Dark Angel

well... we all know how artists announce farewell tours but they end up touring again and keep making music anyway

.

WHAT

when she sets her "notoriouswhitegirl" account to public

when a new account called "forkpt3" appears and is followed by chuck, rob, ben, jack

okay, so... could somebody leak paradise and dark city to help us cope...?

when she randomly posts a photo of tex and mex to the burthdaykake/taylor secman account in september

but what happens after the festival tour...?

what specifically did she say/post?

pin up galore in general has a spooky, ominous vibe, but v2 (which basically does the same thing as wayamaya v2, layered laptop demo vocals) elevates it, that extra synth starting at "i have a disco-ball mind" is magnificent

here's some opinions for each album, like @That Venice Bitch did! sirens: sirens is genuinely one of her best albums, her songwriting during the may jailer era was on another level, it deserves more appreciation AKA: i don't know what i could really say about AKA because i love everything about it, every track serves a purpose, it is perfectly crafted, i don't think AKA has a single flaw, IT IS HER BEST ALBUM, there, i said it! born to die: born to die doesn't deserve hate just simply for being her most popular album or her most pop-oriented album, i still think born to die is a great album and it has record-breaking longevity and success a decade after it was released, born to die is timeless, it hasn't age and it won't age because nothing else sounds like it, and, for the most part, i don't think it's over-produced, although i do think lolita and million dollar man would've been a lot better if they resembled their demos more paradise: paradise has a lot of discography highlights, ride, cola, body electric, and gods and monsters... but some of the tracks fall a little flat, blue velvet is cute, but it isn't her most exciting song and i don't think a random cover of a 60s song really suits the rest of the album, especially the religious themes, but i still like it, burning desire is a bonus track so i know it doesn't really count, but i personally never thought that song was anything special, and the paradise version of yayo should never have happened ultraviolence: i think shades of cool is an amazing song but i hardly ever listen to it also i can't get into the other woman, guns and roses is still my favorite song from ultraviolence and i just know one day people will learn to appreciate it honeymoon: similar to how i feel about shades of cool, i can appreciate the blackest day and recognize that it is a fan-favorite and objectively one of her best songs, but i really don't listen to it that much also swan song should've been the closer lust for life: coachella - woodstock on my mood is not that bad... lust for life is not that bad either but it does pale in comparison to the first two demos, i feel like it isn't as bad of an album as we thought it was, but it still has flaws and weak-points, it probably would've been one of her best albums if it was atmospheric and witchy, more of a natural continuation of honeymoon, instead of a mix of folk, trap, pop, and alternative that it ended up being, certainly not her worst, but certainly not her best either norman fucking rockwell: norman is NOT her best album, love song is incredibly boring, and bartender is one of the best songs on the album chemtrails over the country club: i have a soft-spot for chemtrails, i definitely don't think it's her best or her most strongest, but i can appreciate it for what it is, also, yosemite deserves so much better, it went from being one of the most coveted songs in the fandom to being pretty much forgotten about once it was actually released, it is such a gorgeous, haunting song and i just know if it was a leaked track it would be regarded as one of her best blue banisters: in my personal opinion, her worst album, because of some of the artistic choices made, old outtakes from 2013 had no business being on an album with 2021 songs, and i find it honestly ridiculous that she didn't even re-work/re-record them, text book is a discography highlight, and there's nothing wrong with the production with wildflower wildfire ocean boulevard: it has some really amazing songs, but some of them just didn't interest me on the first listen and i haven't revisited them since my first listen of the album, such as kintsugi and margaret... but i may just have to re-visit them, i did not like the last three tracks at all, and candy necklace is one of her best songs

it makes sense to me, remember when we all assumed that dark city was an ultraviolence outtake? it sounds very similar to ultraviolence, i honestly think the dark city snippets sound really similar to sad girl, if honeymoon started out as an extension to ultraviolence, it would make sense that it would have a similar sound, maybe dark city is from the very first honeymoon/ldr4 sessions, perhaps she recorded crazy for you, california, and if i die young at a later date, since they sound more like the honeymoon we have, something more atmospheric and breezy

if honeymoon was actually finished in february, 2015, it would make sense for if i die young, california, and crazy for you to be honeymoon outtakes, since they were recorded in 2014 i wonder if the other known honeymoon outtakes, dark city, paradise, dead to me, and come with me are from 2014 or 2015, because if they are 2015, that could mean that they were just random one-off tracks, or very early lust for life outtakes

the heart and the goggles that the bird is holding are references to her 2018 met gala look!

today's lesson: don't release shitty remixes of your songs and respect your art

i love rob's lobster shirt

pink champagne feels SO out of place in this clip and it's just so weird to hear something that feels so niche that only hardcore lana fans would know on a random TV show

lana releasing a clearly superior demo of an already-released track would be... a choice considering all of the strange remixes of say yes to heaven popping up that lana/her team is approving of for whatever reason i wouldn't be surprised

not gonna lie i'm probably not going to listen to this ever again but it's still nice <3

i prefer lost at sea, though <3

hollywood bowl is really nice, her vocals sound amazing... and not damaged at all!

not lana herself, but when they played 1949 (demo) at some random runway fashion show

16-year-old me wanted this so bad

currently obsessed...