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Posts posted by sparklrtrailrheaven
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I've only recently started listening to their music, due to my brother stanning them, so I really only know stuff from Blurryface well (#fakefan
)
but their music is so good and has such a unique sound and very REAL lyrics and they're both beautiful, so slay a lot
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Don't give up! I actually like this UV cover a lot. I think we're in the same boat in that we have cool concepts in mind, we just don't know how to execute them with PS or whatever other program.
But, keep at it! I'm still trying, too
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I listened to Lana Del Ray again tonight, for the millionth time-- my feelings haven't changed. This album is genius, and it definitely saddens me that Lana will likely never return to this set of aesthetics and style of music.
However, the genius of AKA is not *just* Lana. I give a sizable part of my respect for the album to David Kahne, as well. While Lana created killer melodies, lyrics, and concepts that would work extremely well under the guidance of any producer, Kahne had the perfect touch to push the songs from "excellent" to "god-like", in my opinion.
It definitely deserves repeat listens-- some subtle flourishes Kahne brought in are best noticed after you've been bowled over a few times by Lana's handiwork with the stories told and pictures painted here. To me, the perfect example of Kahne's "Midas touch" on AKA is "Pawn Shop Blues". As evidenced by a live performance and a demo, PSB was a staggeringly beautiful, tender, and poignant track when Lana was doing it on her own. However, Kahne took it to another level-- while PSB in its raw state is mournful and brimming with sadness, Kahne's instrumentation gives it depth-- it goes from being a "sad" song to something better described as "bittersweet". With the angelic echoes and trembling guitars, Kahne doesn't detract at all from Lana's lyrics-- instead, he gives them deeper meaning and manifold facets. Pawn Shop Blues becomes, all at once, a hopeful look at living for a purpose outside of yourself, a melancholy assertion on the nature of love and loss, and a somber reminder of how one can lose it all for nothing. With these extra dimensions, the track becomes infinitely interesting, as it's hard to tell where the hope begins and the desperation ends.
I'm rambling-- my point being, AKA is an absolutely genius record that I'll love 'til the day I die, and both David Kahne and Lana are geniuses for putting just the right elements in just the right places to create an album that is cohesive yet kaleidoscopic, and that has so many facets and subtleties that it demands repeat listens. Fabulous. Please continue sharing info and thoughts on AKA here, because it means the world to me and I want to know all there is to know about it!
Thanks for reading all this
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Love these! I like that they're really clean, so the image is the main focus, you know? FK is my favorite
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Wow, I love this! Such a cool way to transform the photo! You did an especially good job with the lighting on Lana! Personally, I see it as fitting a more "chilled-out" song-- something like "Strangelove", maybe? Great job!
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I really love Mertens' work that we've heard. His style is actually a great match with LDR. I'm dying to know if he produced versions of Kill Kill and Smarty, and if any other tracks almost made the album. The Brite Lites demo is very intriguing.
:deadbanana:
I agree! Ever since finding out from @@Eclipse that two of my favorite Lana tracks, Trash Magic and Pin Up Galore, were produced by Steven, I've been dying to hear what production he gave to AKA, as it's my favorite album! It'll be a match made in heaven
And, I don't believe there would be a version of Smarty-- I'm pretty sure that was one of the two tracks, along with Gramma, that Lana and David wrote in-studio.
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im glad AKA flopped. wouldnt have masterpieces like BTD or UV.
Imagine the music she would've made if AKA had taken off, though...
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More info:
- She was signed by musician/producer/5 Points owner David Nichtern to a multi-record deal in 2007, while she was a senior at Fordham University.
- To release the Album they needed an all-in budget of $50,000
I'll add this to the OP, under a spoiler! thanks!
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Do we know exactly how long did it stay on iTunes and Amazon music? Aka release day till the day it was pulled?
This Rolling Stone article (http://www.rollingstone.com/music/news/lana-del-rey-to-re-release-first-album-20120127) claims it was "shelved two months after its debut on iTunes".
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because Steven was her ex-boyfriend. and shut up
I'm sensing some negativity, no? Let's keep this civil and on-topic, okay?
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Are there threads for paradise and btd?
