FkaTwinks

same sis Yes, Haunted is a fun track

Agreed.

Dead To Me and Bittersweet Tragedy outsold Carousel says hi sis

Sometimes I highkey wish she released the planned Dollhouse album instead of kinda digging herself a grave with the "every album I make will be a visual concept album about this baby character in adult situations" thing, because You Love I, Night Mime, Carousel especially although that one got justice, etc, snapped exponentially harder than Cry Baby tracks did

Tbt someone leaked this in May 2015 and Melanie claimed it was fake and none of the songs on it were real, but now

Omg I tried to ask people to rip Midwest from the Isombard vinyl once and they told me no because piracy is bad and immoral bla bla bla, but part of me believes they just like feeling superior as people with +1 more song than others

I imagine itd be easy for someone to buy a Japanese copy import but it seems nobody will for no reason or another Its hard being a Declan stan when 99% of his general fanbase doesnt look for anything and most of them dont even know he had Bandcamp EPs

There's tweets by people referring to both a soundcloud Allie leaker and then Gaga content leaker Farhan by the name Chase Bigsby, with proof (Twitter DMs, here's a whole expose thread) for that name belonging to latter. And now, chasebigsby is a privated account, Farhan hasnt posted since July 20th and 24/7 gave the account to someone else and left it to quickly die off. I've been a stan of both Allie and Gaga since 2014 and 13 respectively so its really weird putting two-and-two together that these leakers are the exact same person, but I guess it explains a lot

I heard the reason 24/7 died down is because the owner aka Chase literally got arrested for leaking Gaga content under the name 'Farhan'. Wild

It does feel weird for Marina to be using a trendy lowkey-overhyped sound with a random rapper attached for what from most pop girls would be considered a cheap attempt at getting a hit. The formula worked for Electra Heart (although there were no rappers to ruin that) because of the theme, her original intention to release it as a different artist separate from Marina and the Diamonds, etc, but I'm wondering how it will fit this time around. Hopefully the full version doesnt feel as calculated.

Someone Else's Baby WOULD be one of the better Marina songs if she removed the God-awful autotune adlibs from that rapper, or his presence entirely, and thats the tea

Imagine if Dr Luke kept getting major gigs like this after #FreeKesha, yikes

Entered this thread wanting to throw slight shade at You-Know-Who But I'll just be respectful and say RIP, I don't know much about him but he seemed like a nice person

I didn't really expect high tempo smash bangers in this particular case, and I don't think a song being slower makes it automatically worse, Draw the Line is one of my favorite songs from Allie in general. I just didn't like her lyricism here, especially when that's the most prominent feature in these specific songs, rather than a nice melody or good production or something of that sort. It's kinda sad to me that Science is this amazing brilliant pop song, one of her best songs since her debut as Allie X, only to be followed up by two uninteresting tracks where 99% of the lyrics involve her blatantly describing a topic with little to no interesting metaphors and unclever rhyming. It's a no for me

--- Personally, I don't particularly like either Sunflower or Kid Wonder, idk, maybe Allie's just not the best soundtrack writer? Everything's too on-the-nose and basic and her songs are more interesting / overall enjoyable when they're actually something that came from her rather than a check to write it for a random film. These 2 songs are just kinda bland and boring to me? Literally everything she's released herself, from That's Just Me all the way to Science, outsold.

https://www.youtube.com/watch?v=xKrpgJTS-Vg very different aesthetic than I expected

Radioactive is objectively the best song on Electra Heart dont @ me Same with Shampain on TFJ and Better Than That on FROOT Ugh can she release something

In my eyes, Simon Says was very successful in its role as a Bitch sequel and added a whole other layer of depth to the original concept while still fitting in with the rest of the tracks on its album, meanwhile NSBILA struggles to find its footing as a predictably written Downtown parody, and struggles as a song to actually progress from CollXtion II instead of sounding like a rejected demo from it that she heard one day in the car and decided it was worth releasing in its unfinished form last-second instead of taking the time or effort to update it in any way. That's just my opinion tho

NSBILA sounds like an unfinished demo and its not even mixed at the same volume as Focus and Science, a mess

TLIV, Need You, Bitch, All the Rage, Vintage and Lifted are all good If you're gonna come for a song for being mediocre, come for NSBILA or Kid Wonder xoxo

No, not when Kid Wonder exists

CLXII definitely is more cohesive and consistent than CLXI is or Super Sunset seems to be. I guess I mainly just want justice for All the Rage, lol

I mean Offering was basically just an early Downtown with a different title line from what I've heard/seen ("Take this offfffffering ... Don't it taste like love?" can still be heard as BGV in the final chorus), so yeah

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