CatchTheBreeze

She said in in the Beats 1 interview (?) that she recorded several tracks with him (but probably for his project) so there's hope for that!

An album full of Heroin, 13 Beaches and Get free would be outstanding but I'm not sure if I could survive it since it would be an extremely heavy emotional rollercoaster...

An album full of Heroin, 13 Beaches and Get free would be outstanding but I'm not sure if I could survive it since it would be an extremely heavy emotional rollercoaster...

Some fuck named dexter morgan posted full album on YouTube. I submitted a report and left a comment. I would hope the record company would scan YouTube to look for blatant violations. I imagine it will be taken down soon.

Totally agree. I mostly want her to ditch the trap beats tbh.

An album full of Heroin, 13 Beaches and Get free would be outstanding but I'm not sure if I could survive it since it would be an extremely heavy emotional rollercoaster...

I hope it sounds folky and cool like TNC with way less trap beats and some heroin-esque songs thrown in
maybe something like cherry for a single

I like the random cussing in Cherry, it gives the song a certain empowerment as sassiness, and it's funny lmao. I see why people think it was unnecessary tho

This album is an instant classic. It's relatively accessible for her but that doesnt take away from the beauty of the record.
 
She should release the Sean and Stevie collabs as singles and actually send them to radio then release GBA, which screams future classic, as the final single, ending the era in an eventful tone. Love this concept

13 Beaches kills me every time!!

I honestly felt this way on the first listen but I realise the lyrics, for the most part, aren't bad, they're just fresh and something we haven't had from Lana. It can take a couple listens to come around to

13 Bitches is the best track

The bitch and fuck are the best part what do you mean 
 
here: http://picosong.com/vFFL/

13 Beaches is a masterpiece.
 
This entire album is unbelievable.

So I've been had a few thoughts about this album since I first listened to it in full, but decided to let them stew a little in case any other points came to me, and basically I have a feeling that Lana has been getting professional help from some sort of psychologist, counsellor or therapist and was possibly diagnosed with clinical depression and is now on medication. I know others in the past have speculated about her mental health and it has often been quite unhelpful and actually accusatory of Lana as fuelling her own sadness, when in reality she has probably had a serious mental health condition that she wasn't aware she could treat, or perhaps she was aware but didn't seek treatment.
 
She has said that she saw a therapist three times before but found it quite unsuccessful.
 



 
Quite clearly she has had mental health issues in the past (admitting so herself), likely a combination of anxiety and depression, perhaps related to her past substance abuse with drugs and alcohol, that she has openly spoken about.
 
In "Lust for Life", there are a lot of lyrical allusions to this theme, in my opinion, that I wanted to discuss.
 
What first struck me was the song "Heroin", in particular, the following lyrics:
 
"I'm flying to the moon again, dreaming about marzipan
Taking all my medicine to take my thoughts away"
 
I think she's being quite explicit here, in that she is clearly taking some sort of medication that is having an effect on her mindset. A common treatment for anxiety or depressive disorders is obviously through anti-depressant or other similar medications. One could argue that this medicine could be for anything, but I say that because she says it "takes [her] thoughts away" it's clear to me it's not to address any physical/bodily issue, but a psychological one related to mental health.
 
In the outro of Heroin she sings about wanting to make a change for the better, that there's something that "makes [her] head go crazy" and she'd "be lying if [she] said she wasn't sick of it". To me, this is Lana saying that she is willing to admit she has had many problems in the past. And if we look at "Get Free", she seems to admit that she really only has herself to blame for many of these problems.
 
"Like my part was I was not discerning
And you, as we found out, were not in your right mind"
 
Clearly she's had a difficult time discerning when she's in toxic situations/relationships with people not in their "right mind" but is finally coming to acknowledge that and try to make amends to that. It makes sense if you think about what she's said in interviews recently, about trying to finally move on from toxic relationships and take care of herself first and foremost, rather than unhealthy and unhelpful people.
 
When she sings of taking "the dead out of the sea and the darkness from the arts", and wanting to "move out of the black and into the blue", to me, this is her acknowledging she's been severely depressed and is finally ready to "cross the threshold" and make a step towards taking care of herself properly. She also wants this to be translated to her music and art as well, believing she can help others out there. Her "commitment", her "modern manifesto" is to gradually work on changing her mindset and sharing that with "all of us who never got the chance", "for... [insert name] and for... [insert name]". 
 
The chorus of "Get Free" supports this whole idea as well. She feels as if she's "got a war in [her] mind" (as alluded to in "Ride"), but finally admits she "want to get off" from "riding the ride"; a ride that has ultimately worsened her way of thinking.
 