Uh, I'm honestly not sure! I'm not as interested in reading about those albums, so I haven't looked, truthfully
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people thst are close to LDR are always in the photo/music industry
That's true to a point, but I don't know how it relates to Lana Del Ray!
Keep in mind, this is a thread for discussion of Lana Del Ray, the album-- not Lana Del Rey, the person, in general
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Welcome to the Lana Del Ray post-release thread, a place to collect information on, discuss, and appreciate Lana’s 2010 debut album!
Tracklist:
1. Kill Kill
2. Queen of the Gas Station
3. Oh Say Can You See
4. Gramma (Blue Ribbon Sparkler Trailer Heaven)
5. For K, Pt. 2
6. Jump
7. Mermaid Motel
8. Raise Me Up (Mississippi South)
9. Pawn Shop Blues
10. Brite Lites
11. Put Me in a Movie
12. Smarty
13. Yayo
While Lana Del Ray (commonly known as AKA) wasn’t Lana’s first studio album -- that honor goes to Sirens -- it was her debut on a record label, and her first album to be sold commercially. AKA’s history was turbulent, which probably owes to much of the mystery and misinformation that surrounds the album today:
SpoilerThe beginnings of AKA can be traced as far back as mid-2006, when Lizzy wrote the first track for the album, “Pawn Shop Blues.” Her performance of this song in a songwriting competition caught the attention of one of the contest’s judges, Van Wilson, who doubled as a talent scout for 5 Points Records. By 2007, under the tutelage of 5 Points owner David Nichtern, Lizzy was signed on for a multi-record contract with the label.
Drawing upon Lizzy’s wealth of self-written (and often home-recorded) songs, early recordings for the album, which carried the working title God Bless America, were conducted with Lizzy’s then-boyfriend Steven Mertens (also known as Steven Saint and Relax27). While his contributions were ultimately scrapped, significant elements of his production were retained in the final record, creating a sound Lizzy termed “surf noir.” After Mertens’ departure, Lizzy sought out producers with the use of an ever-evolving demo tape entitled No Kung Fu, which included songs recorded with Mertens and other 2007 session tracks. Soon, she was paired with respected producer David Kahne, with whom she recorded the album during nightly sessions at the end of 2007 (additionally writing two new tracks, “Gramma” and “Smarty,” in-studio with Kahne).
By February 2008, final masters were complete, and the album’s running order was as follows:
Spoiler1. For K, Pt. 2
2. Gramma (Blue Ribbon Sparkler Trailer Heaven)
3. Jump
4. Yayo
5. Put Me in a Movie
6. Oh Say Can You See
7. Pawn Shop Blues
8. Queen of the Gas Station
9. Kill Kill
10. Raise Me Up (Mississippi South)
11. Smarty
12. Brite Lites
13. Mermaid Motel
Release of the album, provisionally titled Nevada, was set for February 14, 2009, and to generate interest, a three-track EP entitled Kill Kill was released on October 21, 2008. Featuring the title track, “Yayo,” and “Gramma,” along with a cover shot by sister Chuck Grant (who would additionally shoot the final AKA cover), the EP met with positive reviews, and was highlighted by iTunes.
However, despite the building hype for the full-length album, 5 Points was forced to shelve the album, possibly due to limited funds, until an eventual and exclusively digital release through iTunes on January 4, 2010. At this point, Lizzy had been experimenting with various stage names for some time, and requested that the album title be changed to reflect her new moniker, Lana Del Ray, along with a change in tracklist order. Thus, the album was retitled Lana Del Ray, with a subtitle of A.K.A. Lizzy Grant, to ensure consumers and critics would recognize Lana as the same artist that had developed a considerable presence on the New York live scene and who’d released the well-liked Kill Kill.
However, the delay in Lana Del Ray’s release managed to kill much of the buzz surrounding the debut, and it met with little fanfare upon release. Within three months, 5 Points had pulled the album for purchase, and its obscurity was sealed when Lana bought the rights to the album prior to her major-label debut in 2012. Rumors of re-release and re-recording have abounded over the years, with Lana expressing interest and even registering assumedly reworked versions of AKA tracks (“Gas Station,” “Mermaid Hotel,” “Smartie”), but the only moves in this direction were the appearance of a re-recorded “Yayo” on the 2012 EP Paradise (which has continued to appear in live shows since), and the 2021 release of a 2017-shot music video for “Pawn Shop Blues'' by Chuck. Lana has continued to acknowledge the album on occasion through the intervening years, through snippets sung for fans and fleeting nods on livestreams, but altogether Lana Del Ray remains an unjustly obscure footnote in Lana’s career.
