DinahLee

The absolute scream. Other Side Gate already going into annals of Lanaboards, yup that's right! The way I never saw any vinyl with such layout of "other side", at most "SIDE A - THIS SIDE" or something like that.
I'm sure it's a real song anyway. 
 
 
God I wish BlackoutZone would come back for some extra teatime. That was fun.

The absolute scream. Other Side Gate already going into annals of Lanaboards, yup that's right! The way I never saw any vinyl with such layout of "other side", at most "SIDE A - THIS SIDE" or something like that.
I'm sure it's a real song anyway. 
 
 
God I wish BlackoutZone would come back for some extra teatime. That was fun.

The absolute scream. Other Side Gate already going into annals of Lanaboards, yup that's right! The way I never saw any vinyl with such layout of "other side", at most "SIDE A - THIS SIDE" or something like that.
I'm sure it's a real song anyway. 
 
 
God I wish BlackoutZone would come back for some extra teatime. That was fun.

The absolute scream. Other Side Gate already going into annals of Lanaboards, yup that's right! The way I never saw any vinyl with such layout of "other side", at most "SIDE A - THIS SIDE" or something like that.
I'm sure it's a real song anyway. 
 
 
God I wish BlackoutZone would come back for some extra teatime. That was fun.

The absolute scream. Other Side Gate already going into annals of Lanaboards, yup that's right! The way I never saw any vinyl with such layout of "other side", at most "SIDE A - THIS SIDE" or something like that.
I'm sure it's a real song anyway. 
 
 
God I wish BlackoutZone would come back for some extra teatime. That was fun.

She really should just... record and drop some music instead of fighting for the old music. At least for now. It's just logical; it's crazy that she still maintains some fans and critical acclaim, dropping a string of singles/shapping up an EP would be the easiest way to grow steady and be able to book some new festivals and that kind of gig that would fill her pockets. If she's really hellbent of "no, my second album HAS to be masochism" she can just keep releasing music and calling it "project!" "mixtape!" "playlist!" "a great sum up of music that I'm uploading to Spotify!" and keep it going.
 
 
 

She really should just... record and drop some music instead of fighting for the old music. At least for now. It's just logical; it's crazy that she still maintains some fans and critical acclaim, dropping a string of singles/shapping up an EP would be the easiest way to grow steady and be able to book some new festivals and that kind of gig that would fill her pockets. If she's really hellbent of "no, my second album HAS to be masochism" she can just keep releasing music and calling it "project!" "mixtape!" "playlist!" "a great sum up of music that I'm uploading to Spotify!" and keep it going.
 
 
 

Hmm with Gaga releasing in early March and basically every other Interscope artist already out of the way, I guess there's a big chance this album (if it really exists) coming in late May. And there should be a single coming in late March/Early April? 
 
But idk, that original post with "Henry first" means she probably wanted to drop something soon and got cold feet. 

Hmm with Gaga releasing in early March and basically every other Interscope artist already out of the way, I guess there's a big chance this album (if it really exists) coming in late May. And there should be a single coming in late March/Early April? 
 
But idk, that original post with "Henry first" means she probably wanted to drop something soon and got cold feet. 

Hmm with Gaga releasing in early March and basically every other Interscope artist already out of the way, I guess there's a big chance this album (if it really exists) coming in late May. And there should be a single coming in late March/Early April? 
 
But idk, that original post with "Henry first" means she probably wanted to drop something soon and got cold feet. 

Thinking about ALX studio versions today…
 
Jabberwocky please come home.

It's coming during the GRAMMYs later tonight. Music video + Song premiering during commercial break.

It's coming during the GRAMMYs later tonight. Music video + Song premiering during commercial break.

Idk with her being ballsy enough to reference it before Coachella it wouldn’t have been a terrible idea for her to do it. It’s not like it ended her career, and it could have been a ‘getting the last laugh’ kind of moment for her because yeah it was bad, yeah she can admit it, but look how far she’s come since then, with her just playing her biggest show ever last year and currently selling out stadiums 

spill some sis, I'm bored and hyperfocused on Lana Lore right now.

spill some sis, I'm bored and hyperfocused on Lana Lore right now.

oohhh I get it because they would need to go out if their way to create the stamp for the vinyl right? and since it would be a different vinyl than Froot they would need a new stamp.
 
well we’ll see I guess 

Been a fan of hers for almost 10 years and the nickname Merna still sends me every time 

They do get a (great?) cut of profits, but I'm a Little Ferrari and I see Labels as organizations from hell that are here to trap the artists! Just kidding... sort of. Marina hinted before that her relationship with label wasn't really 100%  and being able to "leave them, not going back" probably stings the suit men a little, so I'm just not very confident they'll be helpful celebrating her catalog. At least she kind of does have a strong fanbase appeal, but the costs of these things (especially if they're planning something beyond a vinyl repress, like new songs being add-ed) will always shake the table.
 
