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I'm waiting patiently for that 320 kbs bliss on Friday and I'm quite optimistic about what will come this era. The music is fantastic and I think that she will slowly start to perform outside her tours. It seems that she's gotten out of that depressive state and I think that Francesco had something to do with this (I'm starting to like him).
 
On a side note, I visited recently Barry's site and social accounts and the guy is a depressive, constantly smoking and boozing wreck. I hope that he will do something with his music because he's talented. Maybe Lana still help him with money but it's really sad to see him like that.

You guys heard that angelic laugh of hers on the BBC interview? She's back! She seems so serene and happy. And Salvatore

You guys heard that angelic laugh of hers on the BBC interview? She's back! She seems so serene and happy. And Salvatore

You guys heard that angelic laugh of hers on the BBC interview? She's back! She seems so serene and happy. And Salvatore

Regarding the critics, no one should take them seriously anymore regarding Lana. Some of them are pissed because they didn't received the cd before release day and her label played the record at UO. Half of them don't even listen to her album anyway they just blurt out their preconceived ideas about her (and they are boring as fuck because they just plagiarize that was written already before). My advice is to not even bother to read their pieces. The music is exquisite, it's not immediate, you need to let some songs grow on you but most of the critics won't even try. There are some cute lyrics like "Soft ice cream" and I saw some idiots saying already "what a lazy/stupid lyric" when we know that Salvatore is an ode to her first vacation in Portofino with Francesco (we even have that picture when she eats ice cream). TLY is about her breakup with Barry etc., but how many critics would observe such personal underpinnings of her lyrics: no one.
 
On the side note I have a feeling that she's happy and energized with this signing in London. I still have hope that we'll see her performing soon

Regarding the critics, no one should take them seriously anymore regarding Lana. Some of them are pissed because they didn't received the cd before release day and her label played the record at UO. Half of them don't even listen to her album anyway they just blurt out their preconceived ideas about her (and they are boring as fuck because they just plagiarize that was written already before). My advice is to not even bother to read their pieces. The music is exquisite, it's not immediate, you need to let some songs grow on you but most of the critics won't even try. There are some cute lyrics like "Soft ice cream" and I saw some idiots saying already "what a lazy/stupid lyric" when we know that Salvatore is an ode to her first vacation in Portofino with Francesco (we even have that picture when she eats ice cream). TLY is about her breakup with Barry etc., but how many critics would observe such personal underpinnings of her lyrics: no one.
 
On the side note I have a feeling that she's happy and energized with this signing in London. I still have hope that we'll see her performing soon

Regarding the critics, no one should take them seriously anymore regarding Lana. Some of them are pissed because they didn't received the cd before release day and her label played the record at UO. Half of them don't even listen to her album anyway they just blurt out their preconceived ideas about her (and they are boring as fuck because they just plagiarize that was written already before). My advice is to not even bother to read their pieces. The music is exquisite, it's not immediate, you need to let some songs grow on you but most of the critics won't even try. There are some cute lyrics like "Soft ice cream" and I saw some idiots saying already "what a lazy/stupid lyric" when we know that Salvatore is an ode to her first vacation in Portofino with Francesco (we even have that picture when she eats ice cream). TLY is about her breakup with Barry etc., but how many critics would observe such personal underpinnings of her lyrics: no one.
 
On the side note I have a feeling that she's happy and energized with this signing in London. I still have hope that we'll see her performing soon

Regarding the critics, no one should take them seriously anymore regarding Lana. Some of them are pissed because they didn't received the cd before release day and her label played the record at UO. Half of them don't even listen to her album anyway they just blurt out their preconceived ideas about her (and they are boring as fuck because they just plagiarize that was written already before). My advice is to not even bother to read their pieces. The music is exquisite, it's not immediate, you need to let some songs grow on you but most of the critics won't even try. There are some cute lyrics like "Soft ice cream" and I saw some idiots saying already "what a lazy/stupid lyric" when we know that Salvatore is an ode to her first vacation in Portofino with Francesco (we even have that picture when she eats ice cream). TLY is about her breakup with Barry etc., but how many critics would observe such personal underpinnings of her lyrics: no one.
 
On the side note I have a feeling that she's happy and energized with this signing in London. I still have hope that we'll see her performing soon

Regarding the critics, no one should take them seriously anymore regarding Lana. Some of them are pissed because they didn't received the cd before release day and her label played the record at UO. Half of them don't even listen to her album anyway they just blurt out their preconceived ideas about her (and they are boring as fuck because they just plagiarize that was written already before). My advice is to not even bother to read their pieces. The music is exquisite, it's not immediate, you need to let some songs grow on you but most of the critics won't even try. There are some cute lyrics like "Soft ice cream" and I saw some idiots saying already "what a lazy/stupid lyric" when we know that Salvatore is an ode to her first vacation in Portofino with Francesco (we even have that picture when she eats ice cream). TLY is about her breakup with Barry etc., but how many critics would observe such personal underpinnings of her lyrics: no one.
 
On the side note I have a feeling that she's happy and energized with this signing in London. I still have hope that we'll see her performing soon

Regarding the critics, no one should take them seriously anymore regarding Lana. Some of them are pissed because they didn't received the cd before release day and her label played the record at UO. Half of them don't even listen to her album anyway they just blurt out their preconceived ideas about her (and they are boring as fuck because they just plagiarize that was written already before). My advice is to not even bother to read their pieces. The music is exquisite, it's not immediate, you need to let some songs grow on you but most of the critics won't even try. There are some cute lyrics like "Soft ice cream" and I saw some idiots saying already "what a lazy/stupid lyric" when we know that Salvatore is an ode to her first vacation in Portofino with Francesco (we even have that picture when she eats ice cream). TLY is about her breakup with Barry etc., but how many critics would observe such personal underpinnings of her lyrics: no one.
 
