LittleFool

Lana, why?!? Gurl, get in that studio and get working! This collab needs to happen

I prefer this to Immortal tbh. Or maybe it's just the chorus I like, but it's catchy and makes me want to roller-skate with leg warmers on under disco lights..

iTunes can get weird. Something similar happened to my boyfriend when UV was released, too.

If all of FROOT leaks Idk what I'm gonna do.

I took it as lighter and clearer with strings. I don't want to give myself expectations because then I'd just be disappointed.

Why not Heath? Nobody blame me for opening a can of worms with this one I am genuinely curious

Completely agree. I do enjoy how BtD and UV had such a cohesive sound, but I'm definitely not against variety. I mean, variety doesn't mean the overall sonic vision won't be there, but it could add interest.

She probably finished the album a week after that interview can't tell with her anymore. Unless he just finished his handful of tracks and the rest is being handled by others.

It's about time

New fave

I can't imagine she and Haynie didn't write it together.

It's so nice to hear a non-repetitive chorus! What a beautiful song! All songwriting fears are put to rest - I'm so ready for Honeymoon

Oh my god it's so different than I expected!

Giorgio Moroder Florence Welch Azealia Banks

http://www.australian-charts.com/forum.asp?todo=viewthread&id=44031

I'm so bad at finding sources (even though only, what, two articles have explicitly discussed Honeymoon ) but I thought Lana said it wasn't going in that direction. Just that Ronson was going to help her get the album to sound how she wants it too. I'm not anticipating it to sound too much like his own discography. I think the songs will be recognizable as being produced by him, but I don't think it'll reach Winehouse territory

The reverb is arguably annoying, but id say she served us with a better packaged album. Or I guess focused is a better word

I like how Lana has a number of tracks In mind when she creates her records. I wouldn't mind a shorter record like Ultraviolence. Even 9 tracks would be ok, but I'm sure she'll have more than that, to be honest. Some of the best records imo have been 9-11 tracks. Has anyone listened to Diploid Love by Brody Dalle? It's 9 tracks and it is so enjoyable to listen to. It's impactful and quick to the point.

Ask them if they ship internationally. You're in Europe?

I would just love to see the contract

Ok, I could easily be posting this because I'm thirsting for more news (duh), but if it's true that the artwork is completed, then could this possibly part of the shoot? It's probably been discussed before (if it has, I missed it) but it doesn't look like a Galore outtake to me - which is what people said it was.

Getting strong dejavu, throwback vibes to the Pre-UV thread. Maybe 'Music to Watch Boys To' is finally 'Kill Kill' or maybe the whole album is re-recordings

I saw this in the Ultraviolence music video comments on YouTube; thought it was interesting and thought I'd share, but I don't know if this is reaching, or personal interpretation in it's own right. "Man, the symbolism behind this video...I totally understand it. Lots of complaining in there about the video being boring but the kids just don’t get it. The symbolism behind this video is really beautiful…I totally understand it. The symbolism of this song, why Lana wrote it, why she made the music video this way is all part of her story of Jim Morrison and Pamela Courson. She is a Morrison fan as most of you should know, she must know the story behind Jim’s relationship with girlfriend Pamela Courson. He whisked Pamela off her feet at 18 years old and pretty much “raised her up”. Jim was a brilliant poet and great singer for The Doors but he was also quite a womanizer and when Jim drank he could be brutally violent. Pamela could have been described as Deadly Nightshade or Poison Ivy for the way she treated men to get back at Jim. Lana’s lyrics describes their relationship perfectly especially this part: ” We could go back to New York, Loving you was really hard, We could go back to Woodstock, Where they don’t know who we are..” Loving Jim Morrison was EXTREMELY hard from everything I read over the years. Read any bio book on him. Then add Jim’s fame with The Doors which made it even harder for their relationship. Something else in this video that grabbed my attention was that Pam begged Jim to marry her. They always got the marriage license and have that ready to go but Jim would buckle up and never go through with it. In the end, they never married. Jim died of a heroin OD at the age of 27 years old. In his last Will he left everything to Pam. This is why Lana appears alone in this video wearing a 60’s style wedding dress. Lana has a very fragile look throughout the whole video. Very little makeup. White. Hair straight and flowing down. Reminiscent of the way Pam looked during the Bronson Caves photos. Like Pam, Lana is alone in the end of the video. She reached the alter and no one is there. Jim died. She’s alone. In real life, Pam died 3 years later of a heroin OD as well. She too was 27 years old. Thank you Lana for putting so much thought and effort into your videos. That’s why I always love her work. I hope her fans could just dig into them a little more then just scratching just the surface."

Hard to say. She's been attending events for the film lately, so I wouldn't be surprised either way, tbh. If she doesn't (and if she doesn't get snubbed for an Oscar) I'm sure she'll attend the Academy Awards, though.

Yes! Imagine jazz-esque horns along with that electronic "dun-dun dun dun dun dun dun-dun" at the beginning!