yourolllikethunder

Unlike DGD (which Lana helped write), it looks like this song was already written betweeen Jack and someone else, so he probably showed her once it was done and she was singing along to it and they decided to add her in as background! (I do wish she sang a verse tho, don’t get me wrong )

I am still hoping for I Don’t Know How to End on streaming someday

Secret Life is out only on Apple Music for some reason!!!!! https://music.apple.com/us/album/secret-life-feat-lana-del-rey/1567285157?i=1567285163 edit: sadly she does not sing at all by herself, only harmonies

Secret Life is out now only on Apple Music for some reason ?!?!!!!!!! https://music.apple.com/us/album/secret-life-feat-lana-del-rey/1567285157?i=1567285163 edit: sadly she does not sing at all by herself, only harmonies still a beautiful song tho

Yes! Shared this on the Bleachers thread yesterday: ‘Besides her vocal turn on “Secret Life,” Lana Del Rey co-wrote, co-produced, and sings on “Don’t Go Dark,” a song that also counts the Chicks and Aaron Dessner (with whom Antonoff won an Album Of The Year trophy for their work on Swift’s folklore this year) in the credits.”’ https://www.stereogum.com/2154674/jack-antonoff-new-bleachers-album/columns/the-week-in-pop/ Jack shared a clip of DGD today on Tik Tok & Instagram stories (you can’t hear Lana): https://vm.tiktok.com/ZMd79jUaT/

Lana confirmed as singing on DGD in addition to Secret Life !! “Besides her vocal turn on “Secret Life,” Lana Del Rey co-wrote, co-produced, and sings on “Don’t Go Dark,” a song that also counts the Chicks and Aaron Dessner (with whom Antonoff won an Album Of The Year trophy for their work on Swift’s folklore this year) in the credits.” https://www.stereogum.com/2154674/jack-antonoff-new-bleachers-album/columns/the-week-in-pop/ AND there’s a snippet of her singing on Secret Life on Bleachers’ stories today!! https://instagram.com/stories/bleachersmusic/2626441405849047335?utm_source=ig_story_item_share&utm_medium=copy_link

Hi! Sorry if someone already posted this, but a sampler is out for the Bleachers album. You cannot hear Lana in any of the clips I don’t think (maybe a female in the background of Don’t Go Dark? I don’t have headphones, hard to hear), but you can hear the songs here: https://player.vimeo.com/video/577677656 1:20 - Secret Life, she’s supposed to sing on it 2:03 - Don’t Go Dark On Me, she co-wrote

o0o0ooh I would LOVE it if she had a bigger than expected part on DGDOM! Good assessment!

Does anyone think we’ll get Sierra madre/map of LA on Friday? I feel like this is a good week before the Bleachers album drops but I’m afraid to let myself get hyped up

Omg, how did I miss this one, thought it came out later today! Love it!! Chill, drinking wine on a melancholy, reflective summer night vibe.

GUYS WHAT A SERVE AND SHE FINALLY UPDATED US THIS TIME - WE STAN PERSONAL GROWTH

Don’t forget the chapstick

Exactly the same for me too!

Did anyone else watch Sour Prom?! It was so fun! Aesthetic queen with impressive talent and work ethic, we love to see it

She never does Taylor-style Easter egging, I think her decisions are all random so I agree it’s a reach

SAME (or I’m on Fire by the bosssss)

ASK MY USERNAME HOW I FEEL ABOUT THE THUNDER NEWS

Can anyone tell me how insiders know what’s on the album as it’s being tentatively compiled and rearranged? If it’s not uploaded to iTunes or YouTube or anywhere and is just in planning stages, I feel like some labels wouldn’t even know for sure.... so curious!

Yes, he means he wants to only come in with fully baked ideas because she might want to keep it and drop it tomorrow (aka delay it for a year then drop it as is )

Hi, hi! Feel free to move this, but I am dropping some Lana mentions from the new Rolling Stone interview w/ Jack below... What have you learned from working with Lana Del Rey? She seems like a very different artist than some of your other collaborators. Very different. It’s a tough one to answer because I see her and my work as just, like, in a different zone or something. I don’t even remember sometimes how a lot of those things happen because everyone has a different process of getting somewhere. And when we’re together, I feel like we just, like, fuck around, just play some stuff. But I did learn not to do anything with her that I’m not prepared to put out before we leave the studio. Because if she’s feeling it, that door’s gonna close. She’s very vibe-driven. How did “Venice Bitch,” which is almost 10 minutes long, happen? There was a more beat-driven three-minute version. My process with her is not super precious. It isn’t, until it is. I remember her being like, “What if you just go play drums on it?” I was like, “OK, well, I’ll play, and what if there’s a long outro?” The way I play drums is very much as a fan of music. I spend a lot of time in headphones playing along to records. So I was playing and having a really good time. And I was like, “This part’s quiet, this part’s loud, this part’s crazy, this part’s kind of like acid-y.” Lana’s fun because she’ll call a sound “beautiful,” or “disgusting.” On a Bleachers Track What song came first? It was “Don’t Go Dark,” which was a literal account of the end of a relationship. I love that song. Lana [Del Rey] helped on that. Because I was just singing “Run, run, run, run with the wild,” and then she was like, [singing] “Do what you want.” And I was like, “Just don’t go dark on me.” It was one of those moments where you know, if someone was filming it, it would have been really special. And I was like, “Damn, that is a dynamite chorus.” So she’s a writer on that. On Feedback for His Work Who else is in your feedback group? The best records are made with a small group of people that really believe in something. My group is like me, my manager, my A&R person who doesn’t even work on my label anymore — he’s just a really close person to me. Then my family, and some artists like Lana. I always play some for Ella [Lorde]. Taylor, of course. On His Artistic Direction It feels like your production both for yourself and your collaborators has gotten more organic lately. Yeah, for sure. It’s just different phases, different things. Five years ago, I loved nothing more than cutting up samples and playing them on my MPC. That thing has been in the closet for two years now. I think one of the reasons why there’s a group of people I can do good work with is because we’re all feeling a similar thing. When you make something, you’re at your most valuable if you want something to be out there and you’re not finding it. And what’s not out there is this sort of, like, band-on-fire kind of New Jersey sound mixed with the way I write. I felt that way. Lana felt that way. Taylor felt that way. And the Lana record and Folklore are very different kinds of organic than this Bleachers rec-ord. But it is on a similar tip of like, “Let’s start to do the thing not everyone can do. Let’s play in a room.”

Did he say that on ATRL? Totally missed that!

today I thought about this book. can’t wait for march 2021

Omg! I actually love that her or her team called Nicki to explain what she meant in the QFTC post and now is featured on Nicki’s track ???

Agreed—I think Gabe Simon’s production is too minimalistic AND clean, it has to be one or the other. I even thought that about when he did “Summertime” for her—I wanted it to be more wild and lo-if jazzy! Not a hair is out of place on these tracks and it can be sonically less exciting than the other producers, although I do love all three new songs!

At the end of WW when she’s singing “Like the others, baby, like the others, baby, like the others, baby burns, burns, burns” I want to start singing the “can I get a fuckin hallelujah” part of the Cherry bridge