Make me your Dream Life

her team needs to make the string of shows into a film somehow, if even for a tour music video

DMD

she was so playful I love the energy, the little side comments, the vape, the dances/ production details, and then the little comment about the outro honestly iconic

hearing venice bitch live again takes me baaaaaaaack

I mean we can keep it sexy too Brazil

Brazilian fans really getting riled up n crying everytime the camera panned over like damn they know what's up

I was getting emotional n tearing up cus u can tell that she was really feeling it, I guess returning to the stage dk exactly but then I started laughing when she was pulling that move towards the end of singing BTD lol

I know she’s not the most extroverted, but honestly watching the start so far, she belongs on stage. It’s been so long and the crowd seems so respectful and entranced. Brazil’s audience looks so grateful and cherishing it’s all so beautiful to watch

Cherry

is this happiness

threeeee white butterflies to know you're neaaaaaaaaaaar ~

it's been nearly a month and my favorite lyrics/ stand out to me are: "so you say there's a chance, for us?" "do you think about heaven? do you think about me?" "it's like camarillo only silver mirrors runnin down the corridor" "fuck me to death, love me until I love myself" "what you don't really understand, is that I've got magic in my hands, stars in my eyes" "love me if you love enough, you can be my light" I wanna say "callin aquaman to my bedroom, ended up we fucked on the hotel floor" feels a lot more iconic "rhino designer" "infatuated w Adam's son, why are you so fascinated with me?" "fortune teller, favorite ever, that's the story of us" "white noise comin out of my brain, turns off for nothin" "i feel lucky" "probably runnin away from the feelings today, in the snow-capped mountains of the desert" "I don't know anyone else that knows the songs that I sing..." "it's just that I don't trust myself, with my heart- so i had to let it break a little more, cus they say that's what it's for" So much in Fingertips first verse of grandfather, "cus i'm good in spirit, warm-bodied a fallible deity wrapped up in white" "when you know, you know" "like hollywood and me, that diamond on your ring, the soul that you bring to the table" "lately i've been sunnin in the LA riverbed, wearing nothin but the summer bruises on my knees" "I wish I could skinny dip in your mind" "i'm like fuck it dance naked for the neighbors i open up the blinds" "Hands on your knees, I'm Angelina Jolie..." "knife in my jacket, honey on the vine, baby I'll bring the coffee if you bring the wine" "when I'm violent it's Carlito's Way" "spin it til you whip it into whipped cream, baby" "imagine if we actually gave a fuck" the lyricism spins from deep, poignant, to just plain immaculate like polished metal. ---------------- such a solid, active album. btd's energy feels like running or escaping a casino uv's like a seedy underground bar/ studio / motel w great amenities honeymoon' feels aptly like the glamorous world of hollywood and all that that means lfl, modern hollywood woodstock nfr, titanic the film, as well as an art indie cinema film chemtrails, like a lazy day in an opulent garden waiting for that something to feel alive again blue banisters, a funeral of a past self, shedding herself of clothes from a past world and I know that it's just been a month but. in some kind of strange way, I think it might be, i can't articulate it to the exact point but, she feels the most alive and present here. sounds like she's the most awake here, the most present. and i think she does that w the clear instrumentation and her vocals. the photoshoots, the album imagery w the different covers/ visuals. the way candy necklace's video was presented to us, and the meta hollywood star moment. i feel so grateful to be able to be experiencing this, and having albums i've already known of hers beforehand just adds to it. it feels like- like ur being rewarded for coming this far with her music and her journey as an artist. i know that not much is happening at the moment, but i deem it as a pivotal sort of time, experiencing all this art, feelin like life's woven some kind of magic and wonder thru this album and her art. just wow- thank u Lana 💕

Someone instruct AI to flirt w tik tok’s algorithm so we get serene queen next

fine china NEXT!

let's pray gals n gays

a thing i found so profoundly beautiful about this record's how she's very much consoled/healed herself from facets of experiences that she used to sing about. chemtrails, for missteps and facing buried hurt blue banisters, the healing of expectations/ projection, similar to ultraviolence's rage norman rockwell personally, felt like a comeback album that dealt and embodied a careless society, that also reflected her dismissed care and how she felt the need to recover and regain her sense of own self. where honeymoon and lust for life were fixated more about herself and of self, and felt like meta albums of the self, fast forward to this album and we see the woman acknowledging all the feelings she gets, and what more, the very raw and tender expressions of her operating troubles. and instead of translating them in an avoidant way, she envelops them into herself toward painful resolution and healing. blue banisters, personally, felt like a culmination of ultraviolence's starting war cry, in succeeded tone, and subject matter. norman was the catalyst towards healing of generational trauma, and this record, for me, feels like yes, the overall culmination of her career (similar to lust for life's bookmarking of that time), feels like a more wholesomely realized born to die, veined from honeymoon's strong sense of self, and assured identity. she opens the album w floodgate tracks, the grants & the title track the core of self expressed nature in sweet AW where she starts her fun and expression of relief to judah's interlude, to then candy necklace's resolution and epiphany to batiste's interlude of chaotic ecstasy which we then finally get to the core of what matters much more to her, her truer values the guilt in fingertips hits hard to paris texas' message of preservation grandfather's consoling to finally the regaining of self as the album progresses to the point of confident play in the more lighthearted tracks. truly a tunnel w her channeling thru all these memories and experiences, to come back out being a more fulfilled and accomplished self.

white fiyire cinna~mon on -my teeth n i ~

We need a studio live performance vid like: