derangedmanic

I think the overwhelmingly critical reaction against CWIMM is not just about the song (as if any reaction is independent of its context) but a culmination of releasing one good but not spectacular single and then a mediocre title track with a short-shelf life (LFL honestly has one of the lowest play counts out of all my lana songs).
 
Coachella is just the straw that broke the camel's back - a sort of scapegoat for every one's LFL anxiety.
 
I'm just confused that if she wanted to release a timely, political single why didn't she just release God Bless America instead? Restore my faith back queen!   

I think the overwhelmingly critical reaction against CWIMM is not just about the song (as if any reaction is independent of its context) but a culmination of releasing one good but not spectacular single and then a mediocre title track with a short-shelf life (LFL honestly has one of the lowest play counts out of all my lana songs).
 
Coachella is just the straw that broke the camel's back - a sort of scapegoat for every one's LFL anxiety.
 
I'm just confused that if she wanted to release a timely, political single why didn't she just release God Bless America instead? Restore my faith back queen!   

Idk I feel like the reasons we're in this mess is bc some stans demanded the past (BTD sound) reoccur but the past is the past for a reason. Lana needs to work with a completely unexpected and spontaneous producer like what she did with Dan Auerbach. 
LFL has so far been mediocre because it's market-researched and pandering (it's for the fans blah blah blah). That's the worst approach to create something artistically exciting.

i'm a pacifist but this song is making me reconsider my stance. if north korea wants WAR, they can have it!    

I think the overwhelmingly critical reaction against CWIMM is not just about the song (as if any reaction is independent of its context) but a culmination of releasing one good but not spectacular single and then a mediocre title track with a short-shelf life (LFL honestly has one of the lowest play counts out of all my lana songs).
 
Coachella is just the straw that broke the camel's back - a sort of scapegoat for every one's LFL anxiety.
 
I'm just confused that if she wanted to release a timely, political single why didn't she just release God Bless America instead? Restore my faith back queen!   

I think the overwhelmingly critical reaction against CWIMM is not just about the song (as if any reaction is independent of its context) but a culmination of releasing one good but not spectacular single and then a mediocre title track with a short-shelf life (LFL honestly has one of the lowest play counts out of all my lana songs).
 
Coachella is just the straw that broke the camel's back - a sort of scapegoat for every one's LFL anxiety.
 
I'm just confused that if she wanted to release a timely, political single why didn't she just release God Bless America instead? Restore my faith back queen!   

I think the overwhelmingly critical reaction against CWIMM is not just about the song (as if any reaction is independent of its context) but a culmination of releasing one good but not spectacular single and then a mediocre title track with a short-shelf life (LFL honestly has one of the lowest play counts out of all my lana songs).
 
Coachella is just the straw that broke the camel's back - a sort of scapegoat for every one's LFL anxiety.
 
I'm just confused that if she wanted to release a timely, political single why didn't she just release God Bless America instead? Restore my faith back queen!   

I think the overwhelmingly critical reaction against CWIMM is not just about the song (as if any reaction is independent of its context) but a culmination of releasing one good but not spectacular single and then a mediocre title track with a short-shelf life (LFL honestly has one of the lowest play counts out of all my lana songs).
 
Coachella is just the straw that broke the camel's back - a sort of scapegoat for every one's LFL anxiety.
 
I'm just confused that if she wanted to release a timely, political single why didn't she just release God Bless America instead? Restore my faith back queen!   

I think the overwhelmingly critical reaction against CWIMM is not just about the song (as if any reaction is independent of its context) but a culmination of releasing one good but not spectacular single and then a mediocre title track with a short-shelf life (LFL honestly has one of the lowest play counts out of all my lana songs).
 
Coachella is just the straw that broke the camel's back - a sort of scapegoat for every one's LFL anxiety.
 
I'm just confused that if she wanted to release a timely, political single why didn't she just release God Bless America instead? Restore my faith back queen!   

I think the overwhelmingly critical reaction against CWIMM is not just about the song (as if any reaction is independent of its context) but a culmination of releasing one good but not spectacular single and then a mediocre title track with a short-shelf life (LFL honestly has one of the lowest play counts out of all my lana songs).
 