I also believe there's a little aggravation that both The Family Jewels and Electra Heart were able to penetrate the public consciousness with the TikTok trends in a way that Froot still hasn't... aka they were more commercially viable to market since they were fresh into people's mind. So maybe it's time to make I'm Not Hungry Anymore viral so we can get a nice treat!

When You Take Away Control being a real song and not a random Forget demo... I got the last laugh. WHEN YOU TAKE AWAY CONTROL TRUTHERS, RISE! I'm pretty sure the song is kind of shit or just rough like Savior but ok.
 
I have no idea if something is really happening but mainly because;;;; label. She might have been interested, but I'm not sure everybody will be like "sure luv you left us after your contract expired but we'll help you celebrate your beloved third album <3". Platinum Blonde literally came 1 month before she announced she was going independent as well nn.
 
 
Does anyone have a Merna Masterpost? Kinda craving some demos & outtakes right now.

well we know the 15 songs she wrote were the 12 on froot, wytac, saviour and inha based on the recording list. the fact she went from 7 songs to 4-5 songs in a few weeks implies, to me at least, that she was thinking of writing more for froot rather than having a backlog of songs to use, because using the three she already had and writing 1-2 more songs is more realistic than 4 more songs, especially as it took her two years to write 15 by herself. although I think it would have been cool to have a new song for each 'froot', not that the froots really have much meaning (also it's funny to me all froot songs got a froot but not all electra heart songs got given an archetype)

i hope someone leaks wytac for froot's 10 year anniversary if it's not released. I think inha has the potential to be released due to some of the comments she's made, but we'll see if she's been marina liemandis again. I can't see her pulling out wytac considering we only ever knew it existed because david kosten tweeted the recording list, and until that 'i wrote 15 songs' interview was found we thought it was a demo for forget or something. I'm not sure if we'll get saviour but pairing it with inha as a 'missing' pink (dragon)froot would be cute!

Gorgeous album tbh. It lives beyond the hype and "lore" of music that sounds like grail because stans can't actually touch or albums that were scrapped by record labels and that kind of thing. The world building, the lyrics, the goal achieved, everything is on point. I constantly think about that quote of Lana meeting Kahne and asking if he could make it sound "like a sad party" and the way it fits perfectly. And I have no idea of what she thinks of it now, but I'd say Kahne brought some of the most interesting productions while keeping it traditional and straightforward. Marmaid Motel? Gramma? These songs are next level, uniquely "Lizzy Grant" and no one can touch them. 
 
I wonder what she wanted to change when the album sat in label hell for one whole year, but the final product is still pretty much bulletproof and perfectly aligned.

Gorgeous album tbh. It lives beyond the hype and "lore" of music that sounds like grail because stans can't actually touch or albums that were scrapped by record labels and that kind of thing. The world building, the lyrics, the goal achieved, everything is on point. I constantly think about that quote of Lana meeting Kahne and asking if he could make it sound "like a sad party" and the way it fits perfectly. And I have no idea of what she thinks of it now, but I'd say Kahne brought some of the most interesting productions while keeping it traditional and straightforward. Marmaid Motel? Gramma? These songs are next level, uniquely "Lizzy Grant" and no one can touch them. 
 
I wonder what she wanted to change when the album sat in label hell for one whole year, but the final product is still pretty much bulletproof and perfectly aligned.

Gorgeous album tbh. It lives beyond the hype and "lore" of music that sounds like grail because stans can't actually touch or albums that were scrapped by record labels and that kind of thing. The world building, the lyrics, the goal achieved, everything is on point. I constantly think about that quote of Lana meeting Kahne and asking if he could make it sound "like a sad party" and the way it fits perfectly. And I have no idea of what she thinks of it now, but I'd say Kahne brought some of the most interesting productions while keeping it traditional and straightforward. Marmaid Motel? Gramma? These songs are next level, uniquely "Lizzy Grant" and no one can touch them. 
 
I wonder what she wanted to change when the album sat in label hell for one whole year, but the final product is still pretty much bulletproof and perfectly aligned.

Gorgeous album tbh. It lives beyond the hype and "lore" of music that sounds like grail because stans can't actually touch or albums that were scrapped by record labels and that kind of thing. The world building, the lyrics, the goal achieved, everything is on point. I constantly think about that quote of Lana meeting Kahne and asking if he could make it sound "like a sad party" and the way it fits perfectly. And I have no idea of what she thinks of it now, but I'd say Kahne brought some of the most interesting productions while keeping it traditional and straightforward. Marmaid Motel? Gramma? These songs are next level, uniquely "Lizzy Grant" and no one can touch them. 
 
I wonder what she wanted to change when the album sat in label hell for one whole year, but the final product is still pretty much bulletproof and perfectly aligned.