veniceglitch

I think this is her very essence: equal parts art and science. I think LDR as a persona/identity is meant to be someone who lives poetically, driven only by emotion and whims, makes her 'life an art', etc.
 
But the reality is she would not be where she is if she were just a wide-eyed innocent, dreaming about life from her window sill all day, or being led around by boys. Lizzy Grant is the shadow master and commander of the LDR concept; she dreams big but she is also a doer, the ruler of her own destiny. (Her critics who think she has no agency need to wake up —  who in pop music right now has more control of their own vision than her ?)   She is very calculating, knowing, and aware of how to give form to her dreams. It surely all starts with intuition and artistic intention and emotion, but then Science Lizzy kicks in — the one who researches, studies, analyzes, experiments w/ a hypothesis, puts in art in action. A good creative director is always equally artistic and scientific, and Lizzy herself has hinted at this in interviews. 
 
I also think someone like this is naturally driven to explore esoteric and marginalized philosophy/psychology/cultural topics; I'm sure she's even aware of Crowley, Theosophy, and the like. Not sure if I buy she was in 'a cult', but the chronology specifics don't matter so much, the essence of how it shaped her does. What's exciting is that she can bring these super niche topics into the warmth of the spotlight, even if she has to paint broad strokes to do so. I honestly can't think of someone else so widely known and loved that is able to pull this off in the 21st century. Maybe Grimes, but with her, it's literally the Wiki-meets-Tumblr remix version of everything. Young artists everywhere should be inspired that women like Lizzy are finding ways to make the outre and strange palatable.

I think this is her very essence: equal parts art and science. I think LDR as a persona/identity is meant to be someone who lives poetically, driven only by emotion and whims, makes her 'life an art', etc.
 
But the reality is she would not be where she is if she were just a wide-eyed innocent, dreaming about life from her window sill all day, or being led around by boys. Lizzy Grant is the shadow master and commander of the LDR concept; she dreams big but she is also a doer, the ruler of her own destiny. (Her critics who think she has no agency need to wake up —  who in pop music right now has more control of their own vision than her ?)   She is very calculating, knowing, and aware of how to give form to her dreams. It surely all starts with intuition and artistic intention and emotion, but then Science Lizzy kicks in — the one who researches, studies, analyzes, experiments w/ a hypothesis, puts in art in action. A good creative director is always equally artistic and scientific, and Lizzy herself has hinted at this in interviews. 
 
I also think someone like this is naturally driven to explore esoteric and marginalized philosophy/psychology/cultural topics; I'm sure she's even aware of Crowley, Theosophy, and the like. Not sure if I buy she was in 'a cult', but the chronology specifics don't matter so much, the essence of how it shaped her does. What's exciting is that she can bring these super niche topics into the warmth of the spotlight, even if she has to paint broad strokes to do so. I honestly can't think of someone else so widely known and loved that is able to pull this off in the 21st century. Maybe Grimes, but with her, it's literally the Wiki-meets-Tumblr remix version of everything. Young artists everywhere should be inspired that women like Lizzy are finding ways to make the outre and strange palatable.

Hopefully it's just the shitty quality, but I'm just not quite as excited by these snippets as the first ones.
 
MPG should play when suckers people buy that overpriced box set from her web site. Alleluia! I want to take you for all that you got. Alleluia!
 
C'mon guys, Lana's not being anti-feminist with the word "whore". Maybe she's just a big GOT fan.
[table]







I am a dragon

You're a whore
[/table]

I just got notification that one of my 4 orders of UV (the AUS bonus postcard set) just shipped - meaning I may have it a day earlier than the 13th....only thing is its the only not-deluxe edition of my 4 orders 

I think this is her very essence: equal parts art and science. I think LDR as a persona/identity is meant to be someone who lives poetically, driven only by emotion and whims, makes her 'life an art', etc.
 
But the reality is she would not be where she is if she were just a wide-eyed innocent, dreaming about life from her window sill all day, or being led around by boys. Lizzy Grant is the shadow master and commander of the LDR concept; she dreams big but she is also a doer, the ruler of her own destiny. (Her critics who think she has no agency need to wake up —  who in pop music right now has more control of their own vision than her ?)   She is very calculating, knowing, and aware of how to give form to her dreams. It surely all starts with intuition and artistic intention and emotion, but then Science Lizzy kicks in — the one who researches, studies, analyzes, experiments w/ a hypothesis, puts in art in action. A good creative director is always equally artistic and scientific, and Lizzy herself has hinted at this in interviews. 
 