As noted above, the formation of AKA brought about many demos and outtakes that didn’t make the final cut, including Lizzy’s collaborations with producer Steven Mertens. Below is a helpful guide to the AKA demos, along with information on unused tracks recorded with both Mertens and David Kahne:
SpoilerKill Kill
SpoilerThe Ocean - 3:51 demo, found on a 2007 three-track CD-R burned by Lizzy. This demo, produced by Steven Mertens but sounding nearly identical to David Kahne’s final in the choruses, features an extra second verse (“Fresh from the shore/Blonde hair is wide/The ocean makes me cry”) that explains the track’s working title, along with softer, sparser production during the verses. Despite the inclusion of the “ocean” line, Lizzy still hand-wrote the title as “Kill Kill” on the CD-R.
Unmastered mix - an unmastered draft of the finished album track also circulates, amusingly stylized (probably by Lizzy herself) as **Kill Kill** in the ID3 tags, as well as being credited to “Miss America.”
Queen of the Gas Station
SpoilerAcoustic demo - 3:12 home-recorded demo, featuring Lizzy on guitar and multi-tracked vocals. Features extra lyrics following the lines “Preferably with smoking inside/If you can swing it:” “Maybe with a post office attached to it/With chickens running in and out of it/Saw one like that in New Mexico/Route 66.” These lyrics would also appear in both studio demos of the song.
Mertens demo - 3:37 demo, leaked under the title “Queen.” Production is similar but far from identical to the album version, and as mentioned previously, the extra lyrics (“Maybe with a post office attached to it…”) are retained.
Kahne demo - 4:34 demo, with extremely similar production to the album version, albeit with the aforementioned extra lyrics, and a considerably extended instrumental outro of about a minute.
Oh Say Can You See
SpoilerO Say Can U See - 4:37 live take, accompanied by members of the Phenomena. This demo stems from a January 14, 2007 session at Studio 356, and was recorded along with takes of unreleased tracks “Disco” and “Let My Hair Down.” Lyrically, the song is the same, although the production is much sparser and the title is stylized as “O Say Can U See.”
Gramma (Blue Ribbon Sparkler Trailer Heaven)
SpoilerEarly mixes - two early mixes of “Gramma” exist, pulled from the archives of David Kahne’s website. Subtitled “Mix 3” and “Mix 5,” they bear only marginal differences to the album version.
For K, Pt. 2
SpoilerRehab (Mix 1/2/3) - Produced by Paolo de Gregorio, this 3:36 demo was recorded on January 25, 2007. Two marginally different early mixes exist, with the various mixes appearing on Lizzy Grant and the Phenomena’s ReverbNation account (under the title “for k part 2”), and on the self-compiled mixtape The Phenomena of Lizzy Grant, on which two separate mixes are present, stylized as “Rahab” and “Rahab II”.
Studio 356 take - This 4:54 live take was recorded with members of the Phenomena at Studio 356 on February 28, 2007, along with versions of unreleased track “Get Drunk” and “Raise Me Up.” Like many of the other Studio 356 tracks, the sound of this demo is much more rock-inspired than the album version.
“Bedroom” demo - This 4:32 demo was recorded on August 14, 2007, alongside demos of unreleased tracks “Disco,” “Get Drunk,” and future album track “Raise Me Up,” apparently in the bedroom of one of Lizzy’s friends. It features only Lizzy’s vocals and acoustic guitar accompaniment, which may also be hers.
Jump
SpoilerNo Kung Fu demo - appearing as part of the No Kung Fu demo tape, this 2:54 demo features less complex production than the final, but is lyrically identical. The producer of this version is unknown, but can be assumed to be either Steven Mertens or Arthur Lynn.
