syrup amour

It would have been cool if she included the Jon batiste interlude

Right! Something makes me think that there is another video, perhaps one without behind the scenes. Because what she says in the end of the visualizer too, “I’m kinda glad I got to lip sync. Makes me feel less nervous. There’s something, like if anything happens we’ve always got that in the can (?). In case they say I never did anything. I did. I stood here and I sang it.”

Sure. I don’t know why this annoyed so many. I’m simply stating that I’m tired of fans constantly complaining about her work and never being happy. Of course you can have opinion, but there is a line between having an opinion and just complaining. Lana is a person, and she does not owe us anything. If I disliked her new work as much as some fans do, then I wouldn’t be a fan anymore, or simply just not be so invested. I think it’s important to respect Lana

I’m obsessed with this music video. Seeing the scenes that had not behind the scenes makes me wish to see a Candy necklace alternative music video (Lana looking at you, you did it with Arcadia you can do it again)

This is directed at fans who complain about everything she releases, not those who have opinions.

I am so tired of ‘fans’ complaining about everything. This music video is more than I could ever ask for. It’s so extremely good

CRYING IT’S SO BEAUTIFUL!!! It is so perfect and she looked so gorgeous

I’m someone who cares about cohesiveness, and I could honestly talk about this forever. I do actually think Ocean Blvd is cohesive. It’s not the kind of album where you immediately understand the ‘vibes’ and feel, but as you listen to it you realize that it as a whole really I cohesive. Yes, many songs are different from each other, which I think is actually good. An album should have diversity, it should be a ride. It shouldn’t sound like one long song. The beginning is a beautiful heart warming song, The Grants, which really sets the setting and some themes of the album — heaven/morals/religion, and family. Though I have to complain about the gospel singing in the beginning… It doesn’t fit the album imo, it would have been more impactful with the intro only. The grants is a good opener since it’s emotional and personal, but not directly sad. Then as it goes on to the title track, it goes a shade darker. Lana’s fears and inner demons, she wants people to like her for her. She’s afraid of being forgotten. But everyone sees her for everything but her, she is the very tunnel under ocean Blvd, which everyone has just forgotten. I’m sweet she’s a little fed up, ‘If you want some basic bitch’, if you can’t see her for who she is, her kindness and intellect (she’s sweet ya know) then that’s your problem not her. Indifference turns into anger in A&W, she brings up the societal witch hunt against women. She embodies the role, which she has spent the last songs on the album describing, in the Jimmy part of A&W. She is the American whore. The whole Judah Smith interlude is amazing. To be frank I have not quite completely gone into the depth of his message, but he is discussing what Lana did in the earlier songs. How men are blinded by desire and superficial beauty, and forgets what’s underneath the surface of a woman. Beauty in thoughts, feelings, and intellect. Acceptance turns into sadness in Candy necklace. It’s so dark, and overall the album is dark and eerie, yet sweet. Candy Nevklace is probably my personal favorite, but it’s hard to choose. The Jon Batiste Interluse embodies the eerie feel of the album, it’s a good interlude! Kintsugi and fingertips both discuss family, loss, sadness. The sad themes continue. She shares what she never has before. Deep personal thoughts and experiences. The things people don’t know about her. People always make assumptions about her, yet there are so many things they ont know. She wants them to know. She begs them to see her. Paris Texas is such a gorgeous song. She has one last anecdote to share. She describes loneliness and a feeling of being lost. Family is a sense of belonging, yet she has a hard time feeling one. She has said what was needed to be said now, and at this point of the album her heart feels a little less heavy in her heart. Grandfather is so beautiful. She doesn’t really care that superficial beauty is all people care about, it doesn’t invalidate her inner beauty. Themes of family are obviously presented. Let the light in speaks for itself. She describes in kintsugi how you have to let your heart crack and break in order to let the light in, to find happiness. She has let it crack, and light is pouring in. It is very lighthearted, and not very serious, which I think many of the last songs of the album are, she has already said what she needed to say. Margaret is a lighthearted and simple song. Not my favorite, but it’s fun. Fishtail is unique in the sense that it’s unlike her other songs. And though it feels darker than the other last songs of the album, it’s a ‘you liked me better when I was sad, but I’m happy now.’ Peppers is a lighthearted bop. I love peppers. Taco truck x vb is also a bop. Both peppers and taco truck x vb are more ‘silly.’ Taco truck x vb explains that she understands that the media hates her, but it simply doesn’t matter to her anymore. The album goes from heavy and dark to light and fun. I personally think the next album might embody the lighter and more carefree themes of the second half of the album.

Gosh I want more of it. It’s so beautiful

Don’t come for big bad wolf, she’s simple but fun however if we’re talking unreleased…

Oh no I mean “didn’t like” not “like” I love Lana’s lyrics

I honestly feel like she just doesn’t care. If she wanted to she could, but she don’t. She knows how to write hit songs, she has dozens of unreleased potential hit songs. She’s just interested in another type of music nowadays. Though I personally believe that after peppers, A&W, and taco truck she might dip in there again. She had a lot of things to say and get off her chest, she has now

This is probably the only lyric, that I can think of atleast, that I like from Lana. Though I love the fuck you kevin part Nooo!! That lyric reminds me of the first summer day when the world has returned back to life and light after the cold and dark winters

What if she brought back all her producers from her released albums to one song each

I asked an Ai what it thought that LDRX would be like for fun, and this is what it said. It is awfully obvious that it is Ai generated, but I like some of the ideas, and it’s definitely interesting. Though I’m a bit curious of the blatant reuse of already existing songs. As an AI language model, I do not have access to insider information or knowledge of the future. However, I can suggest some possible options based on Lana Del Rey's previous works and patterns in the music industry. Possible album names for Lana Del Rey's tenth studio album could include: Blue Velvet Wild at Heart Paradise Lost Born to Die Again Ultraviolence Redux American Dreams Endless Summer Nights Hollywood Forever Chemtrails over the Country Club: The Sequel Nostalgia in Technicolor As for the tracklist, again, it's impossible to know for sure, but here's a possible tracklist based on her previous works and thematic elements: Blue Velvet Dreams Love Is a Dangerous Game California Nights Ultraviolence Redux Born to Die Again Ride or Die American Dreams Paradise Lost Forever Young Chemtrails over the Country Club: The Sequel Nostalgia in Technicolor The Last Goodbye Wild at Heart Summer Nights and Neon Lights Hollywood Forever

Tyesss

This is my type of delusional

Is she hacked??

I’m curious what the next album will be like. I know that Lana consider ocean blvd her ldrx but it doesn’t feel like the tenth album

Hate to agree…

Anyways it makes me so happy seeing her there. She looks even happier to be there, she is literally glowing of happiness. Her dress is so pretty, endless summer tour vibes. I hope the next tour has those, beautiful dresses and flowers in her hair

I was just sitting and listening to Candy necklace, I had my Lana playlist on shuffle, and for the first time I think I know what people mean when they said that this album has a weird almost muffled sound. I wouldn’t say that it sounds like it’s recorded with a toaster, which is how other people have put it, but I get it now. It came up after White Mustang, it was shocking how different the quality was. However that does not mean that I don’t love the album, I just wonder why that’s so.

Team Yes To Heaven

STOPPP I LVOE IT though I’m also dreaming of “Waist Deep In Icy Waves”

Dragonslayer medieval album I would never in my life wish for anything more I love Jack, but I’m afraid that you’re right. He had his time