I also think someone like this is naturally driven to explore esoteric and marginalized philosophy/psychology/cultural topics; I'm sure she's even aware of Crowley, Theosophy, and the like. Not sure if I buy she was in 'a cult', but the chronology specifics don't matter so much, the essence of how it shaped her does. What's exciting is that she can bring these super niche topics into the warmth of the spotlight, even if she has to paint broad strokes to do so. I honestly can't think of someone else so widely known and loved that is able to pull this off in the 21st century. Maybe Grimes, but with her, it's literally the Wiki-meets-Tumblr remix version of everything. Young artists everywhere should be inspired that women like Lizzy are finding ways to make the outre and strange palatable.

The sounds of the album gives me visions of some southern bayou  

I think this is her very essence: equal parts art and science. I think LDR as a persona/identity is meant to be someone who lives poetically, driven only by emotion and whims, makes her 'life an art', etc.
 
But the reality is she would not be where she is if she were just a wide-eyed innocent, dreaming about life from her window sill all day, or being led around by boys. Lizzy Grant is the shadow master and commander of the LDR concept; she dreams big but she is also a doer, the ruler of her own destiny. (Her critics who think she has no agency need to wake up —  who in pop music right now has more control of their own vision than her ?)   She is very calculating, knowing, and aware of how to give form to her dreams. It surely all starts with intuition and artistic intention and emotion, but then Science Lizzy kicks in — the one who researches, studies, analyzes, experiments w/ a hypothesis, puts in art in action. A good creative director is always equally artistic and scientific, and Lizzy herself has hinted at this in interviews. 
 
I also think someone like this is naturally driven to explore esoteric and marginalized philosophy/psychology/cultural topics; I'm sure she's even aware of Crowley, Theosophy, and the like. Not sure if I buy she was in 'a cult', but the chronology specifics don't matter so much, the essence of how it shaped her does. What's exciting is that she can bring these super niche topics into the warmth of the spotlight, even if she has to paint broad strokes to do so. I honestly can't think of someone else so widely known and loved that is able to pull this off in the 21st century. Maybe Grimes, but with her, it's literally the Wiki-meets-Tumblr remix version of everything. Young artists everywhere should be inspired that women like Lizzy are finding ways to make the outre and strange palatable.

She seems preoccupied by repetition, rituals, iconography. It feels almost religious. I believe she truly is a visual thinker, and tries to use her words to paint the obsessive scenery she loves. I like how she talks about how words sound; their universally understood meaning or context isn't so important to her, which I think gets her in trouble with more linear types (journalists) in interviews, etc. The title Ultraviolence is a good example. She knows its pop cultural history, but she bends the word itself to her own will. It's all how it makes her feel, and how she can use word and motifs as tools to create new meanings. For her, language is an intuitive art like everything else.
 
Red dress. Blood red jam. Red lipstick. Red nail polish. Red, white, blue. Blue dark. Blue jeans. Blue hands. Blue mascara. Boy blue. Swayin'. Swingin'. Driving fast, 'bout 99, in cars with boys, alone. The list goes on.
 
I enjoy how sensory-oriented her lyrics are, but I get the sense she does this knowing that concrete words can hold a lot of abstract power, not because she literally only thinks about things in terms of their color etc. I get the sense she approaches melody-writing similarly; she's fine recycling her own motifs because it reinstates the ritualistic nature of her music. That said, I am hungry for new metaphors and themes from her. I'm sure the music she makes in her 30s will reveal a whole new part of her mind and soul.
 

My favorite part: 
 
"Yeah, my boyfriend's pretty cool
But he's not as cool as me"
 
because if Barrie is singing this, it's a role reversal from the stereotypical LDR submissive lyrics, where she's in thrall to whomever she's singing about. BTW, I don't think she does that submissive thing all the time, but as her critics seem to assume this, I wonder what they're going to make of that one line (and Barrie's singing it). IMO, it's not about submission, but reverence, and it goes both ways.
 
I posted accidentally in the "unofficial video thread", but my main point there was that I'm fascinated that the song seems shorter than Video Games, yet it's actually longer. Do others get the sense that it's a fast listen (not tempo, but time duration)? Finally, I hope it's Barrie on the guitar too, and Auerbach did NOT produce this one (I heard he did 9 out of 11 in some interview). Does anybody know?

