Thunder Revenant

At least sonically it's more like .Visually .. hm. Maybe a little bit. I think you are overexaggerating here, there may be similarities but she's not copying.

I'd rather love to see her doing proper TV performances. (not of the likes of the Ride one on Schlag den Raab obviously). I'd also love to hear her varying a song a bit more, like performing an acoustic version etc.

I hope Emile won't ruin this with his stuck-up producing. Don't get me wrong, I love what he did with BtD (apart from LO and Lolita, for which I would still love to slap him in the face) but other projects he produced and his own album prove that he seems to only be capable of doing one sound ... I'm excited to see how the Ronson collab will turn out, and I hope for Rick Nowels to return ...

Yeah, of course it looks funny and it's fitting the rest of the video. But still, I'd prefer the look I described over this..

Her facial expression while she sits on the ice throne ... hilalrious. I agree, the CGI wasn't really meant to be realistic anyway, but there is still nothing interesting about this video. It's a very literal take on the ice princess theme, without being very phenomenal or original in any way, however there are some cringeworthy parts in this video. I also would have preferred her to have a white-ballerina-ice-princess look, similar to the black one on the promoshoots for BWET, instead of this armor, CGI hair and a "white-face".

Kill Kill - 25 Mermaid Motel - 27 Yayo - 13

Her acoustic performances are gold, apart from the Oh No! and Shampain ones maybe

She's gonna perform Forget on Good Morning America tomorrow. 8:30am *_*

Ah, so annoying ... if he would want to be taken seriously and to be respected for his own music, he wouldn#t tease all the Lana fans with this collab anymore. He just tries to fish for some attention, so people might buy the Hate Eps and stuff. I think he#s good, but this really makes me dislike him.

Kill Kill - 25 Mermaid Motel - 25 Yayo - 15

Sad thing is that it's probably just going to end up as a frontal, boring picture of her upper body

Well, I think the best record to get into her music is Apocalypsis or Unknown Rooms. _____ Kind of funny on how her music was passed as Lana's. They both share a lot of things. Both of them have a big unreleased catalogue, they scratched their first record(s)/EP(s) because they didn't like it, they both use home-videos in the music videos, they both did a cover of a "vintage-song" and they both did a short movie for one of their records. Also, both of them are very "visual" in terms of music and have an eye for fashion (which fits each one's respective genre)

Kill Kill - 26 Mermaid Motel - 22 Yayo - 17

The song is called Flipside and is the Target exclusive track from Ultraviolence. Blake produced and wrote it together with Lana.

Kill Kill - 25 Mermaid Motel - 20 Yayo - 20

Hey there Lanaboards. Since we are running dry for a time now, I thought I could create a thread for an artist, I personally enjoy a lot, as I'd like to see who else listens to her and I'd love to introduce some of you to her music. It's Chelsea Wolfe, an american singer/songwriter from Sacramento. Chelsea Wolfe has a super power - she can destroy and rebuild your entire emotional constitution in the space of a single song. Her ice-like voice slices through scary seas of reverb, with cryptic lyrics as splintered life rafts of hope. - LAweekly She does something she herself considers "doom folk". Very dark, sometimes scary, sometimes emotional music, which has the main goal to create a certain atmosphere/vibe. Wolfe started to make music in her youth, influenced by her father. She finished her first record "Mistake In Parting" in 2006, however she felt like it was "trash" and didn't released it. Since her official debut album "The Grime & The Glow", released in 2010, she has delivered many different styles through her discography. Her record "Apocalypsis" sounds like it is the soundtrack of a Horror movie, "Unknown Rooms" delivers acoustic songs with a dark undertone and an ongoing topic of self-doubt and "Pain Is Beauty" relies on a very electric sound. In 2014, Chelsea Wolfe released a short-movie called Lone, which uses music from her album "Pain Is Beauty". The movie, just like the album, is influenced by natural ctastrophes, change and loss. In 2015 she released her darkest album "Abyss", which was influenced by her experiences of sleep paralysis and the theories of psychologist Carl Jung. In 2016 she released two B-sides from this album as a single. Music Videos

It's kind of easy ... stop the playlist sh*t in this thread.

Yup. This "fake tracklist" thing is sooo f*cking boring

The "I'm in love" thing is similar, but it's just to different regarding the execution. The Deadly Nightshade thing .. hm. It's one plant of many that Marina sings about in this part of the verse, and it's one that's often appearing in lyrics. The sirens thing .. nah, I think this is really just a coincidence. Marina uses it in order to describe outdoor sounds of a city, nothing that reminds me of Lanas use of the word.

These lines are similar/the same, but not one of them is so noticable for a Lana song that you could say that it's a legit influence on marina (as long as she doesn't confirm it).

Idk .. she got so thin ..... I wished she did some photoshoots with the style from the acoustic videos .. I already loved the EH acoustic video styles and I was so sad we never got an actual shoot with this wonderful execution of the blonde hair/ black roots hairstyle. The hairstyle she has in Immortal/ the aocustic videos and the acoustic video outfit for Happy is so beautiful ... I'd also like some official stills from the FORGET video.

The only song she did that I actually like is "Wonderland", and I don't have any problems to still enjoy it, since I know she gets beheaded at the end of the music video

Kill Kill - 24 Mermaid Motel - 19 Yayo - 22

She looks so mature here

Lol, it's just commercial stuff. Teasing us with a snippet and then holding the song, which is one of the sole reason why many people care for his album, back, in order to fish for more customers. Not that I blame him for doing it, it's a logical consequence for someone who wants to sell his stuff, but it's still annoying as hell. So in the end, I don't think it's about not wanting to live in Lana's shadow at the moment, but about making a profit from it, by keeping people interested in him as long as he has this song.