PatentLeatherDoOver

your mind is so powerful….

Idk if it’s like..fear conditioning or what, but the way my brain has been warped to anticipate certain replies/accounts being scat trolls

I’d be interested to see Lana team up with BRTHR again—imagining an eerie, almost trippy video for A&W

God Complex

manifesting that the angry acoustic sounds like this when the yelling begins

I think it would 100% depend on the type of movie being made. A Star For Nick would be so good in a celebrity documentary

imagine she drops the sermon as the only other single

When Mike Dean is a coproducer on Taco Truck, foreshadowing his role on LDRX

I thought BoZ suggested that the Dua Lipa diss was Kintsugi joking? honestly I don’t know what’s real anymore maybe Dua and Lana are both releasing singles tomorrow!

if this is about Dua Lipa I’ll cry edit: guess I’ll be crying

Just depends on what you like! I like his voice on a few tracks tracks but not on most others—it’s going to be a tossup for me personally

us when the beats start in A&W

Imagine Margaret and Sweet are fine & everyone turns against some random song like Peppers

Lana in the front of the church congregation with her voice memos app ready

I’m assuming it will be her most sample-heavy record to date, and I completely agree! I understand why some people aren’t a fan of a ton of samples in general, but I don’t find it too different than a producer presenting Lana with a chord progression/instrumental and her assigning lyrics and a melody to it. I actually think it’s neat that she found a soundscape that resonated with her so heavily. Also, something interesting I thought about is that it’s cool seeing her incorporate more modern tracks into her work. She’s always integrated older pop culture references into her music, so it’s refreshing seeing her draw from music more present-oriented!

That makes total sense, and I’m completely with you—I’m a big fan of more relaxed, spacious ambient tracks, and I think the beats will be a refreshing change of pace! I do hope there are a few tracks similar to Fishtails just because of how nice the atmosphere is in the sample!

I’m sure this has already been discussed, but I’m really excited to see how this sample plays into Fishtails: the alleged Cinnamon Girl/TJF equivalent of the record (iirc). The instrumental completely changes around 2:55, and I have a feeling that portion will be one of the more atmospheric moments on the record. I’m curious to see if they’ll make any adjustments to the instrumental as well. I love how spacious it sounds, but I do think some strings or some Lana-esque flair would really amplify it. We’ll see!

I’m predicting ~92 but 85 at the lowest

maybe not this album

I don’t know if I’ll agree with Jack’s taste, but he did say on Instagram that it’s his favorite song he’s done with Lana! Now, whether that track is the “magic moment” with the recording is a different question

I have a feeling that A&W isn’t just experimental for including trap beats—BoZ knows Lana’s used them before, so there’s likely something else that makes A&W “unprecedented” is her discography! Also, how do we know TUOB was one of the “automatic singing” tracks? I may have missed it if it was in an interview/post or something!

BoZ seems to dislike Kintsugi and Margaret, but Kintsugi called Kintsugi the best song ever and said Margaret was great! I guess we’ll see

Agreed! I think we should just remain open-minded until we actually hear the songs

omg wait you’re probably right…when this album has zero skips then what