I think this is her very essence: equal parts art and science. I think LDR as a persona/identity is meant to be someone who lives poetically, driven only by emotion and whims, makes her 'life an art', etc.
 
But the reality is she would not be where she is if she were just a wide-eyed innocent, dreaming about life from her window sill all day, or being led around by boys. Lizzy Grant is the shadow master and commander of the LDR concept; she dreams big but she is also a doer, the ruler of her own destiny. (Her critics who think she has no agency need to wake up —  who in pop music right now has more control of their own vision than her ?)   She is very calculating, knowing, and aware of how to give form to her dreams. It surely all starts with intuition and artistic intention and emotion, but then Science Lizzy kicks in — the one who researches, studies, analyzes, experiments w/ a hypothesis, puts in art in action. A good creative director is always equally artistic and scientific, and Lizzy herself has hinted at this in interviews. 
 
I also think someone like this is naturally driven to explore esoteric and marginalized philosophy/psychology/cultural topics; I'm sure she's even aware of Crowley, Theosophy, and the like. Not sure if I buy she was in 'a cult', but the chronology specifics don't matter so much, the essence of how it shaped her does. What's exciting is that she can bring these super niche topics into the warmth of the spotlight, even if she has to paint broad strokes to do so. I honestly can't think of someone else so widely known and loved that is able to pull this off in the 21st century. Maybe Grimes, but with her, it's literally the Wiki-meets-Tumblr remix version of everything. Young artists everywhere should be inspired that women like Lizzy are finding ways to make the outre and strange palatable.

I think this is her very essence: equal parts art and science. I think LDR as a persona/identity is meant to be someone who lives poetically, driven only by emotion and whims, makes her 'life an art', etc.
 
But the reality is she would not be where she is if she were just a wide-eyed innocent, dreaming about life from her window sill all day, or being led around by boys. Lizzy Grant is the shadow master and commander of the LDR concept; she dreams big but she is also a doer, the ruler of her own destiny. (Her critics who think she has no agency need to wake up —  who in pop music right now has more control of their own vision than her ?)   She is very calculating, knowing, and aware of how to give form to her dreams. It surely all starts with intuition and artistic intention and emotion, but then Science Lizzy kicks in — the one who researches, studies, analyzes, experiments w/ a hypothesis, puts in art in action. A good creative director is always equally artistic and scientific, and Lizzy herself has hinted at this in interviews. 
 
I also think someone like this is naturally driven to explore esoteric and marginalized philosophy/psychology/cultural topics; I'm sure she's even aware of Crowley, Theosophy, and the like. Not sure if I buy she was in 'a cult', but the chronology specifics don't matter so much, the essence of how it shaped her does. What's exciting is that she can bring these super niche topics into the warmth of the spotlight, even if she has to paint broad strokes to do so. I honestly can't think of someone else so widely known and loved that is able to pull this off in the 21st century. Maybe Grimes, but with her, it's literally the Wiki-meets-Tumblr remix version of everything. Young artists everywhere should be inspired that women like Lizzy are finding ways to make the outre and strange palatable.

I think this is her very essence: equal parts art and science. I think LDR as a persona/identity is meant to be someone who lives poetically, driven only by emotion and whims, makes her 'life an art', etc.
 
But the reality is she would not be where she is if she were just a wide-eyed innocent, dreaming about life from her window sill all day, or being led around by boys. Lizzy Grant is the shadow master and commander of the LDR concept; she dreams big but she is also a doer, the ruler of her own destiny. (Her critics who think she has no agency need to wake up —  who in pop music right now has more control of their own vision than her ?)   She is very calculating, knowing, and aware of how to give form to her dreams. It surely all starts with intuition and artistic intention and emotion, but then Science Lizzy kicks in — the one who researches, studies, analyzes, experiments w/ a hypothesis, puts in art in action. A good creative director is always equally artistic and scientific, and Lizzy herself has hinted at this in interviews. 
 
I also think someone like this is naturally driven to explore esoteric and marginalized philosophy/psychology/cultural topics; I'm sure she's even aware of Crowley, Theosophy, and the like. Not sure if I buy she was in 'a cult', but the chronology specifics don't matter so much, the essence of how it shaped her does. What's exciting is that she can bring these super niche topics into the warmth of the spotlight, even if she has to paint broad strokes to do so. I honestly can't think of someone else so widely known and loved that is able to pull this off in the 21st century. Maybe Grimes, but with her, it's literally the Wiki-meets-Tumblr remix version of everything. Young artists everywhere should be inspired that women like Lizzy are finding ways to make the outre and strange palatable.

