and Zach Dawes work together a lot
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okay random thought but you know how we were told that the Tommy Genesis feat isn’t really a feat either? that makes me wonder if her contribution is gonna be similar to the talking part at the end of Tulsa Jesus Freak… they could easily make a similar thing work with another artist speaking instead and it would sound really fucking cool
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i’m probably the only person in here that this hasn’t crossed the mind of but i just realized track 6 and 7 could both be Jon collabs possibly. idk why but in my head i was thinking they wrote 2 songs together but Jon only recorded vocals on one, but watch this is gonna be Summer Bummer/Groupie Love again (which coincidentally are also tracks 6 and 7 of a 16 track album lol)
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Lana with fans while out in Los Angeles, CA - December 12th, 2022
Deleted Member replied to Elle's topic in Sightings
i always wonder this whenever people run into her on the street or in a random bar or something and have her sign their vinyl, like ???? did you have them in your car? did you see her, run home, and then run back?? although in this situation, especially the “thanks for finding me” note, makes me think he might’ve seen where she was on IG live and went there knowing she would be there too, which is kind of creepy now that i think about it and i hope lana stays safe when she goes live at specific locations- 12 replies
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this cover is zoomed out quite a bit, and also the clouds are very different, they’re a lot brighter. and the logo is completely different. the ladder is also a different shade as well
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i was just looking through my camera roll and found the original UHQ 3000x3000 Pang album cover that was on streaming services for a few hours this might be an unpopular opinion but i still kind of like this more than what it was changed to, i like the contrast in the clouds better lol
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i’m really curious how much they do talk these days, if at all. we know they were communicating last year, because Lana reached out to Barrie to ask if it was okay for her to re-record IYLDWM which they wrote together in 2013 and put it on Blue Banisters. in return, he asked to put Riverside on his album. It also might’ve been the other way around, Barrie might’ve reached out first—i can’t remember. but they must be on okay terms now!!
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a lotttt - American Whore/A&W is the longest song on the album, being “well over 7 minutes” - The Grants is not an intro or anything like we were possibly suspecting, it’s a full length song - The Bleachers collab is BOZ’s least favorite song on the album - Fingertips is track 9 and 5:48 (or around there i don’t want to go back and check) - The Rockefeller snippet that Lana shared is called “Candy Necklace”, is track 6, and is 5:16 (again or somewhere around there lmao i don’t want to go back and check 💀)
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i agree, he’s definitely had more misses than hits recently. but the cohesion across his work, for better or for worse, is building a “class” of artists almost that are going to be recognized and grouped together by music listeners in the future as being iconic from this time period which i actually think is really cool
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2020s was an easier way of saying late 2010s-early 2020s, but Melodrama? NFR? several of Taylor’s albums? The new 1975 record, which I actually just have a feeling is going to become a cult classic a while from now? Clairo? Masseduction? he’s all over pop music, so much so that his sound is going to be what defines late 2010s-early 2020s pop music decades from now, that’s just kind of a fact. it’s the same way Max Martin defined pop music 10 years ago (also Jack doesn’t have a single credit on Blue Banisters)
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the thing about Jack is that, yes, while I do get annoyed that he is kind of making everyone in popular music sound the same, I actually think it could be cementing all of their legacies as well. not just because the music is good, but he’s literally crafting the 2020s sound. like 40 years from now, because jack’s production style is everywhere yet still so unique and distinct, people are going to look back at this time period in music and know it’s from right now in the same way we can listen to an 80s song now and immediately know it’s from the 80s, or listen to Motown and immediately know it’s Motown. and i don’t think that’s a bad thing at all, it’s going to make the artists he’s worked with more iconic once they become legacy acts