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i really don’t think we’re getting any MVs this era i’m pretty sure the camcorder home video footage she lost is what she wanted to use for the videos

i just noticed the title track doesn’t say “that” either 😭 i’m not sure what the 3rd is

i love how whoever made this went through the trouble of making it match up but didn’t bother to fix “An Eulogy”

wait are we sure the benji on the album is known for trap songs, Benji Lysaught? looking at his genius credits, he’s worked with artists like HAIM, Father John Misty, Sharon Van Etten, Vampire Weekend, and Lana herself on California. i’m not seeing any trap songs in his discography though he mostly is just credited as playing guitar on songs, i’m having difficulty finding tracks that he’s actually produced so it seems like production is somewhat new for him but him and Zach Dawes work together a lot

okay random thought but you know how we were told that the Tommy Genesis feat isn’t really a feat either? that makes me wonder if her contribution is gonna be similar to the talking part at the end of Tulsa Jesus Freak… they could easily make a similar thing work with another artist speaking instead and it would sound really fucking cool

i’m probably the only person in here that this hasn’t crossed the mind of but i just realized track 6 and 7 could both be Jon collabs possibly. idk why but in my head i was thinking they wrote 2 songs together but Jon only recorded vocals on one, but watch this is gonna be Summer Bummer/Groupie Love again (which coincidentally are also tracks 6 and 7 of a 16 track album lol)

okay not to sound ridiculous lmao but it looks like the song with long acronym that BOZ mentioned is the last song on side B (Track 8). although depending on how the back cover is designed that could also be side C too, so track 12

i always wonder this whenever people run into her on the street or in a random bar or something and have her sign their vinyl, like ???? did you have them in your car? did you see her, run home, and then run back?? although in this situation, especially the “thanks for finding me” note, makes me think he might’ve seen where she was on IG live and went there knowing she would be there too, which is kind of creepy now that i think about it and i hope lana stays safe when she goes live at specific locations

this cover is zoomed out quite a bit, and also the clouds are very different, they’re a lot brighter. and the logo is completely different. the ladder is also a different shade as well

i was just looking through my camera roll and found the original UHQ 3000x3000 Pang album cover that was on streaming services for a few hours this might be an unpopular opinion but i still kind of like this more than what it was changed to, i like the contrast in the clouds better lol

i’m really curious how much they do talk these days, if at all. we know they were communicating last year, because Lana reached out to Barrie to ask if it was okay for her to re-record IYLDWM which they wrote together in 2013 and put it on Blue Banisters. in return, he asked to put Riverside on his album. It also might’ve been the other way around, Barrie might’ve reached out first—i can’t remember. but they must be on okay terms now!!

it’s definitely not! American Whore is BOZ’s favorite song on the album and the Bleachers collab is one of his least favorites rip edit sorry I just realized this was already said 😭

a lotttt - American Whore/A&W is the longest song on the album, being “well over 7 minutes” - The Grants is not an intro or anything like we were possibly suspecting, it’s a full length song - The Bleachers collab is BOZ’s least favorite song on the album - Fingertips is track 9 and 5:48 (or around there i don’t want to go back and check) - The Rockefeller snippet that Lana shared is called “Candy Necklace”, is track 6, and is 5:16 (again or somewhere around there lmao i don’t want to go back and check 💀)

more repeating exact information that BOZ told us hours ago i’ll stay quiet this time

i agree, he’s definitely had more misses than hits recently. but the cohesion across his work, for better or for worse, is building a “class” of artists almost that are going to be recognized and grouped together by music listeners in the future as being iconic from this time period which i actually think is really cool

bestie… their albums that are widely realized and accepted as their best so far and that jack produced were released in the late 2010s-early 2020s. that’s what i’m talking about

2020s was an easier way of saying late 2010s-early 2020s, but Melodrama? NFR? several of Taylor’s albums? The new 1975 record, which I actually just have a feeling is going to become a cult classic a while from now? Clairo? Masseduction? he’s all over pop music, so much so that his sound is going to be what defines late 2010s-early 2020s pop music decades from now, that’s just kind of a fact. it’s the same way Max Martin defined pop music 10 years ago (also Jack doesn’t have a single credit on Blue Banisters)

the thing about Jack is that, yes, while I do get annoyed that he is kind of making everyone in popular music sound the same, I actually think it could be cementing all of their legacies as well. not just because the music is good, but he’s literally crafting the 2020s sound. like 40 years from now, because jack’s production style is everywhere yet still so unique and distinct, people are going to look back at this time period in music and know it’s from right now in the same way we can listen to an 80s song now and immediately know it’s from the 80s, or listen to Motown and immediately know it’s Motown. and i don’t think that’s a bad thing at all, it’s going to make the artists he’s worked with more iconic once they become legacy acts

this is the same trajectory as Joel Little too, he did such iconic and legendary work on Pure Heroine but almost all of his work since has either been subpar or just bad in general yesterday BOZ confirmed it’s not on the album (and in his opinion and his opinion only it’s not very good)

Dan Heath we miss and love you

okay i was saying that because those titles sounded like they were pulled out of her instagram letter or something and i was thinking like, she’s not going to be that cryptic like taylor but looking back at them they actually do sound like taylor swift song names too i cantttt

she’s not taylor 😭

either connections to people in the industry, working in the industry themselves, or hacking. or a mix of several of those things

according to his IG account (williamtv), he produced the shoot. i wouldn’t get ur hopes up tooooo much 😭 he produces a lot of Neil’s shoots (he did the Target Chemtrails shoot too)

bye Honeymoon! we still love you