I think this is her very essence: equal parts art and science. I think LDR as a persona/identity is meant to be someone who lives poetically, driven only by emotion and whims, makes her 'life an art', etc.
 
But the reality is she would not be where she is if she were just a wide-eyed innocent, dreaming about life from her window sill all day, or being led around by boys. Lizzy Grant is the shadow master and commander of the LDR concept; she dreams big but she is also a doer, the ruler of her own destiny. (Her critics who think she has no agency need to wake up —  who in pop music right now has more control of their own vision than her ?)   She is very calculating, knowing, and aware of how to give form to her dreams. It surely all starts with intuition and artistic intention and emotion, but then Science Lizzy kicks in — the one who researches, studies, analyzes, experiments w/ a hypothesis, puts in art in action. A good creative director is always equally artistic and scientific, and Lizzy herself has hinted at this in interviews. 
 
I also think someone like this is naturally driven to explore esoteric and marginalized philosophy/psychology/cultural topics; I'm sure she's even aware of Crowley, Theosophy, and the like. Not sure if I buy she was in 'a cult', but the chronology specifics don't matter so much, the essence of how it shaped her does. What's exciting is that she can bring these super niche topics into the warmth of the spotlight, even if she has to paint broad strokes to do so. I honestly can't think of someone else so widely known and loved that is able to pull this off in the 21st century. Maybe Grimes, but with her, it's literally the Wiki-meets-Tumblr remix version of everything. Young artists everywhere should be inspired that women like Lizzy are finding ways to make the outre and strange palatable.

She seems preoccupied by repetition, rituals, iconography. It feels almost religious. I believe she truly is a visual thinker, and tries to use her words to paint the obsessive scenery she loves. I like how she talks about how words sound; their universally understood meaning or context isn't so important to her, which I think gets her in trouble with more linear types (journalists) in interviews, etc. The title Ultraviolence is a good example. She knows its pop cultural history, but she bends the word itself to her own will. It's all how it makes her feel, and how she can use word and motifs as tools to create new meanings. For her, language is an intuitive art like everything else.
 
Red dress. Blood red jam. Red lipstick. Red nail polish. Red, white, blue. Blue dark. Blue jeans. Blue hands. Blue mascara. Boy blue. Swayin'. Swingin'. Driving fast, 'bout 99, in cars with boys, alone. The list goes on.
 
I enjoy how sensory-oriented her lyrics are, but I get the sense she does this knowing that concrete words can hold a lot of abstract power, not because she literally only thinks about things in terms of their color etc. I get the sense she approaches melody-writing similarly; she's fine recycling her own motifs because it reinstates the ritualistic nature of her music. That said, I am hungry for new metaphors and themes from her. I'm sure the music she makes in her 30s will reveal a whole new part of her mind and soul.
 

I think this is her very essence: equal parts art and science. I think LDR as a persona/identity is meant to be someone who lives poetically, driven only by emotion and whims, makes her 'life an art', etc.
 
But the reality is she would not be where she is if she were just a wide-eyed innocent, dreaming about life from her window sill all day, or being led around by boys. Lizzy Grant is the shadow master and commander of the LDR concept; she dreams big but she is also a doer, the ruler of her own destiny. (Her critics who think she has no agency need to wake up —  who in pop music right now has more control of their own vision than her ?)   She is very calculating, knowing, and aware of how to give form to her dreams. It surely all starts with intuition and artistic intention and emotion, but then Science Lizzy kicks in — the one who researches, studies, analyzes, experiments w/ a hypothesis, puts in art in action. A good creative director is always equally artistic and scientific, and Lizzy herself has hinted at this in interviews. 
 
I also think someone like this is naturally driven to explore esoteric and marginalized philosophy/psychology/cultural topics; I'm sure she's even aware of Crowley, Theosophy, and the like. Not sure if I buy she was in 'a cult', but the chronology specifics don't matter so much, the essence of how it shaped her does. What's exciting is that she can bring these super niche topics into the warmth of the spotlight, even if she has to paint broad strokes to do so. I honestly can't think of someone else so widely known and loved that is able to pull this off in the 21st century. Maybe Grimes, but with her, it's literally the Wiki-meets-Tumblr remix version of everything. Young artists everywhere should be inspired that women like Lizzy are finding ways to make the outre and strange palatable.

