Beauty King

Tongue Tied is the most recent leak, actually. Someone posted it on Youtube in November of last year, then quietly abandoned the account. Not a ton of people know it's out yet. As for You Don't Know Me and Solemate, I appreciate the info. 

I may need help at some point a little down the road, but I'll see what I can pull together on my own over the coming weekend. It'll mainly be an issue of wrangling the storage space for everything and waiting for things to upload, since I'm working off of a seven year old iMac. If any issues arise, I'll keep you in mind.

Well, that download link I found was definitely not the file I was searching for. Consequently, I actually have the link to about 20 megabytes of Yaoi porn. Yay. 
 
We really do need a proper master post for Neon Hitch downloads. I think I'll run up a Tumblr, just so we can eliminate the issue.

Well, that download link I found was definitely not the file I was searching for. Consequently, I actually have the link to about 20 megabytes of Yaoi porn. Yay. 
 
We really do need a proper master post for Neon Hitch downloads. I think I'll run up a Tumblr, just so we can eliminate the issue.

Well, that download link I found was definitely not the file I was searching for. Consequently, I actually have the link to about 20 megabytes of Yaoi porn. Yay. 
 
We really do need a proper master post for Neon Hitch downloads. I think I'll run up a Tumblr, just so we can eliminate the issue.

I'll see what I can do about that. I think there used to be a Tumblr masterpost that had a bunch of it, but I'm not sure if the blog is still operating. Gimme a few minutes to take a look.

Here's a list of what I have. It's pretty much everything leaked or released, except remixes. Probably a few missing ones.
 
Am I Dreaming feat. Liam Horne (Easy Does It Remix)
Am I Dreaming feat. Liam Horne (ROBOPOP Remix)
Bad Dog
Billionaire (Bruno Mars Cover/Rewrite)
Black and Blues
Black Sunshine
Blow Ur House Down
Born To Be Remembered
Breathe You
Bubble Based
Come Alive
Cooler Than Me (Mike Posner Cover)
Déjà Vu
Derek (The Streets Remix)
Dreamer
Drop It Like It's Hot (Snoop Dogg Cover)
Eleanor Rigby (The Beatles Cover)
Fuck U Betta
Genuinity
Get Over U
Glow
Gold feat. Tyga
I Can't Behave Myself (Instrumental by Deadmau5)
Jailhouse
Lick feat. Supar Novar
Midnight Sun
More Than Friends
My Book
No Hands (Waka Flocka Flame Cover)
On The Move
One Step Ahead
Out of This World
Piece of Shit
Pink Fields
Poisoned With Love
Rain On Me
Sex Tape [Push Rewind]
Silly Girl
Solemate (Shoe Hump Remix)
Talk Talk
That Little Phaze
Tongue Tied
True
What Starry Eyes Know (Ellie Goulding vs. Two Door Cinema Club)
The Wizard Believe
You Don't Know Me
 
Features:
Ass Back Home (with Gym Class Heroes)
Burial (with Miike Snow) [benny Blanco Remix]
Follow Me Down (with 3Oh!3)
Good Girls (with Supar Novar)
Lonely (with Jimmy James)

Season five had some of the show's best moments, though. 
 
JulietxSawyer 5eva. 

I'd like to meet a 75+ year old female conservative asexual Pacific Islander Sikh. They sound like they'd have an interesting life, along with being the ultimate Lanaboards minority.

I'd like to meet a 75+ year old female conservative asexual Pacific Islander Sikh. They sound like they'd have an interesting life, along with being the ultimate Lanaboards minority.

umm i have a mental strip routine for go go dancer, doesn't everyone?

Between these two, it's gotta be Go Go Dancer. I can speak from personal experience, having done private striptease to both.
 
That said, there are better Lana songs to get naked and dance to. Big Bad Wolf and Hundred Dollar Bill are my personal favorites.

It was just Noir in video form.

This has got to be one of my favorite Lana songs. Also, I'm getting really tired of people alluding to having songs before they leaked. All it does is make you look like an asshole. Stop.

