Madrigal

Not if you count Cecile, who did most of the vocals and is credited on a writer on six of the nine tracks.  
Just to be clear: I am very excited for SOPHIE and I hope she wins.
 
At the same time, I think she's very susceptible to what critics think, and am worried (as a fan) that winning might make her even more perfectionistic and picky about what she releases or puts her name on. It's not hard to work with her, but it seems like it's near-fucking-impossible to get her okay to release a track once it's finished.
 
I have a theory that part of why more of the Charli collabs (including Taxi) didn't come out has something to do with Pitchfork's totally unfair review of Vroom Vroom. SOPHIE likes to put on like she doesn't care what people think, but I definitely think she listens to and cares about critics' opinions.
 
I also think Cecile was a significant contributor to the record, and though she's not credited (which might be unfair, though that's neither here nor there), she was obviously a HUGE part of the album and deserves the win and attention as much as SOPHIE does.

Yeah but that’s not how Grammys work, everyone involved with a song or project gets nominated & wins. But yes, SOPHIE is definitely the first trans woman to receive a solo nomination as the lead artist on a project.

Not if you count Cecile, who did most of the vocals and is credited on a writer on six of the nine tracks.  
Just to be clear: I am very excited for SOPHIE and I hope she wins.
 
At the same time, I think she's very susceptible to what critics think, and am worried (as a fan) that winning might make her even more perfectionistic and picky about what she releases or puts her name on. It's not hard to work with her, but it seems like it's near-fucking-impossible to get her okay to release a track once it's finished.
 
I have a theory that part of why more of the Charli collabs (including Taxi) didn't come out has something to do with Pitchfork's totally unfair review of Vroom Vroom. SOPHIE likes to put on like she doesn't care what people think, but I definitely think she listens to and cares about critics' opinions.
 
I also think Cecile was a significant contributor to the record, and though she's not credited (which might be unfair, though that's neither here nor there), she was obviously a HUGE part of the album and deserves the win and attention as much as SOPHIE does.

Yeah but that’s not how Grammys work, everyone involved with a song or project gets nominated & wins. But yes, SOPHIE is definitely the first trans woman to receive a solo nomination as the lead artist on a project.

Yeah but that’s not how Grammys work, everyone involved with a song or project gets nominated & wins. But yes, SOPHIE is definitely the first trans woman to receive a solo nomination as the lead artist on a project.

What do you mean, "flopped?" It's a single by a netlabel without a distribution deal, it got as much press as all her other releases...it didn't flop. She's not an artist who's trying to chart, or she would have definitely signed to a larger label by know.
 
Her music and artistry aren't focused on mainstream commercial appeal, so I don't think she'd put an old single on there just for streaming numbers. She would put it on there if she thought it was part of a cohesive whole, which is what I think she's trying to accomplish with this project. 

Noooooo !! ! Ok I'll give it a listen, studio version yes lol. Watched her live, and thought she looked like Halsey, then her brother. I was so confused that day but it was amazing. 

Tomorrow.

What do you mean, "flopped?" It's a single by a netlabel without a distribution deal, it got as much press as all her other releases...it didn't flop. She's not an artist who's trying to chart, or she would have definitely signed to a larger label by know.
 
Her music and artistry aren't focused on mainstream commercial appeal, so I don't think she'd put an old single on there just for streaming numbers. She would put it on there if she thought it was part of a cohesive whole, which is what I think she's trying to accomplish with this project. 

What do you mean, "flopped?" It's a single by a netlabel without a distribution deal, it got as much press as all her other releases...it didn't flop. She's not an artist who's trying to chart, or she would have definitely signed to a larger label by know.
 
Her music and artistry aren't focused on mainstream commercial appeal, so I don't think she'd put an old single on there just for streaming numbers. She would put it on there if she thought it was part of a cohesive whole, which is what I think she's trying to accomplish with this project. 

Not if you count Cecile, who did most of the vocals and is credited on a writer on six of the nine tracks.  
Just to be clear: I am very excited for SOPHIE and I hope she wins.
 
At the same time, I think she's very susceptible to what critics think, and am worried (as a fan) that winning might make her even more perfectionistic and picky about what she releases or puts her name on. It's not hard to work with her, but it seems like it's near-fucking-impossible to get her okay to release a track once it's finished.
 
I have a theory that part of why more of the Charli collabs (including Taxi) didn't come out has something to do with Pitchfork's totally unfair review of Vroom Vroom. SOPHIE likes to put on like she doesn't care what people think, but I definitely think she listens to and cares about critics' opinions.
 
I also think Cecile was a significant contributor to the record, and though she's not credited (which might be unfair, though that's neither here nor there), she was obviously a HUGE part of the album and deserves the win and attention as much as SOPHIE does.

lol watch it be:
 
1. Pink and Blue
2. Hi
3. Every Night
4. Attachment
5. Fade Away
6. Make Belive
7. True
8. Never Again
9. Concrete Angel
10. The Ending

There's a sound effect in True that sounds just like the tone my laptop makes when it gets a message notification it's rly fucking me up.

