sjatib

Is there any proof that someone has the album? Anything but rumours, I mean? Maybe it hasn't leaked and people is just fooling... Let's hope it hasn't happened. Feeling so sorry for Lana right now, even if I'm still upset about the way she has behaved towards her fanbase last year.

Ye, I get you, but I mean... The rollout for the album hasn't even started yet, really, as no official single has been released (legally), and the album is already leaked. The situation is devastating.

Ye, I get you, but I mean... The rollout for the album hasn't even started yet, really, as no official single has been released (legally), and the album is already leaked. The situation is devastating.

this happens a lot! i mean, there is nothing anybody can do about it. it's bound to happen!

So there's no way this is gonna stop right now. If someone has the casette by a mistake of delivery, imagine how many people could have gotten it already. This is horrible. Poor, poor Lana...

Is there any proof that someone has the album? Anything but rumours, I mean? Maybe it hasn't leaked and people is just fooling... Let's hope it hasn't happened. Feeling so sorry for Lana right now, even if I'm still upset about the way she has behaved towards her fanbase last year.

Is there any proof that someone has the album? Anything but rumours, I mean? Maybe it hasn't leaked and people is just fooling... Let's hope it hasn't happened. Feeling so sorry for Lana right now, even if I'm still upset about the way she has behaved towards her fanbase last year.

Is there any proof that someone has the album? Anything but rumours, I mean? Maybe it hasn't leaked and people is just fooling... Let's hope it hasn't happened. Feeling so sorry for Lana right now, even if I'm still upset about the way she has behaved towards her fanbase last year.

Circus theme.

The thing with NFR is that lyrically she seems to have taken more risks. People say the lyrical content is more direct ("basic" lol) but I just think it's her honesty talking. It feels like she's approached writing differently and build the tracks around the melodies and lyrics rather than having fun with the melody to the music (as I think Honeymoon was written) or writing from a specific perspective in mind (UV's universe). It would also explain her poetry - she started writing from the bottom of her heart instead of going with the fantasy. That's why these songs seem to be on a new level of vulnerable even given her heartbreaking lyrical catalogue as a whole
 
Keep in mind that these are my assumptions and assumptions only

Hey. To the ones saying NFR has already "topped UV and HM". I think the songs released aren't bad and bland as many expected, but they sound anyway quite experimental and embrionary in artistic terms. The production has nice elements to it, but isn't actually consistent. Her voice and her writing clearly aren't at her best. Go and relisten UV and HM, as I'm doing. It helps to not make a precipitate judgement on NFR based mostly on the drought that we have had gone through to get some new songs.

The difference I found when it comes to UV narratives is that it seemed to be quite theatrical too (it was her second album, so she was still on the top of the creating-her-persona process). The production was huge -not in a bad way or meaning overproduced, I mean that it created very crafted atmospheres, it had a very wide sound-, so the thing exploded and Lana was there playing so many different roles. But in this case, I think it's just Lana trying to get her pieces together. There's no trail of the opulency of her previous sound. t's just her accompanied by very minimalistic and delicate music. She sounds so, so vulnerable. 

I'm listening again all the songs we already have -including the last two leaked yesterday-. I'm getting a feeling that this may be her saddest record ever. FIILY is incredibly sad, and quite interesting because the chorus lyrics are upbeat and quite cheesy (the "fucking i love you part), so the music is. I think the weird synths on repeat along the song give it a quite dystopic and evasive feeling. It gives me a vibe such as the one DLMBM at the end of Honeymoon left me with: a huge aching hollowness inside. Quite similar to anxiety, actually.
 
The others are nearly on the same level: Venice Bitch is quite similar to FIILY, but the dystopic feeling is taken many levels further, so the lenght of the song. Incredibly beautiful, but comes to be so sad in the context of what we've heard. No need to reference HIADT when talking about the feelings it may rise. Mariners may be the only optimistic one we've heard so far. TG is her pretending to quit from music. Bartender sounds sad as fuck. How to Dissapear made me cry since the first snippet was shared on her IG feed. Cinnamon Girl also has a feeling to it as the world was collapsing. Anyone else is getting this views on what we've seen from the album?

The difference I found when it comes to UV narratives is that it seemed to be quite theatrical too (it was her second album, so she was still on the top of the creating-her-persona process). The production was huge -not in a bad way or meaning overproduced, I mean that it created very crafted atmospheres, it had a very wide sound-, so the thing exploded and Lana was there playing so many different roles. But in this case, I think it's just Lana trying to get her pieces together. There's no trail of the opulency of her previous sound. t's just her accompanied by very minimalistic and delicate music. She sounds so, so vulnerable. 