Overall theme:
Save Myself - Kerli
 
A song inspiring visions of loneliness in the world, when it's just the protagonist, his wits and those finely tuned killing machines the protagonist is happy to call his own fists. He will save himself above all others. Survival of the fittest has set in.
 
The song that plays when you kill your first zombie:
Burial (Benny Blanco Remix) feat. Neon Hitch - Miike Snow
 
The first glimmers of emotion from a lone character in their newly overrun world. The social graces are still in place and the undead is given a proper wake by the protagonist. Though he puts his own safety first, he has not yet forgotten the world before everything went to hell. These things were humans at one point and they deserve the same respect as a human corpse, in his eyes. Whether this attitude will change in the future remains to be seen, but it seems unlikely that he'll be of the same opinion after months of torment.
 
The song that plays when getting chased by the horde:
Cannibal - Ke$ha
 
There are two foreseeable conclusions to what this song could mean. The first is slightly less...insane? In this case, the song is being sung by the Zombies, to the protagonist. "I'll eat you up" and all that jazz. The second is perhaps more cringe-worthy. This alternative is a role reversal. Our protagonist must face down the horde of the undead for his own survival. Upon their defeat, he feasts upon their flesh for sustenance. The situation has grown more desperate and his humanity is beginning to leave him.
 
The song that plays when you kill a loved one:
Lucid Dreams - Franz Ferdinand
 
A contemplative song. The night after the death of this loved one is to be filled with visual hallucinations, brought on by auditory stimuli in what is likely to be the dark forest where our protagonist has taken shelter. He "dreams a nation of you", with "you" being the newly deceased family member or friend. He manages to take control of these dreams and, in the most overt display of Jungian psychology ever, saves the life of this person, in diametric opposition to his philosophy of "Save Myself". He is wrestling with what he perceives to be an existential crisis. If we follow the progression of the story, thus far, it seems that the next logical conclusion is that he resorted to cannibalism of this person (who he obviously cared about) in order to keep himself alive. The circumstances under which this person was killed does change the nature of said cannibalism, but our protagonist is obviously in the middle of a personal crisis.
 
The song that plays when you find a group of survivors:
Remain Nameless - Florence + The Machine
 
A clear indicator that our protagonist is either unsure of the reputation he has gained in his travels and travails, or that he wishes to keep from getting attached to the people he may later use for sustenance. He hopes to remain nameless as a separative measure, yet the survivors may still "Call him when they need him", implying that his tactic has not been entirely successful and a deeper connection has been formed with the band of ragtag survivors. This will make his potential slaughter of the group much more difficult.
 
The song that plays when you meet the love interest:
Mirrors - Natalia Kills
 
A sexually charged encounter in an abandoned motel drives our protagonist deeper into his basest instincts. Raw, animalistic and ultimately, erotic senses keep him from tearing his partner from balls to brain at first sight. Potentially, this lover has been living the same life as the protagonist, making the most of his lot in life and indulging deeply in the imbibing of human flesh. The perversion of their lifestyles draws them together, creating a bond so unfathomably strong that it would be quite impossible to break, without the pain of death's influence. The pair gorges themselves on the carnal pleasures of one another and the less high-concept pleasure of epicurean gluttony.
 
The song that plays at the final stand:
Heavy Hitter - Lana Del Rey
 
The realization sets in for our protagonist and deuteragonist that they are no longer humans. Their toxic relationship has led to a lifestyle impossible to keep up with for much longer. They resolve to join in a suicide pact, á la "lets change our DNA" by surrendering their bodies to the infection ravaging the human population. The deuteragonist comes across a Lamborghini and plans are made to use it as a resting place for their humanity. In the middle of a city street, the deuteragonist "opens up his butterfly doors" and calls to the undead. The two gain a lustful appreciation for the feel of human teeth puncturing their skin, as they lay in the seats that will soon be their final resting places.
 
The song that plays when you think you've survived it all:
Shampain - Marina & The Diamonds
 
After closing the doors of their vehicle, cutting themselves off from the horde outside, our dear protagonist pulls out a bottle of champagne. He smiles weakly to his lover across the car, as if offering a toast to their last moments together. He clumsily removes the cork and pours a glass for each of them. Our deuteragonist takes the proffered glass, raises it feebly, his body racked with the virus that would be his salvation and downs the whole thing in one gulp. The protagonist follows suit, toasting their demise and takes a long swig of the golden liquid. They have cut this champagne with Valium, to make their experience less painful. They "feel celestial".
 
