lannisterpussy

ok after letting tunnel marinate for a while, i did the released one. here’s my top 25. nfr haters look away 1 Norman Fucking Rockwell 1 Venice Bitch 3 White Dress 4 The Greatest 5 California 6 Grandfather please stand on the shoulders of my father while he's deep-sea fishing 7 Let The Light In 8 A&W 9 Fingertips 10 Kintsugi 11 Mariners Apartment Complex 11 Margaret 13 Honeymoon 14 Heroin 15 Paris, Texas 16 Ride 16 West Coast 18 Shades of Cool 19 Brooklyn Baby 20 Fuck It I Love You 21 Cruel World 22 Candy Necklace 23 Did you know that there's a tunnel under Ocean Blvd 24 Change 25 Flipside and here’s my least favourites

happy birthday true romance <3 love this album so much. whenever i listen to this album i always get such a bittersweet feeling in my chest. lock you up in particular always reminds me of when i used to play with my tamagotchi and just hang around online on tamatown. thank you charli for creating such an amazing album

what does she mean by this

i did the unreleased one and it was so hard here’s my top 20, it’s not quite accurate but close enough 1. trash magic 2. pin-up galore 3. fine china 4. hollywood 5. on our way (acoustic) 6. your band is all the rage 7. tv in black and white 8. prom song gone wrong 9. yayo (aka) 10. pawn shop blues 11. put me in a movie 12. mermaid motel 13. let my hair down 14. dance for money 15. disco 16. kill kill 17. get drunk 18. resistance 19. bbm baby 20 my best days if the sorter was updated, pink champagne would probably replace my best days and valley of the dolls would be there too probably replacing bbm baby

ajay returning is the closest i’ll ever get to understanding what it was like to move the boulder out of jesus’ tomb. we need that ocean blvd reaction

same. i wasn’t too impressed by grandfather on first listen but it’s really grown on me now actually. it took a few weeks but it snuck up on me eventually. it’s got such a classic sound to it and i really do think it’s lana’s version of nina’s don’t let me be misunderstood

imagine how tired we are… well i’m glad this song is finally getting released i guess it was so close to becoming ldr’s version of taxi

the world was too cruel to you 💔

the piano in the jon batiste songs are amazing and so rich like there’s such a marked difference in quality with the other songs on the album. this is not bashing the other songs btw because i do like all the other songs but if she’s going to continue making piano heavy songs, she should work with actual pianists. wildflower wildfire for instance, would’ve been godly with batiste’s piano playing

one of my favourite albums ever idc what anyone says this is high art to me

fingertips has REALLY grown on me might be top 3 now. mental illness, worrying about future children, uncle dave, mommy issues, grappling with mortality, and she still got in under 6 minutes. it’s not a short song by any means but the speed and efficiency with which she was able to mass trauma dump on this track is so impressive

sweet is such a beautiful song that just grows on you the more you listen to it. i agree with the people who said this sounds like something from a musical or a broadway show. it’s like something sondheim would write and if i close my eyes i can just imagine bernadette peters singing it. also the part where she sings “i’ve got things to do like nothing at all” kinda reminds me of stay by rihanna a bit

kintsugi is beautiful literally a career highlight i can’t believe there’s people who don’t like it. it’s melody is so delicate it’s almost reminiscent of vashti bunyan’s works

let the light in is giving me major the last of vibes for some reason

i know haha i’m just having fun

and what if i said jon batiste interlude is one of my favourite things lana has ever done and is top 20 in lana’s discography? what then? do you ostracise me? ‘cancel’ ‘me? or embrace me with open arms?

the judah smith interlude is so interesting because it fits in so insanely well with the album. did she write A&W after listening to this sermon? does she just randomly record sermons in church?

also it’s lowkey making me so emotional thinking about how lana deleted malibu because it was too personal but now she’s out here writing her most personal songs like wildflower wildfire and fingertips like the growth is immense

the instrumental behind the judah smith interlude is amazing like it’s kinda wasted it should’ve been used for an actual song

fingertips omg yeah… it’s on sight for patty

well… glad this pre-release is over. it wasn’t as bad as the last 3 but the rosemead thing was really messy and annoying. anyway lfl pre-release remains the best it was so fun like you just had to be there

at the listening party… they don’t know i’m lannisterpussy from lanaboards

you’re right i think! i saw something about this on twitter the other day actually

The Gig’s reviewer, Lucy Harbron is such a stan lmao you can see it in the way she writes. We like you Lucy we like you!!