FkaTwinks

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it's giving when people raised concerns that the Cry Baby era spent a little too much time sexualizing its preschool-aged characters and being inappropriate with its subject matter (which is even more true after K-12 and songs like "Wheels on the Bus"), and Melanie's response was a salty post like "you just don't GET it"

"art with substance" > nearly plot-less K-12 film > NFTs of "edgy" versions of old toys > stolen artwork merch > awful green-screened "M&G" photos > tacky half-baked songs like Moon Cycle coming out while decent songs like Needle & Thread fall to the wayside

Maybe, seeing as how Slut! is literally (in part) about Directioners bashing her But she did say that she always wanted Is It Over Now? to be the closing track on 1989, describing it as a "tough choice" to scrap it

people who trollpost on dbree deserve to have their kneecaps busted

the universe saw the blurry 80s motif and thought she was Slayyyter

to reiterate and better explain my thoughts with Sam Smith yesterday... people should be entitled to their opinions! 99% of the "hate" Charli was on the verge of tears over was essentially "can we have a solo version too?" lmfao. It's not that serious. Anyone going "oh you guys should be embarrassed" reeks of hypocrisy and idol worship, cus I'm damn sure you've also wished for a solo version of a song or written publicly about an aspect of a song you didn't like. just because Charli's upset does not mean that negative takes are invalid, or that they warrant embarrassment. stop ass-kissing

if a better version didn't exist, we wouldn't have literally heard it in that dj set I swear you guys are trying to pull some sort of elaborate gaslighting

it's a concept demo without so much as a verse or even the post-chorus section, bffr

I'm not, the snippet with Sam is not as good as the snippet without Sam, it's doing too much

the supposed final version was just the original version, promoted alongside the original OHDH. the version she released came later.

When are Atlantic going to put out a playlist EP with the following tracklist Roll with Me Backseat Vroom Vroom Speed Drive Crash 3AM (Pull Up)

tbf she's the one who kept talking about Act II; ARTPOP was clearly something she was passionate about, and she kept trying to make it work, to the point she was somewhat consistently referring to an Act II plan from 2012 to 2014 (albeit less optimistic about it coming out as the years progressed). She made the album to heal from trauma, and she commented "my soul" or something like that on a TikTok about it either this year or last year. She even still cares about the deep cuts to some extent; her 2017 Coachella set had Venus and Sexxx Dreams + an intro with bits of Donatella and (for some reason) Partynauseous. She played Aura every date of the Enigma residency. She was jamming to MANiCURE at the Haus Labs launch party. That Vogue "Life in Looks" video was primarily ARTPOP-themed and there was a segment of her 2020 interview with Zane Lowe where they talk about ARTPOP and the implications of Chromatica being a spiritual successor to it. I don't think she hates it as much as people want her to

don't forget that matty owns rina's masters; it goes farther than them sharing a label