The song that plays when you discover a bite mark:
My Blood - Ellie Goulding
 
Each man looks to his arms, as he lays in relative silence, waiting for the end to come. Blood seeps from wounds that could only come from inhumanly sharp teeth. They know that they won't be dying today, though. Instead, they will be joining a new phase of their lives. That is, one that will no longer force them to be bogged down in their emotions and life choices. This is their choice and only God knows, they're not dying, but they bleed now. This is the only solution to their problems. As the burden is lifted, their bodies are healed of what one might call perverse nature. At last, they are free.
 
Ending credits:
Franz Ferdinand - Outsiders
 
We've seen some change
But we're still outsiders
If everybody's here
Then hell knows
We ride alone
 
I've seen some years
But you're still my Caesar
With everything I feel
I feel you've already been here
 
The only difference is all I see is now all that I've seen
 
It's bright on the outside
The bright love the dark side
I know it's obvious
But sometimes
You just have to say it
So you don't feel so weak
About being such a freak
Or alone
 
Love'll die
Lovers fade
But you still remain there
Squeezing in your fingers
What it means for me to be
 
The only difference is what might be is now what might have been
 
When you saw me sleeping
You thought I was dreaming of you
I didn't tell you
That the only dream
Is Valium for me
The only difference is that
What might be is now

I'm just devoting myself to the charade, at this point. It's a good bit of harmless fun and we may get some new songs out of it.

I'm just devoting myself to the charade, at this point. It's a good bit of harmless fun and we may get some new songs out of it.

I'm just devoting myself to the charade, at this point. It's a good bit of harmless fun and we may get some new songs out of it.

He's from Queens.

www.matahariette.com/article_rich_thugs.html
 
it's so fucking random, but somehow Miami is involved with the case. . .

That's actually a really tough one for me. I'll pick a large one, a midsize one and small one for favorites, just because I'm indecisive as hell.
 
My favorite short one is undoubtedly the AJ Numan shoot. It's hyperstylized and edited to hell and back, but you can't argue with such perfection.
 
For middling length shoots, my pick goes to the Glysain Yarhi photoshoot. Mostly for this photo.
 
As for long ones, that title goes to the Glynis Selena Arban shoot. Everything is on point and it provides some nice variations on a theme. The ones in front of the mirror are my personal favorites.
 
The Charles Cave shoot is probably my least favorite. Her eyebrows are like caterpillars and the angles are incredibly unflattering.

The song that plays while you're sticking your finger up your butt:
Spanish Sahara - Queen of Hearts
 
I should moisturize more.
 
 
The song that plays while you're getting drunk because you're lonely and pathetic:
Just Like An Ogre - Iiris
 
And now I look like an ogre. Goddammit.
 
 
The song that plays while you're going on a quick, sick rampage:
R.I.P. - 3Oh!3
 
So I got kicked to the curb and went on a rampage.
 
 
The song that plays while you're vandalizing someone's post:
Smash It - Zowie
 
How apropos.
 
 
The song that plays while you're being arrested:
Children of The Bad Revolution - Lana Del Rey
 
Bad revolution, bad kids. That made more sense in my head.
 
 
The song that plays while someone's beating up your dog:
Wonderland - Natalia Kills
 
Wut.
 
 
The song that plays while lolalitahey watches a video of you crying:
Breaking Down - Florence + The Machine
 
How nice of you to feel what I do.
 
 
The song that plays while someone's fucking you on a pinball machine:
Sexy Ugly - Lady Gaga
 
That's...not good.
 
 
The song that plays while your house burns down:
Leave It To The Rain - Kerli
 
What. The. Actual. Fuck. Uh, no, I will not be leaving it to the rain to put out the fire.
 
 
The song that plays during your funeral:
Animal - Ke$ha
 
Surprisingly enough, not a horrible choice.
 
