vrtvie

Still her voice sounds beautiful in the final part, and we have to agree the pitched voice in the chorus is kinda innovative in her discography. I really hope that with the overall message of this single the girl's only welcoming us for more interesting and wilder things in the upcoming record... I'd just like her to read a dictionary lately or if she's too busy for that, then hire a good co-writer *ekhm ekhm* Nowels or Liam Howe. BTW Now it reminds me of a happy version of Fear & Loathing?

I just hope the girl listens to Kate Bush, Fiona Apple, or early Madonna once again... Even Britney's Womanizer has more lyrical depth

Marina wants to suceed and be seen as ambitious and talented - she creates TFJ. TFJ doesn't give her international success so she creates intellectual pop - she creates EH. The critics hate EH and see her as a sellout - so she creates FROOT. FROOT is well received by everyone so she doesn't know what to do - so she creates L+F. Fans hate L+F because it's too simple and too boring sounding - so she creates ADIAML. ADIAML is fairly well received - so she.......

The chorus is catchy and I can see it becoming a tiktok hit. But the rest of the song mama please spare us some talent and creativity.

So, I'm sayin', "Goodbye, goodbye" Watch me shine like a star, like a star in the sky (Ah) Now I'm leavin' you behind, behind Literally this is preschool writing

Even this music video is as "interesting" as those random poses for L+F Acoutic videos. Damnit Btw as I said before and I'm gonna repeat - the bridge is TERRIBLE. Marina listen to Starring Role, Forget, The Outsider or whatever and learn again how to make one properly

Compared to this Venus Fly Trap is productionwise a masterpiece y'know...

My only theory now is that this cheerful and simple single contradicts the narrative of the album, same way Electra Heart singles did hide the dark and subtler tracks on the record and Handmade Heaven had little to do with the rest of the tracklist?...

I really don't understand any TFJ comparisons people make, people are deaf or what It's fun but still sounds like Grimes on Temu

It's not bad. It feels like Superstar and Blue. Lyrically, the same Marina True Colours x No More Suckers x True shit over and over. Which is kinda OK but a terrible choice for a comeback song and i hope the album as a whole doesn't sound this uninspired.

This crystal clear vibe is what she shoulda stayed with. I like it a lot but this tropico vibe elsewhere is off putting admittedly and why is this all mixed in one single project sends me.

gimme love, gimme dreams... gimme everything, all your heart can bring, something good and true - i don't wanna feel blue... anymore (blueee) now i'm leaving you behind, behind... yeah i'm a butterfly, you've just never seen my energy, i'm already high - floating on a breeze... but i fly (flyyy)

She should've made Love + Fear with Rick Nowels. All of it. He'd save it. He'd slay vulnerabie songs with her - Marina's I Never Learn/Ray of Light where? - and take care of the sonical mess the tracks are and handle it with grace just like he did on Honeymoon with Lana. Make it work.

Just listened; I do like the chorus, the rest is messy: intro is really bad, and neither bridge nor outro impress me enough, the instrumentalisation is unbearably simple which contradicts any TFJ or FROOT the song sentiments. Feels like it needs a radio mix or something, a weird lead single choice. We went from her listing places in To Be Human and Ancient Dreams to her listing colours now, okay? Sonically reminds me of Blue, sorta. But why is it a lead single, when it's neither ambitious nor pop enough? Thought she would enter a cunty era but currently it feels more clowny.

oh okay, just thought you didn't notice. but i do think as well that marina writes miles better when she's challenged by another co-writer.