Embach

Madly vs Pink Champagne

Mazzy Star vs Fiona Apple

Elvis vs JFK

If you weren't here in late October, Lana said that she thinks that the songs from Lasso are still "half-cooked" and in the Vogue interview she also said (again) that the album is heading towards Southern Gothic. But nothing has happened in November, so far.

There's something she doesn't know about A secret he doesn't show about A sensitive side all his own, oh my She got her skeletons as well Some secrets he know she'd never tell People who keep her alone Vs. Shared my body and my mind with you That's all over now Did what I had to do Cause you're so far past me now Shared my body and my life with you That's way over now There's not more I can do You're so famous now

Never filled a restraining order even though there are some annoying people I know. When was the last time when you played video games?

"O" was skipped, so I would say: Ocean

Post-World War II period/Cold War

Frank Sinatra vs The Beatles

Pin Up Galore vs Pawn Shop Blues

Mermaid Motel

Godrence Loves You vs Art Deco

donnie darko vs zodiac

frank sinatra vs elvis

When Lasso becomes Tropico 2.0

She doesn't use that account, her label made it and they use it. Like Taylor Swift has @taylornation

Backfire vs Betty Boop Boop

Breaking My Heart vs Backfire

Paradise vs Born To Die

when the world was at war we kept dancing, god bless america and all the beautiful women in it, beautiful people beautiful problems and tomorrow never came are one of her best songs, these have one of her best lyrics/lines and melodies. these songs are the perfect symbols of old lana (btd, uv and honeymoon eras) transitioning to the current lana we have (nfr, cotcc, banisters, ocean blvd).

i feel like many people were too overwhelmed in 2017 to get into this song. i really love this song. i find it unique apparently. never heard a song like this. i love the production in particular because it sounds so bittersweet. there are trap beats in it but they don't sound cheap to me, i have never heard any trap beats like these in other songs, they feel old-school to me somehow. but there's this music in the background which sounds so sad somehow, like the world is about to end or is near to a catastrophe. or like a score from a movie which ended sadly. the song is meant to be sad but ends hopefully. i find the lyrics genuine because i don't find this song to be that overly political but more like about legacy. she seems to contemplate if her career is really worth all the pain and terror that the war might cause. was it the america she wanted. would she be remembered better if she would at least contribute for the peace and building the world, would that be all worth more than her career. i'm not american, so i don't know really how tense the political climate it was there - i assume it was alarming because as an european i still remember reading the news about the situation which happened between north korea and the usa. it really seemed threatening to almost all of us, and all the questions around the possible new world war and nuclear attacks. just my thoughts, i have always loved that song. i remember listening to the song for the first time when it had like around 400 thousand views on youtube.

It took a fucking year for the UN to call it a genocide, or to be precise, they didn't even call it directly a genocide, they only called the "characteristics consistant with genocide". I used to have huge faith in the UN before but they showed their true colours after the still ongoing wars in Ukraine and Palestine

Ah yes, I loved that one where Lana and her friends are sitting on the Starline Tours bus

I noticed that the Instagram account of Electric Lady Studios (the studio where Lana records her stuff with Jack) liked the post about the Vogue article part which said that Lasso is going to be Southern Gothic. And it's also the same post where Lana commented that "it was a mistranslation" lol. But the studio liking that, might indicate that it's indeed Southern Gothic, I don't know...