I'm listening again all the songs we already have -including the last two leaked yesterday-. I'm getting a feeling that this may be her saddest record ever. FIILY is incredibly sad, and quite interesting because the chorus lyrics are upbeat and quite cheesy (the "fucking i love you part), so the music is. I think the weird synths on repeat along the song give it a quite dystopic and evasive feeling. It gives me a vibe such as the one DLMBM at the end of Honeymoon left me with: a huge aching hollowness inside. Quite similar to anxiety, actually.
 
The others are nearly on the same level: Venice Bitch is quite similar to FIILY, but the dystopic feeling is taken many levels further, so the lenght of the song. Incredibly beautiful, but comes to be so sad in the context of what we've heard. No need to reference HIADT when talking about the feelings it may rise. Mariners may be the only optimistic one we've heard so far. TG is her pretending to quit from music. Bartender sounds sad as fuck. How to Dissapear made me cry since the first snippet was shared on her IG feed. Cinnamon Girl also has a feeling to it as the world was collapsing. Anyone else is getting this views on what we've seen from the album?

The difference I found when it comes to UV narratives is that it seemed to be quite theatrical too (it was her second album, so she was still on the top of the creating-her-persona process). The production was huge -not in a bad way or meaning overproduced, I mean that it created very crafted atmospheres, it had a very wide sound-, so the thing exploded and Lana was there playing so many different roles. But in this case, I think it's just Lana trying to get her pieces together. There's no trail of the opulency of her previous sound. t's just her accompanied by very minimalistic and delicate music. She sounds so, so vulnerable. 

The difference I found when it comes to UV narratives is that it seemed to be quite theatrical too (it was her second album, so she was still on the top of the creating-her-persona process). The production was huge -not in a bad way or meaning overproduced, I mean that it created very crafted atmospheres, it had a very wide sound-, so the thing exploded and Lana was there playing so many different roles. But in this case, I think it's just Lana trying to get her pieces together. There's no trail of the opulency of her previous sound. t's just her accompanied by very minimalistic and delicate music. She sounds so, so vulnerable. 

The difference I found when it comes to UV narratives is that it seemed to be quite theatrical too (it was her second album, so she was still on the top of the creating-her-persona process). The production was huge -not in a bad way or meaning overproduced, I mean that it created very crafted atmospheres, it had a very wide sound-, so the thing exploded and Lana was there playing so many different roles. But in this case, I think it's just Lana trying to get her pieces together. There's no trail of the opulency of her previous sound. t's just her accompanied by very minimalistic and delicate music. She sounds so, so vulnerable. 

I'm listening again all the songs we already have -including the last two leaked yesterday-. I'm getting a feeling that this may be her saddest record ever. FIILY is incredibly sad, and quite interesting because the chorus lyrics are upbeat and quite cheesy (the "fucking i love you part), so the music is. I think the weird synths on repeat along the song give it a quite dystopic and evasive feeling. It gives me a vibe such as the one DLMBM at the end of Honeymoon left me with: a huge aching hollowness inside. Quite similar to anxiety, actually.
 
The others are nearly on the same level: Venice Bitch is quite similar to FIILY, but the dystopic feeling is taken many levels further, so the lenght of the song. Incredibly beautiful, but comes to be so sad in the context of what we've heard. No need to reference HIADT when talking about the feelings it may rise. Mariners may be the only optimistic one we've heard so far. TG is her pretending to quit from music. Bartender sounds sad as fuck. How to Dissapear made me cry since the first snippet was shared on her IG feed. Cinnamon Girl also has a feeling to it as the world was collapsing. Anyone else is getting this views on what we've seen from the album?

I'm listening again all the songs we already have -including the last two leaked yesterday-. I'm getting a feeling that this may be her saddest record ever. FIILY is incredibly sad, and quite interesting because the chorus lyrics are upbeat and quite cheesy (the "fucking i love you part), so the music is. I think the weird synths on repeat along the song give it a quite dystopic and evasive feeling. It gives me a vibe such as the one DLMBM at the end of Honeymoon left me with: a huge aching hollowness inside. Quite similar to anxiety, actually.
 