 
The song that plays while you're masturbating:
Sex Tape (Push Rewind) - Neon Hitch
 
Good god.
 
 
The song that you sing for the love of your life (lolalitahey):
Fade Together - Franz Ferdinand
 
FADE WITH ME, BB.
 
 
The song that plays while Soileau's licking your arsehole:
Your Biggest Mistake - Ellie Goulding
 
Not entirely true. Getting all up in Gangsta Nancy Sinatra's grill was your biggest mistake.
 
 
The song that plays while you're having sex with lolalitahey:
Stuck On Fuckin' You - Lady Gaga
 
Lets just bang already.

Overall theme:
Save Myself - Kerli
 
A song inspiring visions of loneliness in the world, when it's just the protagonist, his wits and those finely tuned killing machines the protagonist is happy to call his own fists. He will save himself above all others. Survival of the fittest has set in.
 
The song that plays when you kill your first zombie:
Burial (Benny Blanco Remix) feat. Neon Hitch - Miike Snow
 
The first glimmers of emotion from a lone character in their newly overrun world. The social graces are still in place and the undead is given a proper wake by the protagonist. Though he puts his own safety first, he has not yet forgotten the world before everything went to hell. These things were humans at one point and they deserve the same respect as a human corpse, in his eyes. Whether this attitude will change in the future remains to be seen, but it seems unlikely that he'll be of the same opinion after months of torment.
 
The song that plays when getting chased by the horde:
Cannibal - Ke$ha
 
There are two foreseeable conclusions to what this song could mean. The first is slightly less...insane? In this case, the song is being sung by the Zombies, to the protagonist. "I'll eat you up" and all that jazz. The second is perhaps more cringe-worthy. This alternative is a role reversal. Our protagonist must face down the horde of the undead for his own survival. Upon their defeat, he feasts upon their flesh for sustenance. The situation has grown more desperate and his humanity is beginning to leave him.
 
The song that plays when you kill a loved one:
Lucid Dreams - Franz Ferdinand
 
A contemplative song. The night after the death of this loved one is to be filled with visual hallucinations, brought on by auditory stimuli in what is likely to be the dark forest where our protagonist has taken shelter. He "dreams a nation of you", with "you" being the newly deceased family member or friend. He manages to take control of these dreams and, in the most overt display of Jungian psychology ever, saves the life of this person, in diametric opposition to his philosophy of "Save Myself". He is wrestling with what he perceives to be an existential crisis. If we follow the progression of the story, thus far, it seems that the next logical conclusion is that he resorted to cannibalism of this person (who he obviously cared about) in order to keep himself alive. The circumstances under which this person was killed does change the nature of said cannibalism, but our protagonist is obviously in the middle of a personal crisis.
 
The song that plays when you find a group of survivors:
Remain Nameless - Florence + The Machine
 
A clear indicator that our protagonist is either unsure of the reputation he has gained in his travels and travails, or that he wishes to keep from getting attached to the people he may later use for sustenance. He hopes to remain nameless as a separative measure, yet the survivors may still "Call him when they need him", implying that his tactic has not been entirely successful and a deeper connection has been formed with the band of ragtag survivors. This will make his potential slaughter of the group much more difficult.
 
The song that plays when you meet the love interest:
Mirrors - Natalia Kills
 
A sexually charged encounter in an abandoned motel drives our protagonist deeper into his basest instincts. Raw, animalistic and ultimately, erotic senses keep him from tearing his partner from balls to brain at first sight. Potentially, this lover has been living the same life as the protagonist, making the most of his lot in life and indulging deeply in the imbibing of human flesh. The perversion of their lifestyles draws them together, creating a bond so unfathomably strong that it would be quite impossible to break, without the pain of death's influence. The pair gorges themselves on the carnal pleasures of one another and the less high-concept pleasure of epicurean gluttony.
 