And these lyrics are also really important as well...
"I never really noticed that I had to decide
To play someone's game or live my own life
But now I do, I wanna move"
 
She is finally ready to take control of her life and get her life back together. Also, as a side note, when she sings of rainbows in the second verse, I have this weird idea that she could be thinking back to when she frequently used hallucinogenic drugs in the past, like going on a trip and seeing a wide array of colours, but they're not real, "their arches are illusions" and they "put you in a trance" (a literal, drug-induced trance). The way she sings about drug use on "Heroin" and that line about wanting to "get that cigarette smoke outta my face" on "In My Feelings" seems to me that she is becoming more aware of the harmful impact drugs have had on her life, and she's trying to move away from that. We saw this idea surface on Honeymoon, in "Religion", where she says "it never was about the money or the drugs", relegating them to something insignificant and a waste.
 
Heck, even the official iTunes description for "Lust for Life" talks of how in "Get Free" she "makes a vow to shift her mindset".
 

 
Now, I could be wrong about her having depression (although, I wouldn't say it's that far-fetched considering the highly melancholic tone in most of her work and her admitting she has had to see a therapist before, multiple times as well), but I think that for sure Lana is trying to grow and become the best person she can be through personal commitments to developing her character and living her life healthily. That's why she sings on "Change" about hoping that "by the time summer is done, [she'll] be able to be honest, capable" and so on.
 
Anyway, excuse the Graham4everything length essay... I hope this wasn't a completely incoherent ramble but rather gives a little bit of an insight into my interpretation and understanding of Lust for Life. I genuinely think that Lana is on a path towards complete self-recovery from toxic relationships, a totally negative mindset and the wild, drug-addicted days of her past.

The Independent (UK) ★★★★
‘Lust For Life’ is more of an elaboration on her favourite subjects rather than a repetition, in fact, it’s her most expansive album to date.

The New York Times — Positive (Metacritic Score: 80) 
‘Lust For Life’ is her most expansive album; it has 16 songs, stretching nearly 72 minutes. It also, in rare moments, hints at a wink behind Ms. Del Rey’s somber lullabies.

The Guardian ★★★★
She is consistent in her aesthetic, adding zeitgeisty elements to her sound without being dictated by them. And for that reason she exists in a lonesome, luxurious league of her own.

The Telegraph (UK) ★★★★
‘Lust For Life’ lets a bit of light into the darkness of Del Rey’s moody past works, hinting at emotional recovery without drastically altering her sensuous musical palette.

DIY Magazine ★★★★
Her most honest album yet, ‘Lust For Life’ also stands up as Lana Del Rey’s best to date.

GQ Magazine (UK)
‘Lust For Life’ is an accomplished piece of art, an antidote to the banal tunes permeating the charts and one of the best albums released this year so far.

Sputnik Music ★★★★
The album, like Lana Del Rey, has earned the right not to be overlooked.

Highsnobiety ★★★★
Part love story and part political parable, it’s her most complex, linear and ambitious record to date; one that demands to be listened to from swaying start to folky finish.

Northern Transmissions — 8.5
While the album takes a few tracks to hit its stride, the majority of the record more than makes up for its slow start.

Evening Standard (London) ★★★
It’s just about enough to keep her interesting, despite the unchanging funeral march pacing.

Since the other artists not only sang with Lana but (afaik) also co-wrote the songs we will never really know how the songs would have turned out without them I guess...
For me Abel doesn't add but substracts from the song but that's just my opinion.

I have to avoid reading people's really negative opinions about this album because for some reason they stick out to me more than the positive ones and I don't want that to ruin my experience! No shade no tea to anyone that doesn't like it

I finally got around to listening to the record from start to finish. I don't drove up and down the scenic drive of northern Minnesota, overlooking the cliffs onto the shimmering blue waters. The album didn't spark much inside My on first listen but on my way back from where I turned around, when the skies turned a dark grey before a huge flash flood hit, I listened to the album again and fell in love.
 