I think this is her very essence: equal parts art and science. I think LDR as a persona/identity is meant to be someone who lives poetically, driven only by emotion and whims, makes her 'life an art', etc.
 
But the reality is she would not be where she is if she were just a wide-eyed innocent, dreaming about life from her window sill all day, or being led around by boys. Lizzy Grant is the shadow master and commander of the LDR concept; she dreams big but she is also a doer, the ruler of her own destiny. (Her critics who think she has no agency need to wake up —  who in pop music right now has more control of their own vision than her ?)   She is very calculating, knowing, and aware of how to give form to her dreams. It surely all starts with intuition and artistic intention and emotion, but then Science Lizzy kicks in — the one who researches, studies, analyzes, experiments w/ a hypothesis, puts in art in action. A good creative director is always equally artistic and scientific, and Lizzy herself has hinted at this in interviews. 
 
I also think someone like this is naturally driven to explore esoteric and marginalized philosophy/psychology/cultural topics; I'm sure she's even aware of Crowley, Theosophy, and the like. Not sure if I buy she was in 'a cult', but the chronology specifics don't matter so much, the essence of how it shaped her does. What's exciting is that she can bring these super niche topics into the warmth of the spotlight, even if she has to paint broad strokes to do so. I honestly can't think of someone else so widely known and loved that is able to pull this off in the 21st century. Maybe Grimes, but with her, it's literally the Wiki-meets-Tumblr remix version of everything. Young artists everywhere should be inspired that women like Lizzy are finding ways to make the outre and strange palatable.

I think this is her very essence: equal parts art and science. I think LDR as a persona/identity is meant to be someone who lives poetically, driven only by emotion and whims, makes her 'life an art', etc.
 
But the reality is she would not be where she is if she were just a wide-eyed innocent, dreaming about life from her window sill all day, or being led around by boys. Lizzy Grant is the shadow master and commander of the LDR concept; she dreams big but she is also a doer, the ruler of her own destiny. (Her critics who think she has no agency need to wake up —  who in pop music right now has more control of their own vision than her ?)   She is very calculating, knowing, and aware of how to give form to her dreams. It surely all starts with intuition and artistic intention and emotion, but then Science Lizzy kicks in — the one who researches, studies, analyzes, experiments w/ a hypothesis, puts in art in action. A good creative director is always equally artistic and scientific, and Lizzy herself has hinted at this in interviews. 
 
I also think someone like this is naturally driven to explore esoteric and marginalized philosophy/psychology/cultural topics; I'm sure she's even aware of Crowley, Theosophy, and the like. Not sure if I buy she was in 'a cult', but the chronology specifics don't matter so much, the essence of how it shaped her does. What's exciting is that she can bring these super niche topics into the warmth of the spotlight, even if she has to paint broad strokes to do so. I honestly can't think of someone else so widely known and loved that is able to pull this off in the 21st century. Maybe Grimes, but with her, it's literally the Wiki-meets-Tumblr remix version of everything. Young artists everywhere should be inspired that women like Lizzy are finding ways to make the outre and strange palatable.

I think this is her very essence: equal parts art and science. I think LDR as a persona/identity is meant to be someone who lives poetically, driven only by emotion and whims, makes her 'life an art', etc.
 
But the reality is she would not be where she is if she were just a wide-eyed innocent, dreaming about life from her window sill all day, or being led around by boys. Lizzy Grant is the shadow master and commander of the LDR concept; she dreams big but she is also a doer, the ruler of her own destiny. (Her critics who think she has no agency need to wake up —  who in pop music right now has more control of their own vision than her ?)   She is very calculating, knowing, and aware of how to give form to her dreams. It surely all starts with intuition and artistic intention and emotion, but then Science Lizzy kicks in — the one who researches, studies, analyzes, experiments w/ a hypothesis, puts in art in action. A good creative director is always equally artistic and scientific, and Lizzy herself has hinted at this in interviews. 
 