The others are nearly on the same level: Venice Bitch is quite similar to FIILY, but the dystopic feeling is taken many levels further, so the lenght of the song. Incredibly beautiful, but comes to be so sad in the context of what we've heard. No need to reference HIADT when talking about the feelings it may rise. Mariners may be the only optimistic one we've heard so far. TG is her pretending to quit from music. Bartender sounds sad as fuck. How to Dissapear made me cry since the first snippet was shared on her IG feed. Cinnamon Girl also has a feeling to it as the world was collapsing. Anyone else is getting this views on what we've seen from the album?

The difference I found when it comes to UV narratives is that it seemed to be quite theatrical too (it was her second album, so she was still on the top of the creating-her-persona process). The production was huge -not in a bad way or meaning overproduced, I mean that it created very crafted atmospheres, it had a very wide sound-, so the thing exploded and Lana was there playing so many different roles. But in this case, I think it's just Lana trying to get her pieces together. There's no trail of the opulency of her previous sound. t's just her accompanied by very minimalistic and delicate music. She sounds so, so vulnerable. 

I'm listening again all the songs we already have -including the last two leaked yesterday-. I'm getting a feeling that this may be her saddest record ever. FIILY is incredibly sad, and quite interesting because the chorus lyrics are upbeat and quite cheesy (the "fucking i love you part), so the music is. I think the weird synths on repeat along the song give it a quite dystopic and evasive feeling. It gives me a vibe such as the one DLMBM at the end of Honeymoon left me with: a huge aching hollowness inside. Quite similar to anxiety, actually.
 
The others are nearly on the same level: Venice Bitch is quite similar to FIILY, but the dystopic feeling is taken many levels further, so the lenght of the song. Incredibly beautiful, but comes to be so sad in the context of what we've heard. No need to reference HIADT when talking about the feelings it may rise. Mariners may be the only optimistic one we've heard so far. TG is her pretending to quit from music. Bartender sounds sad as fuck. How to Dissapear made me cry since the first snippet was shared on her IG feed. Cinnamon Girl also has a feeling to it as the world was collapsing. Anyone else is getting this views on what we've seen from the album?

The difference I found when it comes to UV narratives is that it seemed to be quite theatrical too (it was her second album, so she was still on the top of the creating-her-persona process). The production was huge -not in a bad way or meaning overproduced, I mean that it created very crafted atmospheres, it had a very wide sound-, so the thing exploded and Lana was there playing so many different roles. But in this case, I think it's just Lana trying to get her pieces together. There's no trail of the opulency of her previous sound. t's just her accompanied by very minimalistic and delicate music. She sounds so, so vulnerable. 

I'm listening again all the songs we already have -including the last two leaked yesterday-. I'm getting a feeling that this may be her saddest record ever. FIILY is incredibly sad, and quite interesting because the chorus lyrics are upbeat and quite cheesy (the "fucking i love you part), so the music is. I think the weird synths on repeat along the song give it a quite dystopic and evasive feeling. It gives me a vibe such as the one DLMBM at the end of Honeymoon left me with: a huge aching hollowness inside. Quite similar to anxiety, actually.
 
The others are nearly on the same level: Venice Bitch is quite similar to FIILY, but the dystopic feeling is taken many levels further, so the lenght of the song. Incredibly beautiful, but comes to be so sad in the context of what we've heard. No need to reference HIADT when talking about the feelings it may rise. Mariners may be the only optimistic one we've heard so far. TG is her pretending to quit from music. Bartender sounds sad as fuck. How to Dissapear made me cry since the first snippet was shared on her IG feed. Cinnamon Girl also has a feeling to it as the world was collapsing. Anyone else is getting this views on what we've seen from the album?

I'm listening again all the songs we already have -including the last two leaked yesterday-. I'm getting a feeling that this may be her saddest record ever. FIILY is incredibly sad, and quite interesting because the chorus lyrics are upbeat and quite cheesy (the "fucking i love you part), so the music is. I think the weird synths on repeat along the song give it a quite dystopic and evasive feeling. It gives me a vibe such as the one DLMBM at the end of Honeymoon left me with: a huge aching hollowness inside. Quite similar to anxiety, actually.
 
The others are nearly on the same level: Venice Bitch is quite similar to FIILY, but the dystopic feeling is taken many levels further, so the lenght of the song. Incredibly beautiful, but comes to be so sad in the context of what we've heard. No need to reference HIADT when talking about the feelings it may rise. Mariners may be the only optimistic one we've heard so far. TG is her pretending to quit from music. Bartender sounds sad as fuck. How to Dissapear made me cry since the first snippet was shared on her IG feed. Cinnamon Girl also has a feeling to it as the world was collapsing. Anyone else is getting this views on what we've seen from the album?