Here's what I think of each track:
 
LOVE: the perfect way to start off any album, especially this one. The iconic bass-line intro is instantly entrancing and recognizable. Although I've overplayed the hell out of this track, it's still one of the strongest on the record. The lyrics are beautiful and the melody is oddly uplifting; something new for Lana. The chorus is beautiful and showcases her range. 8/10
 
LUST FOR LIFE: this is better when listened to in context of the entire album. The vocal layering is slick and exciting and Lana and Abel's voices actually mesh very well here. I can't believe this didn't become at least a moderate hit. It's catchy and simple. Definitely not the best off the album but an exciting, acceptable placeholder. 7/10
 
13 BEACHES: on first listen, I wasn't too moved by any of it. I loved the orchestral introduction and the spoken-word sample from "Carnival of Souls". I honestly thought the female voice was Lana's. After listening with headphones instead of on car speakers with the windows down, I picked up on many intricate details hidden in the production that make this song so perfect. The little "clicks" and "beeps" that sound like signal radars throughout the verses are haunting. The flute in the second verse is so elegant and entrancing. It really seems like a lot of extra time was put into elevating this song with the little production tricks and it paid off. The chorus features Lana shifting down to a lower octave than she sings in the verses which is unorthodox, but Lana always mixes things up (i.e. West Coast chorus). The she sings "that I'm dying" at the end of the chorus, my body got chills. Her voice sounds beautiful and it seems like a melody I never expected her to sing. This will continue to grow on me as I begin to master the melody. 9/10
 
CHERRY: so good. I loved the live version and actually love the album version even more. The chorus is simple and catchy and the song is just short enough so that things don't drag on and become repetitive. The guitar gives me Ultraviolence teas and the man yelling "yeah!" during the verses is haunting and exciting and reminds me of Born To Die. I actually love the added "fuck!" and "bitch!" throughout the track. Is it random? Yes. Is it necessary? No. But it makes the song more exciting and the song is given more personality this way. She sounds pissed at the end when she says "bitch" and I love her voice when she says it. It's random but it's iconic. 10/10
 
WHITE MUSTANG: short but sweet. The song doesn't seem very short when listening to it in full. In fact, if the song was longer, it would get boring. The chorus is literally two words repeated so it's smart of Lana to keep it short. The song thrives through its storytelling verses. The melody is enchanting and instantly "Lana". It's perfect. The bridge threw me off because it seemed so disconnected from the rest of the song but I'll get used to it. The whistling at the end is something new for Lana and it sounds a bit tacky to me, but I know I won't care after a couple listens. 8/10
 
SUMMER BUMMER: definitely thought I'd dislike this song after finding out it was a collaboration with rapping involved. To my surprise, it's one of my favorites. The song flows very well (in both versions) and Rocky's verse, although longer than necessary, actually elevates the song rather than takes away from it. The bridge of Lana "sing-rapping" is so sexy and is an album highlight. The siren vocals at the end are very enthralling and they captivate the listener, keeping the listening experience very interesting. Only gets better with each listen because it's so different from anything Lana's done before, which is why I love Ultraviolence, it's unexpected. 9/10
 
GROUPIE LOVE: I thought I'd love this one after hearing the first initial snippet but it's not my favorite. The pre-chorus melody mixed with that guitar riff is beautiful. The chorus is trippy and very sexy, but the lyrics are not her best and the Rocky verse, although thankfully short, is so corny. The "watching my bae" line just makes me cringe. It's definitely going to grow on me like all her songs do, but right now it's one of the most forgettable tracks on the album. 7/10
 
IN MY FEELINGS: this track is fire! The lyrics, the melody, the cadence in Lana's voice, everything is so sexy and edgy. This is Lana like we've never seen; fully aware, unapologetically confident, and fucking raging. The fact that she confirmed the track is about G-Eazy only confirms that this song is one of the best off the album. The chorus melody is extremely catching and when she sings "driving in my sleep again", I get so excited. Something about her voice; it's so sexy. The only complaint here is the dull production. Maybe it's because it comes right before the production mess that is Coachella, but the production could've been more exciting. However, it does force more attention to be put on the lyrics and vocals which is a plus. 9/10
 
COACHELLA: still my least favorite track. There are far too many words crammed into the verses and pre-chorus. Although 3-page-long verses worked well in other Lana songs such as "Off To The Races" and "Blue Jeans", it just seems so jumbled here. It's as if she's singing off beat because she's trying to fit every thought into a melody that was originally intended to be sung as a slower ballad. The chorus is promising melodically but the vocal effect is very lazy and boring. The outro would be one of the album's best moments but because it closes such a lackluster song, it loses its gleam. That drum line throughout is so repetitive, it's frustrating. Not as bad as some people like to pretend it is, but it's still pretty bad. 6/10
 
