DouglasReese

You'll be able to check into Warwick sometime in the next couple of days.
 
Available in both uncensored and censored versions.
 
 
 
 
 
 

You'll be able to check into Warwick sometime in the next couple of days.
 
Available in both uncensored and censored versions.
 
 
 
 
 
 

Sharing a clip.
 
We just wrapped day 2 of 6 with our scenes in Portland/Seattle.
 
https://vimeo.com/162243176

Sharing a clip.
 
We just wrapped day 2 of 6 with our scenes in Portland/Seattle.
 
https://vimeo.com/162243176

u should do a blog entry

I'm totally here for it 

i'll be perchedT, make sure you keep us updated from BTS! 

Sounds interesting

uncensored meaning sex scenes
 
im in 

Yes! Looking forward 

The film with star both my fiancé and I, and I’ll be shooting it in Cincinnati, Seattle, and Portland over the period of a week in April. The drama with focus on a depressed twentysomething traveling to Seattle. While there, he comes across a male prostitute around his age. The story follows them together, their conversations, their silences, and their ultimate desires. 
  Sounds Weekend-esque, but what I've got storming in my head and writing on the page will not necessarily be interested in that territory.    I'm hoping to have it online by the final week of April, where I'll send a private link to anybody interested. I'm focusing on submitting this one to festivals, though. There will be three versions of the film: an uncensored cut, a censored cut (for family and friends), and an uncensored festival cut.   Just wanted to make the mini-announcement.   

The film with star both my fiancé and I, and I’ll be shooting it in Cincinnati, Seattle, and Portland over the period of a week in April. The drama with focus on a depressed twentysomething traveling to Seattle. While there, he comes across a male prostitute around his age. The story follows them together, their conversations, their silences, and their ultimate desires. 
  Sounds Weekend-esque, but what I've got storming in my head and writing on the page will not necessarily be interested in that territory.    I'm hoping to have it online by the final week of April, where I'll send a private link to anybody interested. I'm focusing on submitting this one to festivals, though. There will be three versions of the film: an uncensored cut, a censored cut (for family and friends), and an uncensored festival cut.   Just wanted to make the mini-announcement.   

The film with star both my fiancé and I, and I’ll be shooting it in Cincinnati, Seattle, and Portland over the period of a week in April. The drama with focus on a depressed twentysomething traveling to Seattle. While there, he comes across a male prostitute around his age. The story follows them together, their conversations, their silences, and their ultimate desires. 
  Sounds Weekend-esque, but what I've got storming in my head and writing on the page will not necessarily be interested in that territory.    I'm hoping to have it online by the final week of April, where I'll send a private link to anybody interested. I'm focusing on submitting this one to festivals, though. There will be three versions of the film: an uncensored cut, a censored cut (for family and friends), and an uncensored festival cut.   Just wanted to make the mini-announcement.   

The film with star both my fiancé and I, and I’ll be shooting it in Cincinnati, Seattle, and Portland over the period of a week in April. The drama with focus on a depressed twentysomething traveling to Seattle. While there, he comes across a male prostitute around his age. The story follows them together, their conversations, their silences, and their ultimate desires. 
  Sounds Weekend-esque, but what I've got storming in my head and writing on the page will not necessarily be interested in that territory.    I'm hoping to have it online by the final week of April, where I'll send a private link to anybody interested. I'm focusing on submitting this one to festivals, though. There will be three versions of the film: an uncensored cut, a censored cut (for family and friends), and an uncensored festival cut.   Just wanted to make the mini-announcement.   

The film with star both my fiancé and I, and I’ll be shooting it in Cincinnati, Seattle, and Portland over the period of a week in April. The drama with focus on a depressed twentysomething traveling to Seattle. While there, he comes across a male prostitute around his age. The story follows them together, their conversations, their silences, and their ultimate desires. 
  Sounds Weekend-esque, but what I've got storming in my head and writing on the page will not necessarily be interested in that territory.    I'm hoping to have it online by the final week of April, where I'll send a private link to anybody interested. I'm focusing on submitting this one to festivals, though. There will be three versions of the film: an uncensored cut, a censored cut (for family and friends), and an uncensored festival cut.   Just wanted to make the mini-announcement.   