I also think someone like this is naturally driven to explore esoteric and marginalized philosophy/psychology/cultural topics; I'm sure she's even aware of Crowley, Theosophy, and the like. Not sure if I buy she was in 'a cult', but the chronology specifics don't matter so much, the essence of how it shaped her does. What's exciting is that she can bring these super niche topics into the warmth of the spotlight, even if she has to paint broad strokes to do so. I honestly can't think of someone else so widely known and loved that is able to pull this off in the 21st century. Maybe Grimes, but with her, it's literally the Wiki-meets-Tumblr remix version of everything. Young artists everywhere should be inspired that women like Lizzy are finding ways to make the outre and strange palatable.

I think this is her very essence: equal parts art and science. I think LDR as a persona/identity is meant to be someone who lives poetically, driven only by emotion and whims, makes her 'life an art', etc.
 
But the reality is she would not be where she is if she were just a wide-eyed innocent, dreaming about life from her window sill all day, or being led around by boys. Lizzy Grant is the shadow master and commander of the LDR concept; she dreams big but she is also a doer, the ruler of her own destiny. (Her critics who think she has no agency need to wake up —  who in pop music right now has more control of their own vision than her ?)   She is very calculating, knowing, and aware of how to give form to her dreams. It surely all starts with intuition and artistic intention and emotion, but then Science Lizzy kicks in — the one who researches, studies, analyzes, experiments w/ a hypothesis, puts in art in action. A good creative director is always equally artistic and scientific, and Lizzy herself has hinted at this in interviews. 
 
I also think someone like this is naturally driven to explore esoteric and marginalized philosophy/psychology/cultural topics; I'm sure she's even aware of Crowley, Theosophy, and the like. Not sure if I buy she was in 'a cult', but the chronology specifics don't matter so much, the essence of how it shaped her does. What's exciting is that she can bring these super niche topics into the warmth of the spotlight, even if she has to paint broad strokes to do so. I honestly can't think of someone else so widely known and loved that is able to pull this off in the 21st century. Maybe Grimes, but with her, it's literally the Wiki-meets-Tumblr remix version of everything. Young artists everywhere should be inspired that women like Lizzy are finding ways to make the outre and strange palatable.

I think this is her very essence: equal parts art and science. I think LDR as a persona/identity is meant to be someone who lives poetically, driven only by emotion and whims, makes her 'life an art', etc.
 
But the reality is she would not be where she is if she were just a wide-eyed innocent, dreaming about life from her window sill all day, or being led around by boys. Lizzy Grant is the shadow master and commander of the LDR concept; she dreams big but she is also a doer, the ruler of her own destiny. (Her critics who think she has no agency need to wake up —  who in pop music right now has more control of their own vision than her ?)   She is very calculating, knowing, and aware of how to give form to her dreams. It surely all starts with intuition and artistic intention and emotion, but then Science Lizzy kicks in — the one who researches, studies, analyzes, experiments w/ a hypothesis, puts in art in action. A good creative director is always equally artistic and scientific, and Lizzy herself has hinted at this in interviews. 
 
I also think someone like this is naturally driven to explore esoteric and marginalized philosophy/psychology/cultural topics; I'm sure she's even aware of Crowley, Theosophy, and the like. Not sure if I buy she was in 'a cult', but the chronology specifics don't matter so much, the essence of how it shaped her does. What's exciting is that she can bring these super niche topics into the warmth of the spotlight, even if she has to paint broad strokes to do so. I honestly can't think of someone else so widely known and loved that is able to pull this off in the 21st century. Maybe Grimes, but with her, it's literally the Wiki-meets-Tumblr remix version of everything. Young artists everywhere should be inspired that women like Lizzy are finding ways to make the outre and strange palatable.

I think this is her very essence: equal parts art and science. I think LDR as a persona/identity is meant to be someone who lives poetically, driven only by emotion and whims, makes her 'life an art', etc.
 
But the reality is she would not be where she is if she were just a wide-eyed innocent, dreaming about life from her window sill all day, or being led around by boys. Lizzy Grant is the shadow master and commander of the LDR concept; she dreams big but she is also a doer, the ruler of her own destiny. (Her critics who think she has no agency need to wake up —  who in pop music right now has more control of their own vision than her ?)   She is very calculating, knowing, and aware of how to give form to her dreams. It surely all starts with intuition and artistic intention and emotion, but then Science Lizzy kicks in — the one who researches, studies, analyzes, experiments w/ a hypothesis, puts in art in action. A good creative director is always equally artistic and scientific, and Lizzy herself has hinted at this in interviews. 
 