The song that plays at the final stand:
Heavy Hitter - Lana Del Rey
 
The realization sets in for our protagonist and deuteragonist that they are no longer humans. Their toxic relationship has led to a lifestyle impossible to keep up with for much longer. They resolve to join in a suicide pact, á la "lets change our DNA" by surrendering their bodies to the infection ravaging the human population. The deuteragonist comes across a Lamborghini and plans are made to use it as a resting place for their humanity. In the middle of a city street, the deuteragonist "opens up his butterfly doors" and calls to the undead. The two gain a lustful appreciation for the feel of human teeth puncturing their skin, as they lay in the seats that will soon be their final resting places.
 
The song that plays when you think you've survived it all:
Shampain - Marina & The Diamonds
 
After closing the doors of their vehicle, cutting themselves off from the horde outside, our dear protagonist pulls out a bottle of champagne. He smiles weakly to his lover across the car, as if offering a toast to their last moments together. He clumsily removes the cork and pours a glass for each of them. Our deuteragonist takes the proffered glass, raises it feebly, his body racked with the virus that would be his salvation and downs the whole thing in one gulp. The protagonist follows suit, toasting their demise and takes a long swig of the golden liquid. They have cut this champagne with Valium, to make their experience less painful. They "feel celestial".
 
The song that plays when you discover a bite mark:
My Blood - Ellie Goulding
 
Each man looks to his arms, as he lays in relative silence, waiting for the end to come. Blood seeps from wounds that could only come from inhumanly sharp teeth. They know that they won't be dying today, though. Instead, they will be joining a new phase of their lives. That is, one that will no longer force them to be bogged down in their emotions and life choices. This is their choice and only God knows, they're not dying, but they bleed now. This is the only solution to their problems. As the burden is lifted, their bodies are healed of what one might call perverse nature. At last, they are free.
 
Ending credits:
Franz Ferdinand - Outsiders
 
We've seen some change
But we're still outsiders
If everybody's here
Then hell knows
We ride alone
 
I've seen some years
But you're still my Caesar
With everything I feel
I feel you've already been here
 
The only difference is all I see is now all that I've seen
 
It's bright on the outside
The bright love the dark side
I know it's obvious
But sometimes
You just have to say it
So you don't feel so weak
About being such a freak
Or alone
 
Love'll die
Lovers fade
But you still remain there
Squeezing in your fingers
What it means for me to be
 
The only difference is what might be is now what might have been
 
When you saw me sleeping
You thought I was dreaming of you
I didn't tell you
That the only dream
Is Valium for me
The only difference is that
What might be is now

Overall theme:
Save Myself - Kerli
 
A song inspiring visions of loneliness in the world, when it's just the protagonist, his wits and those finely tuned killing machines the protagonist is happy to call his own fists. He will save himself above all others. Survival of the fittest has set in.
 
The song that plays when you kill your first zombie:
Burial (Benny Blanco Remix) feat. Neon Hitch - Miike Snow
 
The first glimmers of emotion from a lone character in their newly overrun world. The social graces are still in place and the undead is given a proper wake by the protagonist. Though he puts his own safety first, he has not yet forgotten the world before everything went to hell. These things were humans at one point and they deserve the same respect as a human corpse, in his eyes. Whether this attitude will change in the future remains to be seen, but it seems unlikely that he'll be of the same opinion after months of torment.
 
The song that plays when getting chased by the horde:
Cannibal - Ke$ha
 
There are two foreseeable conclusions to what this song could mean. The first is slightly less...insane? In this case, the song is being sung by the Zombies, to the protagonist. "I'll eat you up" and all that jazz. The second is perhaps more cringe-worthy. This alternative is a role reversal. Our protagonist must face down the horde of the undead for his own survival. Upon their defeat, he feasts upon their flesh for sustenance. The situation has grown more desperate and his humanity is beginning to leave him.
 
The song that plays when you kill a loved one:
Lucid Dreams - Franz Ferdinand
 
A contemplative song. The night after the death of this loved one is to be filled with visual hallucinations, brought on by auditory stimuli in what is likely to be the dark forest where our protagonist has taken shelter. He "dreams a nation of you", with "you" being the newly deceased family member or friend. He manages to take control of these dreams and, in the most overt display of Jungian psychology ever, saves the life of this person, in diametric opposition to his philosophy of "Save Myself". He is wrestling with what he perceives to be an existential crisis. If we follow the progression of the story, thus far, it seems that the next logical conclusion is that he resorted to cannibalism of this person (who he obviously cared about) in order to keep himself alive. The circumstances under which this person was killed does change the nature of said cannibalism, but our protagonist is obviously in the middle of a personal crisis.
 