GOD BLESS AMERICA: absolutely stunning. The guitars in the beginning is almost exactly like the beginning of ABBA's "Chiquitita" and I love it. It sounds almost tropical but also so spacious. The verses are sung so softly and beautifully that by the time that big chorus comes, it's meant with such triumph. Truly the perfect song to play as you watch the fireworks shoot across the sky on the Fourth of July. The chorus melody is beautiful and the key changes throughout the verses make the song more experimental sounding. 10/10
 
WORLD AT WAR: continues seamlessly after "God Bless America". The production here is so calming and beautiful. The guitars create a sound Lana's never experimented with before. I've never heard a song like this from ANY artist. This song is melodically and instrumentally innovative. The pre-chorus reminds me of "Cruel World" and the chorus is so long which makes the song so good. The melodies throughout are so exciting. On first listen, I thought it sounded boring, but once I really listened to the melody and harmonies, I realized just how electrifying this song is. The lyrics are some of the best on the album and make me view Lana in a different way. She seems edgier and more "holy" here because she's singing from a far less self absorbed perspective than her past work. It's a definite shift in narrative and I'm totally here for it. 10/10
 
BPBP: I was surprised at how much I enjoyed this song after hearing opinions from others who had already heard it. I will admit that Stevie's voice in contrast to Lana's is a bit riveting, but once you get past the fact that that's simply Stevie's unique tone, you can appreciate the adorable melody and the beautiful lyrics. I love the chorus. It's very simple but still so captivating. I, for one, have always loved Stevie's voice so I'm happy to hear her voice on a track with Lana's; another voice I love. The ending could've been more polished and honestly should've been a little longer. 8/10
 
TOMORROW NEVER CAME: still not very into this track but I know I'll end up adoring it after a few more listens. The production is different for Lana; very western, desert vibe with a bit of southern twang. Sean's voice is odd but it does fit very well with Lana's. The lyrics here are beautiful but the melody is one you have to dig for in order to appreciate, which is why I know I'll love it eventually. The songs that have melodies that aren't instantly catchy or recognizable usually have the longest longevity. 7/10
 
HEROIN: the first couple seconds of this song are very atmospheric and beautiful. The lyrics are haunting and sad but I love them so much because they are written so well. One of the best songs Lana's ever made, lyrically. The melody is very catchy as well. The "it's fucking hot! Hot!" part comes out of nowhere and seems a bit disconnected from the rest of the track but it really awakens the listener and commands that they pay attention. It's a very melodic song and the dark message makes the song all the better. 9/10
 
CHANGE: Definitely better than I excepted after hearing the first two snippets. The chorus is beautifully written, the melody is rich, and the lyrics are very important and relatable. I like that it's just Lana's voice over a simple grand piano. The song signifies a future shift in Lana's musical narrative. You can tell here that she wanted to go all out political with this album but still hadn't fully "changed" yet. 8/10
 
GET FREE: the hype around this makes total sense. The lyrics are top-notch and the melody is captivating and spacious. I first listened to this while sitting on a huge rock ledge, overlooking the spacious blue waters of Lake Superior on this warm, summer night and the waves licked the rocks beneath me. It's the perfect song for sitting and contemplating. It's uplifting and cozy. The melody in the chorus is unexpected and Lana sings it with a lighter tone than she has since her Lizzy Grant days. I didn't except the song to be so melodic and I expected it to be slower. The final minute of the song which features nothing but the sound of waves upon the shore and seagulls gawking is the ideal way to end such a beautiful album. It signals towards a more promising future. The album's highlight. 10/10
 
This very well may surpass ULTRAVIOLENCE as my favorite album from Lana. I can see me begging for more songs like "GBA" and "WAR" prior to her next release. Very interesting melodies and production twists. I love that Lana still isn't afraid to try new things and takes risks while still always maintaining her unique, ethereal sound.

I KNEW HEROIN REMINDED ME OF SOMETHING ELSE (NOT ONLY WHITE MUSTANG) AND IT WAS THIS:
 

 
 
LMAO EPIC OMG I LOVE IT

ugh I didn't like dylans reaction at all

13 Beaches is the reason why Lana Del Rey is one of the Greatest. God, just wow!

the lana reactions are the reason i'm still subbed to that channel, if he kills off lana thursdays i'm gonna cry

Two more positive reviews:
 
https://shakespeareandpunk.com/2017/07/21/review-lana-del-reys-lust-for-life/
 
http://attitude.co.uk/review-lana-del-rey-lust-for-life/
(a 4.5/5)

Two more positive reviews:
 
https://shakespeareandpunk.com/2017/07/21/review-lana-del-reys-lust-for-life/
 
http://attitude.co.uk/review-lana-del-rey-lust-for-life/
(a 4.5/5)