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Everything posted by Churchome Rep
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Blue Banisters - Pre-Pre-Release Thread
Churchome Rep replied to Elle's topic in Retired Pre-Release Threads
Kinda feels like she has a Billie Eilish / Finneas diss track coming Both tackle dark subjects but Billie didn’t get the heat she did -
If people associate you with the neo-Nazis on Capitol Hill, you should speak up against it. Like when white supremacists embraced Taylor Swift and she was silent about it, it was concerning I think she saw that article when it first came out and saved it for when she (rather unexpectedly) got critical acclaim for COCC.
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Blue Banisters - Pre-Pre-Release Thread
Churchome Rep replied to Elle's topic in Retired Pre-Release Threads
BROOKLYN BABY 2.0 -
Blue Banisters - Pre-Pre-Release Thread
Churchome Rep replied to Elle's topic in Retired Pre-Release Threads
Not that I think it will happen in LDR8, but I just had this intrusive fear that Lana would evolve to be the super-serious songwriter she skewers in NFR. I hope she doesn't have this pressure of pleasing the music critics because the way they would leave her earlier work in the dust... -
Blue Banisters - Pre-Pre-Release Thread
Churchome Rep replied to Elle's topic in Retired Pre-Release Threads
besides nikki lane, who else are her country music friends ETA: Chemtrails over the Country Club with that cover already feels like an album title about a close circle of country music friends to me. -
Breaking Up Slowly w/ Nikki Lane
Churchome Rep replied to Elle's topic in Chemtrails Over the Country Club
The reference to Tammy Wynette and George Jones fits the theme of “chemtrails under the country club” since they were well-known country artists (country club, maybe a play on words but unlikely). Tammy is most famously known for her song called “Stand By Your Man” and was a domestic abuse survivor who was also chronically ill. George got arrested out on the lawn and that was controversial in its time. I really like this song’s lyrics because Lana isn’t necessarily writing about herself. It’s bit more observant. It talks about the difficulties of untangling yourself from a toxic, abusive relationship, a complete 180 to those who think Lana “glamorizes abuse.” -
Do y’all think she was nervous about what the critics said (about the music or not) or the reception to this kind of music? She talked about how she felt it wasn’t 100% to her ears tbh I agree nevertheless, she should take a well-deserved break!
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Breaking Up Slowly w/ Nikki Lane
Churchome Rep replied to Elle's topic in Chemtrails Over the Country Club
George Jones. Longtime partner/collaborator of Tammy Wynette https://www.houstonpress.com/music/heres-that-george-jones-lawn-mower-story-one-more-time-6522381 -
The whole album is about the burden of fame, but this song is the only one that talks about her singing (in the street). This reminds me of the Rolling Stone interview she did with Elton John where she reminisced that there was a freedom starting out as a musician because it was fun, nobody really judged you. In her Lizzy Grant, early BTD days, she leaned into the whole image of a tragic, Lolita/Marilyn Monroe type figure. Critics thought it was a persona, and the backlash was intense, perhaps in a white hot way. But her fixation with these women is tied to how she thought it was thrilling to be the object of the male gaze. I read “look how I do this/ look how I got this” as a subversion of the fragile female trope because she turns it into a performance that she controls. Lana is older now. She probably looks back at these days wistfully, and maybe she still wishes she could tap into that although it’s no longer part of her current singer-songwriter “street cred.” Maybe that’s what QFTC was about, wishing she could reclaim a freedom of performance that was taken away from her. But this song was like done in one take, so this could be an over analysis or projection
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She’s gonna fly her Sportcruiser?!
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Lana used to figure skate as a child