The song that plays when you find a group of survivors:
Remain Nameless - Florence + The Machine
 
A clear indicator that our protagonist is either unsure of the reputation he has gained in his travels and travails, or that he wishes to keep from getting attached to the people he may later use for sustenance. He hopes to remain nameless as a separative measure, yet the survivors may still "Call him when they need him", implying that his tactic has not been entirely successful and a deeper connection has been formed with the band of ragtag survivors. This will make his potential slaughter of the group much more difficult.
 
The song that plays when you meet the love interest:
Mirrors - Natalia Kills
 
A sexually charged encounter in an abandoned motel drives our protagonist deeper into his basest instincts. Raw, animalistic and ultimately, erotic senses keep him from tearing his partner from balls to brain at first sight. Potentially, this lover has been living the same life as the protagonist, making the most of his lot in life and indulging deeply in the imbibing of human flesh. The perversion of their lifestyles draws them together, creating a bond so unfathomably strong that it would be quite impossible to break, without the pain of death's influence. The pair gorges themselves on the carnal pleasures of one another and the less high-concept pleasure of epicurean gluttony.
 
The song that plays at the final stand:
Heavy Hitter - Lana Del Rey
 
The realization sets in for our protagonist and deuteragonist that they are no longer humans. Their toxic relationship has led to a lifestyle impossible to keep up with for much longer. They resolve to join in a suicide pact, á la "lets change our DNA" by surrendering their bodies to the infection ravaging the human population. The deuteragonist comes across a Lamborghini and plans are made to use it as a resting place for their humanity. In the middle of a city street, the deuteragonist "opens up his butterfly doors" and calls to the undead. The two gain a lustful appreciation for the feel of human teeth puncturing their skin, as they lay in the seats that will soon be their final resting places.
 
The song that plays when you think you've survived it all:
Shampain - Marina & The Diamonds
 
After closing the doors of their vehicle, cutting themselves off from the horde outside, our dear protagonist pulls out a bottle of champagne. He smiles weakly to his lover across the car, as if offering a toast to their last moments together. He clumsily removes the cork and pours a glass for each of them. Our deuteragonist takes the proffered glass, raises it feebly, his body racked with the virus that would be his salvation and downs the whole thing in one gulp. The protagonist follows suit, toasting their demise and takes a long swig of the golden liquid. They have cut this champagne with Valium, to make their experience less painful. They "feel celestial".
 
The song that plays when you discover a bite mark:
My Blood - Ellie Goulding
 
Each man looks to his arms, as he lays in relative silence, waiting for the end to come. Blood seeps from wounds that could only come from inhumanly sharp teeth. They know that they won't be dying today, though. Instead, they will be joining a new phase of their lives. That is, one that will no longer force them to be bogged down in their emotions and life choices. This is their choice and only God knows, they're not dying, but they bleed now. This is the only solution to their problems. As the burden is lifted, their bodies are healed of what one might call perverse nature. At last, they are free.
 
Ending credits:
Franz Ferdinand - Outsiders
 
We've seen some change
But we're still outsiders
If everybody's here
Then hell knows
We ride alone
 
I've seen some years
But you're still my Caesar
With everything I feel
I feel you've already been here
 
The only difference is all I see is now all that I've seen
 
It's bright on the outside
The bright love the dark side
I know it's obvious
But sometimes
You just have to say it
So you don't feel so weak
About being such a freak
Or alone
 
Love'll die
Lovers fade
But you still remain there
Squeezing in your fingers
What it means for me to be
 
The only difference is what might be is now what might have been
 
When you saw me sleeping
You thought I was dreaming of you
I didn't tell you
That the only dream
Is Valium for me
The only difference is that
What might be is now

Oh god, those Soileau nudes.
 
Makes me wanna punch him in the face even more than I already did, for being douchey enough to actually let a nude picture leak.