I think the single magnum opus of Lana's career - from a one-track standpoint, not an album or completely aesthetic one - is her song "Sad Girl". The way it sounds like it's teleporting you straight to a jazz club in hell, with blue flames around that emirate orange when that chorus comes around. There's something terrifying about the way the song works David Lynch references in - almost reinventing imagery from Mulholland Drive's sequences involving the Club Silencio. And when the chorus is delivered after the bridge - with the production vanishing, the reverb on her vocals sounding like screams of emotional pain from the deep pits of hell, and the small, ironically hopeful strings - it becomes one of the only times in Lana's career where I cry every time I hear it. 

I think the single magnum opus of Lana's career - from a one-track standpoint, not an album or completely aesthetic one - is her song "Sad Girl". The way it sounds like it's teleporting you straight to a jazz club in hell, with blue flames around that emirate orange when that chorus comes around. There's something terrifying about the way the song works David Lynch references in - almost reinventing imagery from Mulholland Drive's sequences involving the Club Silencio. And when the chorus is delivered after the bridge - with the production vanishing, the reverb on her vocals sounding like screams of emotional pain from the deep pits of hell, and the small, ironically hopeful strings - it becomes one of the only times in Lana's career where I cry every time I hear it. 

I think the single magnum opus of Lana's career - from a one-track standpoint, not an album or completely aesthetic one - is her song "Sad Girl". The way it sounds like it's teleporting you straight to a jazz club in hell, with blue flames around that emirate orange when that chorus comes around. There's something terrifying about the way the song works David Lynch references in - almost reinventing imagery from Mulholland Drive's sequences involving the Club Silencio. And when the chorus is delivered after the bridge - with the production vanishing, the reverb on her vocals sounding like screams of emotional pain from the deep pits of hell, and the small, ironically hopeful strings - it becomes one of the only times in Lana's career where I cry every time I hear it. 

I think the single magnum opus of Lana's career - from a one-track standpoint, not an album or completely aesthetic one - is her song "Sad Girl". The way it sounds like it's teleporting you straight to a jazz club in hell, with blue flames around that emirate orange when that chorus comes around. There's something terrifying about the way the song works David Lynch references in - almost reinventing imagery from Mulholland Drive's sequences involving the Club Silencio. And when the chorus is delivered after the bridge - with the production vanishing, the reverb on her vocals sounding like screams of emotional pain from the deep pits of hell, and the small, ironically hopeful strings - it becomes one of the only times in Lana's career where I cry every time I hear it. 

Thanks for the comments! I'm definitely very insecure about my voice (limited range, and a bit nasal-y), but I'll try lessening it or ditching it completely if I do more work.

My absolute favorite Lana song.
 
I like to think she's saying bonny - because she mentions it elsewhere on the album (in "Shades of Cool", if I recall). I do, however, thank it can be taken double - as with most of her lyrics - as a reference to Bonnie and Clyde. It fits with the theme and enriches it. Layers, references. All typical of Lana. 
 
As I said in another thread, I love the David Lynch references. I refuse to accept "fire and he walks with it" isn't a reference to Twin Peaks until otherwise proven. It just seems so fitting with the trumpet in the background - which recalls Mulholland Drive and the scene in the Club Silencio. 
 
Personally I get a lot of imagery from this song. From the start, I envision a very miserable jazz club surrounded by blue flames, with Lana just standing on the stage with mascara running down her face. When the chorus kicks in with "he's got the fiiiiire", I see those flames grow in intensity and turn bright red and orange. 
 
The chorus after the bridge, where the production fades out, genuinely moves me beyond words. I can't describe it. Something about it hits me hard. It seems so raw, so vulnerable, and so lost. So very, very sad - which is fitting to the premise of the song and the overall aesthetic of her work - especially on Ultraviolence. 
 
This is easily one of my favorite songs ever. Certainly one of the most powerful every time I listen to it. 

Personally, I absolutely adore this song - and it just may be my favorite of her unreleased material (certainly up there with "Backfire"). It seems like a prelude, in ways, to what would ultimately become "Body Electric". 
 
​"Chandeliers and seizures, honey" just gives me chills. So melancholic.
 
 

Personally, I absolutely adore this song - and it just may be my favorite of her unreleased material (certainly up there with "Backfire"). It seems like a prelude, in ways, to what would ultimately become "Body Electric". 
 
​"Chandeliers and seizures, honey" just gives me chills. So melancholic.