Mermaid Motel
SpoilerMertens demo - the sole demo of “Mermaid Motel” runs 6:20 and is a Steven Mertens production. Little to none of the sound of this demo was retained for the album version, with a slower tempo, surf guitars, and less tonal shift between the verses and chorus. Additionally, there are numerous lyrical shifts and additions, including ad-libbed backing vocals, the slightly different line “God bless the universe/God bless the ocean/God bless the blue/And God like them mean,” and an excised verse that follows the second chorus: “All I wanna do is lie on chandeliers/I’ve been beautiful for more than a thousand years/All I wanna do is lie on chandeliers/And stare at you, baby/Smile you to tears.” Lastly, the ID3 tags on the leaked file indicate that the demo was part of the No Kung Fu demo tape, and a date of September 6, 2007 was attached, which may indicate a possible recording date.
Raise Me Up (Mississippi South)
SpoilerStudio 356 takes - three live takes, of various length (all near four minutes), were recorded with members of the Phenomena at Studio 356 on February 28, 2007, alongside takes of “For K, Pt. 2” and unreleased track “Get Drunk.” Lyrically, they are nearly identical to the album version, but have a more rock-inspired sound, like many of the songs from these sessions.
“Bedroom” demo - Recorded on August 14, 2007 in the bedroom of a friend of Lizzy’s alongside demos of “For K, Pt. 2” and unreleased tracks “Disco” and “Get Drunk,” this 3:22 demo features no significant lyrical changes, but is purely acoustic, with Lizzy on vocals and possibly guitar.
Early mix - An early mix of the album version, found in the archives of David Kahne’s website and titled “Rayse,” bears marginal differences to the album version.
Pawn Shop Blues
SpoilerBread and Oranges - This 3:05 demo, thought to be produced by Jonathan Jones (who is also thought to be responsible for unreleased tracks “Fordham Road” and “Money Hunny”), features Lizzy on acoustic guitar and vocals, and was probably recorded in 2006. It appeared alongside the other Jones tracks on Lizzy’s Myspace account around August 2006, and was retitled “Pawn Shop Blues” by the following month, as well as appearing on the self-compiled mixtape The Phenomena of Lizzy Grant.
Brite Lites
SpoilerRehearsal - A 3:30 live rehearsal, recorded with The Rich Whores, features a heavily rock-influenced sound, and a similar, distinctive guitar line to the one heard in the July 9, 2007 live recording of “Brite Lites.”
No Kung Fu demo - Stemming from the original No Kung Fu demo tape leak, this 3:05 demo features Lizzy on vocals and an unknown musician on acoustic guitar, with virtually identical lyrics to the final.
Mertens demo - This 3:00 demo, produced by Steven Mertens, bears an entirely different, desert-rock influenced sound from the final, club-inspired track. Additional lyrics are present after the first chorus: “They named me Lana Rey Loreen (x3)/From when I was a beauty queen.”
Put Me in a Movie
SpoilerAcoustic demo - Claimed to be the first recording of the song, this 3:38 demo was probably home-recorded in 2007 and features Lizzy’s multi-tracked vocals, along with her acoustic guitar. An entirely different second verse is present, with the lyrics: “And I will lie, like a child/Smile in your mouth/And you will thank the Lord above/Such a pretty (?).”
Ruby - Present on the tracklist of the original No Kung Fu demo tape leak, this demo was produced by Steven Mertens, and is lyrically the same as the final, with a significantly similar sound. The track appeared again, this time titled “Ruby,” per Lizzy’s own writing, on a 2007 CD-R, alongside “The Ocean” and “Roller Dirby.”
Early mix - Labelled with the alternate title “Little Girls,” this early mix of the album version is notable for the inclusion of an entirely unique line in the bridge: “Feels like sugar in me,” repeated twice. This line, though excised from the final track, later appears spliced into the self-recorded concept demo “4th of July.”
Smarty
SpoilerNo demos or alternate mixes of “Smarty” are known to exist, which may be due to the fact that it was written in-studio during the recording sessions, rather than having been written prior, as is the case for most of the album.
Yayo
SpoilerRehearsal - A 2007 live rehearsal, recorded with the Rich Whores and with a duration of 4:38, presents a radically different arrangement of “Yayo,” similar to the “rock” version performed live with the same band. Missing is the “Hello, heaven…” bridge, but the recording is lyrically the same otherwise.
No Kung Fu demo - This 4:19 demo surfaced as part of the original No Kung Fu demo tape leak, and like much of that collection, features Lizzy on vocals, accompanied by acoustic guitar. It’s lyrically similar to the final version, but like the Rich Whores rehearsal, lacks the “Hello, heaven…” bridge.
