Delete NOW

It’s her fault for choosing another dud as a lead. 3 dud leads in a row. Does not inspire confidence. And pitchfork is right. No BNT for her. Venice Bitch got Best New Track (as it should ). People don’t understand how great NFR was. Lana was making production heavy sounds until that album. It was a big shift sonically, hence why it was so lauded. She’s not making anymore shifts after that which is just sad.

Ate every Piano song on Blue Banisters. This is how you do piano.

That would be great. But no, we’re getting another quiet barely audio piano notes for 1234567th time. I’ve been listening to Jon Batiste lately and ended up listening the Soul score. I wouldn’t mind her automatic writing on something like this.

Age has nothing to do with this. Be serious. I don’t know. Her new material doesn’t sound like music to me lmao. It’s very uninspired musically. I am not talking about the lyrics/words. There’s more to music than just lyrics which Lana seems to have completely forgotten. I know it’s harsh but I’m going to spill . There’s an unmelodic flatness to A LOT of her new stuff. Disjointed even. Snow On The Beach by far her most pleasant sounding song recently and it’s not even her song. And I don’t even like that song. Okay, maybe it’s on purpose she’s making auto pilot flat talky melodies but at least make the production interesting. But the production is basic too. I want Lana to recite her poems with this vocal effects on top of a song like this. That would be daring and different and I wouldn’t mind the lack of melodies/redundantness. https://open.spotify.com/track/6WFAXXEmSnQzv73T7jWfTO?si=RFHwUYSOR4GlIKnqk4fycg She should listen to Salem more.

I’ve not been this disappointed since Rihanna’s Lift Me Up. What’s insane is that I compared that song to LMLYLAW. And now Lana is literally releasing LMLYLAW 2.0.

I don’t know it just sounds unpleasant to me until the final 1:32 minute of the song . Hopefully someone can make an edit and make the final 1:32 minute the full song.

Snow On The Beach >>>>>> I hate to admit it and I didn’t even like Snow .

I wish the back half of the song was the song. It’s stunning. I just can’t get through the beginning parts .

The song sucks and I’m a hater. I was rooting for her. She served ANOTHER Let Me Love You Like A Woman. I played it once and never want to play it again. Let me go back to streaming West Coast. I’m just disappointed because I was genuinely hyped for the album. It’s just so deflating. It’s the exact same thing I felt when I heard Let Me Love You. Completely killed my hype for the album.

I don’t like the song . It’s blue banister’d. The stark contrast when my Spotify switches to West Coast right after it.

A PULP FICTION SERVE

It’s spilling plenty. The album is not coming out until March. We know A LOT already tbh .

What

I’m just really happy Lana is ditching this retirement home sound and going for something more contemporary again. Absolutely do not like the AC sound she’s been going with the last few albums.

Nvm .

Do you listen to Abel? Since when does he rap? He’s a pop singer.

If anyone could defy genres, it’s Lana Del Rey. Father John Misty and Drake on the same album wtf .

Drake

She sounds like she’s holding her piss in in Textbook. “I’m shy” meme in a song. No more of that, please lord. Give me Blue Velvet vocals.

It’s already confirmed Jack produced the lead single. The album was described as having variety, so I’m expecting multiple producers.

Remember when people said this era is going well with announcements/ not messy.

I love the font and the color. Her solar power is here.

The logo doesn’t scream dark coven witchy at all. It’s giving the Coconut song.