triangles19

I dont want old tracks on albums but i really wish she would release some b-side compilation, evenif its just itunes only, for the fans, no promo, just something extra for fans to enjoy between an album release.
It would be nice to have You Can Be The Boss, Kinda Outta Luck, Serial Killer ect. in HQ.
 
Shes performed these on tours and the fans go nuts when she does.

LDR5 produced by Skrillex, Max Martin and Dr. Luke is coming btw

i wish we actually had a topic but lana loves to make us suffer

1. Super Movie2. Yes To Heaven
3. Axl Rose Husband
4. Go Go Dancer
5. Wayamaya
6. Driving In Cars With Boys
7. Meet Me In The Pale Moonlight
8. 1949
9. You're Gonna Love Me
10. Starry Eyed
 

WTF is this?
 

it's not just about something like chart performance, like that comes and goes. But why is she not singing her new songs like ever to tell ppl that she has new material out that she is passionate about?

NOW UP!!!!
 
Hope u enjoy

Who the fuck cares. Most people are offensively tasteless(including yourself)

The thing w heavy productions is that they get old fast. That's why most EDM tracks age like milk. That's why most pop music sounds unlistenable after like mere months. Honeymoon for instance might not be drowning in beats and samples and whatnot but its production is perfectly layered and refined and I appreciate how each musical element is in perfect harmony within the record

Your profile photo is amazing

Lana is really raising the BAR for LDR5! 
 
   

rly tho, literally no one is asking for LDR5 leaks, stop distracting us leakers give us YO(UR) GORL

My problem with Love / BAR is that it sounds too manufactured.
I mean, I loved Ultraviolence & Honeymoon because they were independant from what people was waiting. It was popy but not easy, it was atypical.
But those two new songs are like syntheses of BTD, PARADISE, UV + HONEYMOON, for some kind of a fan-service strategy. And I deeply don't like it.
As @Constentine says, Emile's samples are too much. It was cool on BTD / P because it was new, but so much years later, it don't feels like before. It's just some kind of uninspired deja-vu gadget.
 
And in this two new songs I can't aim to localize the sounds. All the previous records was really warm, like seaside, west coasts hot vibes, or some times classy east coast vibes too. But here, it's not warm, but it's not cold. It's just some radio thing. And I can't see anything retro. I mean, a lot of people are saying there's something retro in "Love", but sorry, listen to real retro music, and there's nothing retro in Love. It just sounds like radio versions of LDR songs. Lyrics are really great, and I'm sure the songs could be great as f, but the actual production is really weak, uninspired and unrisky.
 
I understood why Born To Die was that pop, and heavily produced, but in 2017 I don't understand that whole stepback thing.
BTD and Paradise was uniques at their respective times. We don't need a third segment today.
Hope the whole album will not be like that.

My problem with Love / BAR is that it sounds too manufactured.
I mean, I loved Ultraviolence & Honeymoon because they were independant from what people was waiting. It was popy but not easy, it was atypical.
But those two new songs are like syntheses of BTD, PARADISE, UV + HONEYMOON, for some kind of a fan-service strategy. And I deeply don't like it.
As @Constentine says, Emile's samples are too much. It was cool on BTD / P because it was new, but so much years later, it don't feels like before. It's just some kind of uninspired deja-vu gadget.
 
And in this two new songs I can't aim to localize the sounds. All the previous records was really warm, like seaside, west coasts hot vibes, or some times classy east coast vibes too. But here, it's not warm, but it's not cold. It's just some radio thing. And I can't see anything retro. I mean, a lot of people are saying there's something retro in "Love", but sorry, listen to real retro music, and there's nothing retro in Love. It just sounds like radio versions of LDR songs. Lyrics are really great, and I'm sure the songs could be great as f, but the actual production is really weak, uninspired and unrisky.
 
I understood why Born To Die was that pop, and heavily produced, but in 2017 I don't understand that whole stepback thing.
BTD and Paradise was uniques at their respective times. We don't need a third segment today.
Hope the whole album will not be like that.

My problem with Love / BAR is that it sounds too manufactured.
I mean, I loved Ultraviolence & Honeymoon because they were independant from what people was waiting. It was popy but not easy, it was atypical.
But those two new songs are like syntheses of BTD, PARADISE, UV + HONEYMOON, for some kind of a fan-service strategy. And I deeply don't like it.
As @Constentine says, Emile's samples are too much. It was cool on BTD / P because it was new, but so much years later, it don't feels like before. It's just some kind of uninspired deja-vu gadget.
 
And in this two new songs I can't aim to localize the sounds. All the previous records was really warm, like seaside, west coasts hot vibes, or some times classy east coast vibes too. But here, it's not warm, but it's not cold. It's just some radio thing. And I can't see anything retro. I mean, a lot of people are saying there's something retro in "Love", but sorry, listen to real retro music, and there's nothing retro in Love. It just sounds like radio versions of LDR songs. Lyrics are really great, and I'm sure the songs could be great as f, but the actual production is really weak, uninspired and unrisky.
 
I understood why Born To Die was that pop, and heavily produced, but in 2017 I don't understand that whole stepback thing.
BTD and Paradise was uniques at their respective times. We don't need a third segment today.
Hope the whole album will not be like that.

tbh I'd love to hear a version without the chorus
No beat drop etc., it'd sound Honeymoon-esque

It's a shame that Lana is working w/ Benny Blanco

First of all nobody cares about Mariah
 
secondly, if Emile's signature, samples galore'd sound is all over the album I'll unstan. He's like terrible. How can you not see it

We get it. Your fav has more sales. Obviously sales are the best metric for success in artistic expression. Everyone knows that.

sales = quality ? lol

I agree with you about the whole retro thing. If some stans listened to Ben E King, The Ronettes or Frankie Valli then they wouldn't be saying that. Tbh I didn't like love, it was basic and did not sound retro at all. But B A R is actually pretty good and to my liking.

I feel sorry for people who dislike Honeymoon. Get your ears checked

Totally agree, i don't know why at this point of her career, instead of growing and experimenting new sounds she's pleasing all the teenagers who want to return at BTD era.

My problem with Love / BAR is that it sounds too manufactured.
I mean, I loved Ultraviolence & Honeymoon because they were independant from what people was waiting. It was popy but not easy, it was atypical.
But those two new songs are like syntheses of BTD, PARADISE, UV + HONEYMOON, for some kind of a fan-service strategy. And I deeply don't like it.
As @Constentine says, Emile's samples are too much. It was cool on BTD / P because it was new, but so much years later, it don't feels like before. It's just some kind of uninspired deja-vu gadget.
 
And in this two new songs I can't aim to localize the sounds. All the previous records was really warm, like seaside, west coasts hot vibes, or some times classy east coast vibes too. But here, it's not warm, but it's not cold. It's just some radio thing. And I can't see anything retro. I mean, a lot of people are saying there's something retro in "Love", but sorry, listen to real retro music, and there's nothing retro in Love. It just sounds like radio versions of LDR songs. Lyrics are really great, and I'm sure the songs could be great as f, but the actual production is really weak, uninspired and unrisky.
 
I understood why Born To Die was that pop, and heavily produced, but in 2017 I don't understand that whole stepback thing.
BTD and Paradise was uniques at their respective times. We don't need a third segment today.
Hope the whole album will not be like that.