Concept demo - This 2007 self-recorded demo runs 5:10, and features Lizzy on multi-tracked vocals and acoustic guitar. Unlike other demos of the song, it includes the “Hello, heaven…” bridge.
In addition to these demos of album tracks, several songs were recorded by Lizzy with both Steven Mertens and David Kahne that didn’t make the album. Whether these tracks were ever considered for the album is unknown, but it can be ascertained that they were recorded within the same window as other AKA tracks, between 2007 and 2009:
SpoilerMertens:
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Pin Up Galore
- + Roller Dirby (alt. version)
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Trash Magic
- Three versions
- Wayamaya
All of the above have leaked, no unleaked Mertens titles are known.
Kahne:
- Axl Rose Husband (studio version)
- Ben (studio version)
- Bounce
- Coconut and Key Lime Pie
- C-Note
- High
- Jimmy Gnecco (studio version)
- Lemonade Motorcycle Heaven
- Me & My Boyfriend (studio version)
- Slow Gin Fizz (unleaked version)
- Reflec
- White Pontiac Heaven (studio version)
Of these titles, only Kahne’s version of C-Note (aka Hundred Dollar Bill) has leaked, although some of these titles exist and circulate in other versions. It’s worth noting that at least some of the above Kahne tracks were recorded after AKA sessions had wrapped in 2007, so were likely never considered for the album, but are still significant in their proximity to the album’s recording.
Lana’s promotion of her music during the AKA era included interviews, frequent live performances, and perhaps most distinctively, the creation of self-assembled music videos for most of the tracks on the album, much like the “Video Games” visuals that would propel her to stardom in 2011. Below are a selection of these videos, plus relevant fan creations:
SpoilerInterviews
SpoilerLive performances
SpoilerSee the Early Shows section for a list of all pre-2010 live performances, plus videos and audio!
Music videos
SpoilerA similar homemade music video is rumored to exist for "Smarty," but remains unleaked, along with a video for "Queen of the Gas Station" (of which a snippet has leaked), and additional versions of the "Kill Kill" video. The remaining three album tracks ("Oh Say Can You See," "For K, Pt. 2," and "Raise Me Up") are not rumored to have videos, but more videos from this era have leaked, including videos for "Methamphetamines" and early demos of "Diet Mountain Dew."
Fan videos
SpoilerLastly, here are some helpful links for further info and exploration of AKA:
Spoiler -
Pin Up Galore
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Ruby Tuesday
Super MovieDance for Money
Trash Magic v3 (if it exists)
STEVEN MERTENS-PRODUCED AKA
(Brite Lites snippet)(plus ANY 2007/8 Lizzy trash. I don't care whether it's laptop demos or fully produced or studio outtakes or LQ trash like the NLMG demo. I live for that era so)
feels so good to cross those off
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you're so sweet. I worked really hard on BB but almost everyone else I showed it to hated it so I almost didn't post it
I mean, the BB cover is probably a bit of an acquired taste-- it reminds me a bit of those (sort of tacky
) blankets and tapestries with wolves or unicorns on them:
But, for someone who has the same interest as Lizzy did in kitsch and other things generally considered tacky, I love it!
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My favorites <3
I'm soooo digging the a e s t h e t i c on the BB cover, and the So Legit cover is ingenious! You sell yourself short, these are great!
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What songs are the "Disco" sessions comprised of?
Do the early demos of "For K, Pt. 2", "Oh Say Can You See", and "Raise Me Up" also come from these sessions?
Thanks
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Is there an archive for Lana's interviews and articles she's featured in?
I'm making an archive of her and I'm just collecting material of her or related to her
I believe @@evilentity, @@annedauphine, and other members are working on an Interviews section as we speak!
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wouldn't methamphetamines just be Old Money
she could do a diff. melody with the 'methamphetamines' lyrics
Acapella Track: Midnite Dancer Girlfriend
wouldn't midnite dancer girlfriend just be Go Go Dancer
Y2K'S COVER ART
in Digital Art
Posted
oh my god i love this concept so much!! it's serving up the perfect western-Jane Russell-1950s-Arizona vibes oml