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Hurry Up Tomorrow transitions into High For This 

 

So the whole The Weeknd persona is in the loop forever. There’s a little break in transition though so it might mean Abel broke through this loop

 

  On 1/31/2025 at 10:49 AM, Rocket0212 said:

The Abyss giving Don't Call Me Angel where the song is just whatever and then Lana's part is completely different way superior song. :toofloppy: 

 

lol no way

 

Hold your heart/the abyss was one of the most anticipated songs, ever since he teased it in 2020, it’s absolutely gorgeous 


I'd be lying if I said I wasn't sick of it

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  On 1/31/2025 at 10:46 AM, Beautiful Loser said:

Can someone explain to me, why are the physical copies called first pressing? Because there will be changes in the future, or just a different cover art? I’m so confused. :deadbanana:

Collectors like first pressings,

But in his case it’s a marketing gimmick because with modern albums people really don’t care about that.

That said future versions may be a 2-3 lp to contain the whole album.

Which physical sales from the current batch have funded…


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Idk, I feel like this is way too bloated just like Taylor's Poets, so some songs starting with Opening Night never got a chance to shine. Will come back to some songs after a month or so.

Honestly looks like this album is the last chapter just for the symmetry of it making the second trilogy, cause I feel like the last time we saw The Weeknd character was After Hours and he died in that era. Dawn FM already felt different from everything previously released but the whole concept was about closing the chapter and entering something new, so perfect to put The Weeknd to the rest after it. But here we are 3 years later with an album that sounds 30% Dawn FM and 70% After Hours and brings almost nothing new to the table, yet it's branded as the final The Weeknd album.

I'm a stan and I'm sure it's going to be one of my most listened albums this year but I'm not the biggest fan of the concept for this era.

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  On 1/31/2025 at 1:10 PM, Francesco Carrozzini said:

I think I'm getting too old to understand the weeknd's music 

 

what's there to get? it's a trilogy of albums about death, afterlife, and hope for the afterlife and what comes and this album is the grand finale to both his career as the weeknd and the trilogy 


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if i fuck this model and she just bleached her asshole and i get bleach on my t-shirt, imma feel like an asshole

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  On 1/31/2025 at 10:56 AM, Let the Light In said:

Hurry Up Tomorrow transitions into High For This 

 

So the whole The Weeknd persona is in the loop forever. There’s a little break in transition though so it might mean Abel broke through this loop

 

 

lol no way

 

Hold your heart/the abyss was one of the most anticipated songs, ever since he teased it in 2020, it’s absolutely gorgeous 

 

and it dropped on (kind of) a Thursday night:splode:


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if i fuck this model and she just bleached her asshole and i get bleach on my t-shirt, imma feel like an asshole

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  On 1/31/2025 at 1:14 PM, American Whore said:

 

what's there to get? it's a trilogy of albums about death, afterlife, and hope for the afterlife and what comes and this album is the grand finale to both his career as the weeknd and the trilogy 

 

I know, I just think I'm not that into his music ever since AH, it's cool that he has a vision and concept for his music though

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 I hate this obnoxious trilogy “closing the chapter for the weeknd” stuff like is it really that deep? Who cares about your name just make good music, it’s not a damn movie 😭


                                                                                            7cf18f916c76496838bb078b36ed9708af32170e

 

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on niagara falls, he mentions "you're a shining star" which is referencing both his first album and the stargirl interlude i believe


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if i fuck this model and she just bleached her asshole and i get bleach on my t-shirt, imma feel like an asshole

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  On 1/31/2025 at 12:25 PM, Rocket0212 said:

Idk, I feel like this is way too bloated just like Taylor's Poets, so some songs starting with Opening Night never got a chance to shine. Will come back to some songs after a month or so.

Honestly looks like this album is the last chapter just for the symmetry of it making the second trilogy, cause I feel like the last time we saw The Weeknd character was After Hours and he died in that era. Dawn FM already felt different from everything previously released but the whole concept was about closing the chapter and entering something new, so perfect to put The Weeknd to the rest after it. But here we are 3 years later with an album that sounds 30% Dawn FM and 70% After Hours and brings almost nothing new to the table, yet it's branded as the final The Weeknd album.

I'm a stan and I'm sure it's going to be one of my most listened albums this year but I'm not the biggest fan of the concept for this era.

I’m still on my first listen, on my way home now after work so I get to listen to the rest, but I’m kinda leaning towards your opinion. I think it sounds great but it’s not very different from the two previous albums, which might not be necessary considering how well they’ve done on charts (and sales? Haven’t checked that though). I can sense some trance influences but they’re minimal.

I also worry that I’ll obsess over this album for a couple of weeks and then forget it. :ohno:


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Ima write down my opinions & ratings on the tracks as I listen to them :oic2:

  Reveal hidden contents

I took a break to digest the album because it's mad long. Now I'm back to review that last 10 tracks!

  Reveal hidden contents

 

FINAL THOUGHTS: I like this album a lot as an introduction to The Weeknd's discography. The songs were interesting and unique. Even though the songs were long (and was the album :biblio:) I didn't feel like any of the songs were long, besides Enjoy The Show. I'm not tempted to visit his past albums, but if he has more albums coming in the future under The Weeknd, or a different name, I'll definitely check them out. My top five is 1. Baptized In Fear, 2. Take Me Back To LA, 3. Give Me Mercy, 4. Open Hearts, 5. Wake Me Up. Lana's feature on The Abyss was good, it's top ten for me, but there's better songs with them out there. The songs I don't care for besides the instrumentals are Enjoy The Show, Reflections Laughing, & São Paulo. (And yes, this is my first time listening to him spare me)


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i'm sure this "last album" thing is just a marketing gimmick, he might not even abandon the stage name tbh abel is probs just going through an identity crisis right now after realizing he can't keep milking 80s synths forever :whatever2:

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Haven't kept up with The Weeknd for a minute but enjoyed a good amount of this album, plus transitions/gapless songs make me c*m sooooo- here are my favorites:

São Paulo. I know it was a single but didn't get to this one when it was released. Absolute BANGER!

Timeless. I DID listen to this one when it was released but it's still great, the production is fantastic and yeah, ever since I was a kid, I have been legit. Relatable.

Enjoy The Show. R&B realness, Future eats, the more I listen to this one, the more I think it's my favorite but it currently is...

Drive. No words. I feel like that one picture of SpongeBob levitating in the air with headphones in. Just floating, so chill. Kinda wish Lana was on this one instead.

 

My honorable mentions go to The Abyss, Cry For Me, Baptized In Fear, Niagara Falls and Without A Warning. 

Really wish Reflections Laughing didn't have that corny voicemail in the middle, it just kills it for me.

Thank you for coming to my TED Talk, this is just based on one full listen of the album because I got too obsessed with my favorite ones and have just had those on repeat since so this may or may not change :) 


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  On 1/31/2025 at 12:25 PM, Rocket0212 said:

 

The Weeknd character was After Hours and he died in that era. Dawn FM already felt different from everything previously released but the whole concept was about closing the chapter and entering something new, so perfect to put The Weeknd to the rest after it.

I believe After Hour is the character dying, Dawn FM is the purgatory (he explained in an interview that he wanted to have a radio concept to simulate waiting in your car at traffic feeling) and this album is the after life/this character’s own hell. When Dawn FM was released, he teased the second trilogy. It was also hinted in the album as well, as after life commercials. 


I'd be lying if I said I wasn't sick of it

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