Coachella is just the straw that broke the camel's back - a sort of scapegoat for every one's LFL anxiety.
 
I'm just confused that if she wanted to release a timely, political single why didn't she just release God Bless America instead? Restore my faith back queen!   

I can't believe Lana would namedrop Joan Baez as an inspiration for the album and then come up with these lyrics. And i can't believe she would namedrop The Shangri-Las and then release a song with production that sounds this cheap. 

Idk I feel like the reasons we're in this mess is bc some stans demanded the past (BTD sound) reoccur but the past is the past for a reason. Lana needs to work with a completely unexpected and spontaneous producer like what she did with Dan Auerbach. 
LFL has so far been mediocre because it's market-researched and pandering (it's for the fans blah blah blah). That's the worst approach to create something artistically exciting.

THis is for all the BTD stans that were bitching about her last two records and were begging her to go back to that Emile'd faux hip hop shitty beat'd mess. The way their wish backfired is spectacular

Idk I feel like the reasons we're in this mess is bc some stans demanded the past (BTD sound) reoccur but the past is the past for a reason. Lana needs to work with a completely unexpected and spontaneous producer like what she did with Dan Auerbach. 
LFL has so far been mediocre because it's market-researched and pandering (it's for the fans blah blah blah). That's the worst approach to create something artistically exciting.

Idk I feel like the reasons we're in this mess is bc some stans demanded the past (BTD sound) reoccur but the past is the past for a reason. Lana needs to work with a completely unexpected and spontaneous producer like what she did with Dan Auerbach. 
LFL has so far been mediocre because it's market-researched and pandering (it's for the fans blah blah blah). That's the worst approach to create something artistically exciting.

Idk I feel like the reasons we're in this mess is bc some stans demanded the past (BTD sound) reoccur but the past is the past for a reason. Lana needs to work with a completely unexpected and spontaneous producer like what she did with Dan Auerbach. 
LFL has so far been mediocre because it's market-researched and pandering (it's for the fans blah blah blah). That's the worst approach to create something artistically exciting.

Idk I feel like the reasons we're in this mess is bc some stans demanded the past (BTD sound) reoccur but the past is the past for a reason. Lana needs to work with a completely unexpected and spontaneous producer like what she did with Dan Auerbach. 
LFL has so far been mediocre because it's market-researched and pandering (it's for the fans blah blah blah). That's the worst approach to create something artistically exciting.

Idk I feel like the reasons we're in this mess is bc some stans demanded the past (BTD sound) reoccur but the past is the past for a reason. Lana needs to work with a completely unexpected and spontaneous producer like what she did with Dan Auerbach. 
LFL has so far been mediocre because it's market-researched and pandering (it's for the fans blah blah blah). That's the worst approach to create something artistically exciting.

Idk I feel like the reasons we're in this mess is bc some stans demanded the past (BTD sound) reoccur but the past is the past for a reason. Lana needs to work with a completely unexpected and spontaneous producer like what she did with Dan Auerbach. 
LFL has so far been mediocre because it's market-researched and pandering (it's for the fans blah blah blah). That's the worst approach to create something artistically exciting.

Idk I feel like the reasons we're in this mess is bc some stans demanded the past (BTD sound) reoccur but the past is the past for a reason. Lana needs to work with a completely unexpected and spontaneous producer like what she did with Dan Auerbach. 
LFL has so far been mediocre because it's market-researched and pandering (it's for the fans blah blah blah). That's the worst approach to create something artistically exciting.

Can't wait for the song about fyre festival

i'm a pacifist but this song is making me reconsider my stance. if north korea wants WAR, they can have it!    

i'm a pacifist but this song is making me reconsider my stance. if north korea wants WAR, they can have it!    

father john misty, north korea united states tension, coachella, that garageband beat, g-eazy... what kind of mess   . lana's never going to reach the heights of ultraviolence ever again is she   .

father john misty, north korea united states tension, coachella, that garageband beat, g-eazy... what kind of mess   . lana's never going to reach the heights of ultraviolence ever again is she   .