Moon River

what's the tea sis?... 

May all of our favorite Discord bops get soiled by a shitty rap verse

Well, she lives for the applause.
 
For real though, that bridge is still one of the best things she's written. I also don't see how name dropping dead celebs could be appalling? It may be shocking but there's nothing disrespectful about it.

TKO REALLY LEAKED


So the leaked version is 124bpm, the live version sounds like it was performed it at around 134?

YASSSS. Along with No Angel, Up and Down and the HQ version of CTMP, TKO was the leak I anticipated the most.

fucking give us CTMP HQ girls like literally wtf

probably lying

okay but like where is no angel 

[...] Which brings us to When I Was Young. Having released individual, almost standalone tracks for the last few years, this EP represents a proper body of work, covering songs written between 2014 and 2017 that pinpoint different moments in MØ's career so far. “Making the EP has been such a nice flashback experience because I forgot about the little things; how you put the songs together, the lyrics, the song titles and the artwork,” she explains. “Just being in the bubble of that energy is so fucking awesome. It's so amazing to be able to create a universe.” It's a universe that opens with the gently pulsating Roots, a sonic throwback to No Mythologies to Follow that was actually written a month before that album came out and was musically inspired by an unfinished song she'd made as part of a trip-hop band in 2011. “I remember when I wrote that song in February 2014 I said to myself 'this is going to be the first song from my new album', and I know this isn't my second album but in a way it felt so right,” she explains. Like the EP as whole it was executive produced by fellow Dane Vasco, who offered a unifying sound to the six tracks. Roots' slow-burn build is in contrast to the title track's cabaret-esque feel, the delicious horn breakdown drawing out the song's playful nostalgia (“and the holidays went on and on”). “We tried a lot of different things for that instrumental break, but that was what the song called for,” she laughs of its unexpected exuberance.
More sombre is Turn My Heart To Stone, which again utilises brass but to create a sadder sonic soundscape. It also showcases MØ's upper register on the melancholic chorus which flutters elegantly over popping beats. The EP's connection to MØ's more recent output – created with the likes of Benny Blanco, Ryan Tedder and Noonie Bao – is the vibrant dance-pop of Linking With You, which reflects the EP's experimental practices in more ways than one. “That one was done with a UK producer called FTSE,” she says. “It was started by a group of songwriters I know who then forwarded it to me and I re-worked the lyrics so they properly fit into my world. I've never really done a song like that before.” Either way, whoever came up with the line “I can't come out to play, I'll be on my phone all day, scrolling all my time away” deserves a medal. Another older one is the clanking electronica of BB, which was written in late 2014. “I had just started seeing someone and I was so in love with him and scared he was going to leave me, so I did this song as a tribute to if he left me. But I'm still with him so it's fine,” she laughs. Closing the EP is the beautiful Runaway which sounds like one of the Yeah Yeah Yeah's quieter moments and was inspired by a short film her childhood best friend was making (incidentally it's the same friend who also inspired recent single Night With You, a collaboration with Benny Blanco, Cashmere Cat and SOPHIE). “It's really personal to me because it reminds me of my best friend and our childhood,” she says of Runaway. “It made sense for it to close the EP, with me daydreaming about my childhood and trying to figure things out.”
In a way that's what When I Was Young represents. It's an EP that needed to be made in order to move on from that first album and the “Lean On bubble” as she calls it, but it's also a fully realised body of work in and of itself. “These years have been a learning process about what's important, and that's what this EP reflects,” she says. “These songs were chosen instinctively, and by a gut feeling really, but they're all about both looking back and forward.” The future is very exciting indeed.

Roots and BB (Riot Gal) were written in 2014; executive producer is Dane Vasco (NWY Vasco Loves Vera remix); Runaway is a song/hymn for her friend from the childhood

Whole ep sounds like this remix

#LeakAllFROOTDemos

Good girls don't do that type of stuff!!
 

its not music mafia bc theyre smart and sell for 10x that amount so i guess its a white twink on twitter who has a bf that looks exactly like him and also wants to midkey murder his family    

Noise isn't a leak LMFAOOOOO

reminder that gaga did it first

I don't like the robot thing as much as I liked the weird satanic illuminati figure they were going for around and after the time Bubblebath was released, even though that idea is so overdone and cliche and tryhard edgy you got the feeling there was something dark lurking behind Poppy's videos. Now they're just irreverent 

Anything to have an excuse to not release an album

i can't imagine anyone with that amount of money & fame willingly subjecting themselves to the horrors of university but ... good for her i guess...

I can't believe
 
Literally, INHA has leaked (the demo)

the discord girls gave some tea about this a while back. said david kosten literally gave it to someone (the guy who played it on discord in september)
no other outtakes tho
also i don't remember anyone saying this but true colours was for an atlantic records cover compilation that never got released

The chorus is so good and this song had so much potential, I'd love to hear a more final version

I CAN'T BELIEVE THAT GIRL PREFERS PUT WEEDS AND SCRAP THIS SONG 

honestly what the fuck why would anyone ever say this ? i dont want to hear this gutterized opinion anywhere, anymore, forever n always, i can't believe u would fucking do this to me and this holy grounded site oh my god this sweet innocent loving piece of modern day renaissancstic art does NOT deserve this anyway, shape, form, how, not here now or before, time present nor time past, not even in any alternate dimensions no maam.

If she scraps the bubblegum sound in favour of shitty punk-lite guitars, yes, I'll be livid.

"No Angel" is literally all I ask for. Someone put me out of this misery.
 

and none of them was shared by the ones who have tko so yes they're evil