I also think someone like this is naturally driven to explore esoteric and marginalized philosophy/psychology/cultural topics; I'm sure she's even aware of Crowley, Theosophy, and the like. Not sure if I buy she was in 'a cult', but the chronology specifics don't matter so much, the essence of how it shaped her does. What's exciting is that she can bring these super niche topics into the warmth of the spotlight, even if she has to paint broad strokes to do so. I honestly can't think of someone else so widely known and loved that is able to pull this off in the 21st century. Maybe Grimes, but with her, it's literally the Wiki-meets-Tumblr remix version of everything. Young artists everywhere should be inspired that women like Lizzy are finding ways to make the outre and strange palatable.

I find so interesting that there's lana del rey; the persona obsessed w/ opulence, glamour and 50s vintage vs, lizzy grant; science, metaphysics, cults (??)
 
more importantly it's nice that everyone's learnt to take what she says w/ a grain of salt.

Lana is on the cover of UK digital magazine Clash this month. (Hopefully someone can buy it and post the whole interview!) The theme of the issue is, fittingly, The American Dream.
 

 
 
They tease with a blurb about her talking leaving music (again).
 
 
'In an interview with Clash for this month’s special American Dream-themed issue,Lana Del Rey admitted that she considered quitting music after her breakthrough album ‘Born To Die’.
Speaking with our own Joe Zadeh in California, she shed some light on her feelings at the time of the criticism that accompanied her early rise to fame.
In response to us asking regarding whether some of the criticism ever made her resent becoming a musician, she responded:
“All the time. Every day. I didn't want to do it, ever. You can make music, just for making music – you don't have to put it on YouTube. That was definitely a viable option for me. I have a lot of passions and making music was always something I would do for fun.
“But from what happened, it wasn't worth it most of the time. It’s still not really worth all the bullshit. But, meeting people like Dan Auerbach, making a record (‘Ultraviolence’) that is perfect for me, and being able to tell my story through music – that is totally amazing. But that is where it begins and ends. Sometimes I meet people who are really cool, but most of the time it isn't like that.”'

Lana is on the cover of UK digital magazine Clash this month. (Hopefully someone can buy it and post the whole interview!) The theme of the issue is, fittingly, The American Dream.
 

 
 
They tease with a blurb about her talking leaving music (again).
 
 
'In an interview with Clash for this month’s special American Dream-themed issue,Lana Del Rey admitted that she considered quitting music after her breakthrough album ‘Born To Die’.
Speaking with our own Joe Zadeh in California, she shed some light on her feelings at the time of the criticism that accompanied her early rise to fame.
In response to us asking regarding whether some of the criticism ever made her resent becoming a musician, she responded:
“All the time. Every day. I didn't want to do it, ever. You can make music, just for making music – you don't have to put it on YouTube. That was definitely a viable option for me. I have a lot of passions and making music was always something I would do for fun.
“But from what happened, it wasn't worth it most of the time. It’s still not really worth all the bullshit. But, meeting people like Dan Auerbach, making a record (‘Ultraviolence’) that is perfect for me, and being able to tell my story through music – that is totally amazing. But that is where it begins and ends. Sometimes I meet people who are really cool, but most of the time it isn't like that.”'

Lana is on the cover of UK digital magazine Clash this month. (Hopefully someone can buy it and post the whole interview!) The theme of the issue is, fittingly, The American Dream.
 

 
 
They tease with a blurb about her talking leaving music (again).
 
 
'In an interview with Clash for this month’s special American Dream-themed issue,Lana Del Rey admitted that she considered quitting music after her breakthrough album ‘Born To Die’.
Speaking with our own Joe Zadeh in California, she shed some light on her feelings at the time of the criticism that accompanied her early rise to fame.
In response to us asking regarding whether some of the criticism ever made her resent becoming a musician, she responded:
“All the time. Every day. I didn't want to do it, ever. You can make music, just for making music – you don't have to put it on YouTube. That was definitely a viable option for me. I have a lot of passions and making music was always something I would do for fun.
“But from what happened, it wasn't worth it most of the time. It’s still not really worth all the bullshit. But, meeting people like Dan Auerbach, making a record (‘Ultraviolence’) that is perfect for me, and being able to tell my story through music – that is totally amazing. But that is where it begins and ends. Sometimes I meet people who are really cool, but most of the time it isn't like that.”'