baddisease

y'all need to stop calling everything "trap".

y'all need to stop calling everything "trap".

y'all need to stop calling everything "trap".

y'all need to stop calling everything "trap".

Covfefe - The Wall on My Mind

you LIKED when she'd sing Body Electric and made that weird gulping sound?
 
While I think a lot of her live performance vocals were great, even the ones we have from the AKA era, some of her vocals were really bad. 

No.

"Cherry" was pure luck, probably. 
 
A bunch of people had "Love" before it leaked, so he could have had it beforehand.
 
And "Soft Ice Cream (Hollywood)" is a bunch of Lana cliches stapled together.

I can't understand why she'd think it's cringy. She wanted to rerelease AKA at some point. 

Hmm...
 
Y'all are getting mad at Lana over cancelling an event her and her team never even knew about or agreed to?
 
 
Yikes.

Y'all are expecting her to perform songs that she clearly wants nothing to do with because of their association with her exes and...
 
 
it's not gonna happen.
 
 
I feel like if she could, she'd just erase Ultraviolence from her discography the way she did AKA.

yeah :/ I know.
 
When Obsidian was making Fallout: New Vegas for Bethesda, they tried getting Elvis songs to use (because Elvis is pretty much synonymous with Vegas) and it would have cost them more than their entire budget just to license three songs.

Priscilla can't stop her if she doesn't ask.
 

I'm predicting 12 solo original songs, 5 collabs, 1 cover.

yeah :/ I know.
 
When Obsidian was making Fallout: New Vegas for Bethesda, they tried getting Elvis songs to use (because Elvis is pretty much synonymous with Vegas) and it would have cost them more than their entire budget just to license three songs.

Priscilla can't stop her if she doesn't ask.
 

While I've been following Lana since she first came out (as Lana), I wasn't really on any forums or anything for her until Born To Die had already come out, so I'll preface this statement with that.
 
I can't honestly see her NOT having attracted fragile/broken people since the very beginning. Like, even before Ultraviolence, her lyrical content was never all that conducive to good mental health. (The Lolita complex that Lana clearly had on AKA, Born To Die, and Paradise should be evidence of that.)
 
Additionally, I lowkey kind of feel that Lana helped to make these people broken. She made music that they used to romanticize Lolita-esque dynamics and drug addiction, etc.

You're probably right, about the first part.
 
About them wanting her to suffer, I don't think they've thought it that far ahead. I think they want her to be happy, but still sing sad songs.
 
I feel like if people paid more attention to her previous work, they'd be able to tell we're not getting the same lyrical content as past albums again. (Like, she never revisited her May Jailer-era even when it would have benefited her)

I think it's possible to want an Ultraviolence-style album without wanting a remake of Ultraviolence or even an album with the lyrical themes of Ultraviolence.
 
I don't know about anyone else, but when I say I want another Ultraviolence, I mean I want Lana to work with other producers who will push her the way Dan Auerbach pushed her. Not ones who will give in to her every creative whim.
 
If she made a completely upbeat album, but with a producer who could wring every single ounce of talent she had out of her and put it into that album, that would be an Ultraviolence 2.0, to me.

Basically, an Ultraviolence followup to me is less about the content or sound of the album and more about the production that goes into it.

you LIKED when she'd sing Body Electric and made that weird gulping sound?
 
While I think a lot of her live performance vocals were great, even the ones we have from the AKA era, some of her vocals were really bad. 

UMG properties treating May 26th as the date is definitive proof it was the original release date.
 
 
Also, Ben said it was pushed back for more collaborations. Can't push an album back if July 21 was its original date.

No.

ehh. i think most of us liked the main singles. it's just that people who didn't like them are loud and annoying.
 
the only song that genuinely seems controversial is Coachella.

A G-Eazy collab would ruin Lana. Or at least be an extremely low point in her career. He's a talentless hack.

I don't want an Ultraviolence rehash per se. I found a way to describe it now: I want her to work with other producers who can push her and influence her sound. Like, Dan Auerbach made Ultraviolence a classic.
 
I want her to work with other producers who can push that level of music out of her. Like, it would be cool if she worked with the guys from Tame Impala, or Stuart Price, or Jake Shears. I want a producer who will push her and give input, etc. I feel like some of the people she usually works with don't push her the way she could be.