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Everything posted by house of balloons
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i'd like to think she'd name drop him even if the feud never took place, the 'culture is lit' lyric is her disappointment as a hiphop fan ( ) over his political stance, him being a pioneer in the genre and all
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........anyways
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my dumb ass was listening to a phone recorded version thinking it was supposed to sound that way
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i hope getting back to music helps her find purpose again also, those mountain hicks who made it their life mission to 'get revenge' on her for some twitter drama she started on their faves despite the known fact that she's suffering from bipolar disorder (which in some cases lead to aggressiveness and picking fights) are fucking disgusting and jobless. she's said questionable things but why is it so hard to recognize the fact that she's mentally ill and isn't in her right state of mind? why can't you just ignore the shit she says instead of fighting fire with fire? i hate it here.
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Tulsa Jesus Freak
house of balloons replied to Say Yes to Heaven's topic in Chemtrails Over the Country Club
why is lana being a box dye girlie not surprising me -
SHE LOOKS SO GOOD
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miss amor, a true bop
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that third verse kills me every time
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sing it for my babies on the tour life...you're so ghetto...makes me wanna party...piiiink flamingoOOoooOs always fascinated me...it hurts to love you but i still love you...i just wanna dance with you (this is in every song basically)...it all seems stranger than a stranger... we all love and appreciate lana's art but let's not be delulu
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i don't wanna get jumped by red stans but this is her lyrical magnum opus
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in the weeds vinyls are fucking gorgeous
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i trust her lyricism to deliver
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this year sucked in so many ways and music is not one of them; Future Nostalgia, After Hours, Miss Anthropocene, Sawayama...Folklore, COCC and possibly Lorde3. maybe we won.
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is there any other motive behind kidnapping children other than sex trafficking and..that?
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The lyrics that are supposed to bring awareness to these social issues in a clever way just come off as superficial and in-your-face, unlike the ones in cry baby. A good example would be Tag, you're it with child kidnapping and Orange Juice with bulimia.
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k-12 is melanie riding cry baby's wave
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It's definitely something to do with the actual music rather than the shift to digital, for me at least. I guess it's the simplicity of the NFR sound that made me grow tired of it very quickly, unlike albums with complex instrumentation and layerings such as UV. This is also the reason why Venice Bitch is immune to ageing.
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quentin tarantino