On the side note I have a feeling that she's happy and energized with this signing in London. I still have hope that we'll see her performing soon

Regarding the critics, no one should take them seriously anymore regarding Lana. Some of them are pissed because they didn't received the cd before release day and her label played the record at UO. Half of them don't even listen to her album anyway they just blurt out their preconceived ideas about her (and they are boring as fuck because they just plagiarize that was written already before). My advice is to not even bother to read their pieces. The music is exquisite, it's not immediate, you need to let some songs grow on you but most of the critics won't even try. There are some cute lyrics like "Soft ice cream" and I saw some idiots saying already "what a lazy/stupid lyric" when we know that Salvatore is an ode to her first vacation in Portofino with Francesco (we even have that picture when she eats ice cream). TLY is about her breakup with Barry etc., but how many critics would observe such personal underpinnings of her lyrics: no one.
 
On the side note I have a feeling that she's happy and energized with this signing in London. I still have hope that we'll see her performing soon

He won't get banned though. I reported him for calling Azealia an an ape and look he is still here and no mod even cared to respond why racist jokes are allowed here.

I have to admit that I was wrong about Kieron and Rick. The album sounds good. Kudos to Lana as a producer.

There are a few days left to the release, I wait till then to listen in HQ. I'm happy that the album sounds good and her vocals seems to be better than ever.
 
I want to do something differently this era: I won't read any critical piece on HM. Really, what's the purpose of that anymore? To read the same cliche-istic writings about Lana and to poison the entire experience? I'm fed up with that. I never had in my life a more twisted relationship with music than I had with Lana. I just used to love music and was very personal but with Lana I got immersed in this meta discussion about her that became too much. When I listened to HM I was so carried away by her vocals (even with that LQ periscope stream) and I had this feeling that I have to listen only to her music and not to pay attention to the other stuff. Anything that could be said about Lana, especially the bad, was said, they just continue to repeat themselves. Fuck them and I'll enjoy the music.

I have to admit that I was wrong about Kieron and Rick. The album sounds good. Kudos to Lana as a producer.

There are a few days left to the release, I wait till then to listen in HQ. I'm happy that the album sounds good and her vocals seems to be better than ever.
 
I want to do something differently this era: I won't read any critical piece on HM. Really, what's the purpose of that anymore? To read the same cliche-istic writings about Lana and to poison the entire experience? I'm fed up with that. I never had in my life a more twisted relationship with music than I had with Lana. I just used to love music and was very personal but with Lana I got immersed in this meta discussion about her that became too much. When I listened to HM I was so carried away by her vocals (even with that LQ periscope stream) and I had this feeling that I have to listen only to her music and not to pay attention to the other stuff. Anything that could be said about Lana, especially the bad, was said, they just continue to repeat themselves. Fuck them and I'll enjoy the music.

I have to admit that I was wrong about Kieron and Rick. The album sounds good. Kudos to Lana as a producer.

Another LANADELRAY
”On Tuesday afternoon, the “Brooklyn Child” singer teased two songs, “Freak” and “Music to Watch Boys to”, from her upcoming venture, Honeymoon.”  
”Actually, this was initially deliberate to be the lead single from Lana’s new album however for some purpose, Interscope launched “Excessive By The Seaside” because the lead single from the album.”
http://www.statesmantribune.com/music-to-watch-boys-to-lana-del-rey-unveils-new-track/2976/
 
This has to be a joke, right?
 

The album is gorgeous. The second half is even better than the first. Bye, I'm slayed. I don't give a fuck anymore about the charts or about the critics. I will just dream about those messy, LQ, incredible vocals that I heard from Lana.

The album is gorgeous. The second half is even better than the first. Bye, I'm slayed. I don't give a fuck anymore about the charts or about the critics. I will just dream about those messy, LQ, incredible vocals that I heard from Lana.

The album is gorgeous. The second half is even better than the first. Bye, I'm slayed. I don't give a fuck anymore about the charts or about the critics. I will just dream about those messy, LQ, incredible vocals that I heard from Lana.

The album is gorgeous. The second half is even better than the first. Bye, I'm slayed. I don't give a fuck anymore about the charts or about the critics. I will just dream about those messy, LQ, incredible vocals that I heard from Lana.

The album is gorgeous. The second half is even better than the first. Bye, I'm slayed. I don't give a fuck anymore about the charts or about the critics. I will just dream about those messy, LQ, incredible vocals that I heard from Lana.

MTWBT receipts:
YT 244.000 streams (on Spotify is <1000)
US Itunes peaked at 37 and is going down (ww is at 45)
This will not chart anywhere with these numbers 
 
This is hugely disappointing because I really like MTWBT but the release strategy was ridiculous as I pointed out in my earlier posts.
I mentioned this for that lobotomized monkey @@FutureRetro who "educated" me and others about how things are going in the music business  . But what to expect from a little troll who has a certain difficulty reading posts with 5 sentences qualifying them as "essays" but his posts are full of insults and kiiiiis  .

@@FutureRetro lexical content: bitch, cunt, dumb, dumbass, kiiii x 100 etc. I'm waiting for that ban or maybe the mods have fun with this dude.
 
Maybe some of my posts are boring or annoying for some and it happens that I don't like some people's posts here but it's not acceptable to insult people because of that.
 
Anyway, I don't like the idea of the UO early listen party. We had a lot of songs from the album and I still want to be surprised on release day. It would be a miracle if the album will not leak in HQ (it will leak in LQ and this is even worse) and will render rather meaningless the release day of 18th.