Not if you count Cecile, who did most of the vocals and is credited on a writer on six of the nine tracks.  
Just to be clear: I am very excited for SOPHIE and I hope she wins.
 
At the same time, I think she's very susceptible to what critics think, and am worried (as a fan) that winning might make her even more perfectionistic and picky about what she releases or puts her name on. It's not hard to work with her, but it seems like it's near-fucking-impossible to get her okay to release a track once it's finished.
 
I have a theory that part of why more of the Charli collabs (including Taxi) didn't come out has something to do with Pitchfork's totally unfair review of Vroom Vroom. SOPHIE likes to put on like she doesn't care what people think, but I definitely think she listens to and cares about critics' opinions.
 
I also think Cecile was a significant contributor to the record, and though she's not credited (which might be unfair, though that's neither here nor there), she was obviously a HUGE part of the album and deserves the win and attention as much as SOPHIE does.

Not if you count Cecile, who did most of the vocals and is credited on a writer on six of the nine tracks.  
Just to be clear: I am very excited for SOPHIE and I hope she wins.
 
At the same time, I think she's very susceptible to what critics think, and am worried (as a fan) that winning might make her even more perfectionistic and picky about what she releases or puts her name on. It's not hard to work with her, but it seems like it's near-fucking-impossible to get her okay to release a track once it's finished.
 
I have a theory that part of why more of the Charli collabs (including Taxi) didn't come out has something to do with Pitchfork's totally unfair review of Vroom Vroom. SOPHIE likes to put on like she doesn't care what people think, but I definitely think she listens to and cares about critics' opinions.
 
I also think Cecile was a significant contributor to the record, and though she's not credited (which might be unfair, though that's neither here nor there), she was obviously a HUGE part of the album and deserves the win and attention as much as SOPHIE does.

Not if you count Cecile, who did most of the vocals and is credited on a writer on six of the nine tracks.  
Just to be clear: I am very excited for SOPHIE and I hope she wins.
 
At the same time, I think she's very susceptible to what critics think, and am worried (as a fan) that winning might make her even more perfectionistic and picky about what she releases or puts her name on. It's not hard to work with her, but it seems like it's near-fucking-impossible to get her okay to release a track once it's finished.
 
I have a theory that part of why more of the Charli collabs (including Taxi) didn't come out has something to do with Pitchfork's totally unfair review of Vroom Vroom. SOPHIE likes to put on like she doesn't care what people think, but I definitely think she listens to and cares about critics' opinions.
 
I also think Cecile was a significant contributor to the record, and though she's not credited (which might be unfair, though that's neither here nor there), she was obviously a HUGE part of the album and deserves the win and attention as much as SOPHIE does.

Not if you count Cecile, who did most of the vocals and is credited on a writer on six of the nine tracks.  
Just to be clear: I am very excited for SOPHIE and I hope she wins.
 
At the same time, I think she's very susceptible to what critics think, and am worried (as a fan) that winning might make her even more perfectionistic and picky about what she releases or puts her name on. It's not hard to work with her, but it seems like it's near-fucking-impossible to get her okay to release a track once it's finished.
 
I have a theory that part of why more of the Charli collabs (including Taxi) didn't come out has something to do with Pitchfork's totally unfair review of Vroom Vroom. SOPHIE likes to put on like she doesn't care what people think, but I definitely think she listens to and cares about critics' opinions.
 
I also think Cecile was a significant contributor to the record, and though she's not credited (which might be unfair, though that's neither here nor there), she was obviously a HUGE part of the album and deserves the win and attention as much as SOPHIE does.

Not if you count Cecile, who did most of the vocals and is credited on a writer on six of the nine tracks.  
Just to be clear: I am very excited for SOPHIE and I hope she wins.
 
At the same time, I think she's very susceptible to what critics think, and am worried (as a fan) that winning might make her even more perfectionistic and picky about what she releases or puts her name on. It's not hard to work with her, but it seems like it's near-fucking-impossible to get her okay to release a track once it's finished.
 
I have a theory that part of why more of the Charli collabs (including Taxi) didn't come out has something to do with Pitchfork's totally unfair review of Vroom Vroom. SOPHIE likes to put on like she doesn't care what people think, but I definitely think she listens to and cares about critics' opinions.
 
I also think Cecile was a significant contributor to the record, and though she's not credited (which might be unfair, though that's neither here nor there), she was obviously a HUGE part of the album and deserves the win and attention as much as SOPHIE does.

Yeah but that’s not how Grammys work, everyone involved with a song or project gets nominated & wins. But yes, SOPHIE is definitely the first trans woman to receive a solo nomination as the lead artist on a project.

Tied, actually. https://www.google.com/url?sa=i&source=web&cd=&ved=2ahUKEwik1L6bwI_fAhVkiOAKHYHaB_YQzPwBegQIARAC&url=https%3A%2F%2Fwww.refinery29.com%2Fen-us%2F2018%2F12%2F218854%2Fteddy-geiger-grammy-nomination-trans-artist-history&psig=AOvVaw3a8sq--7zAOzyCd6ttiJV6&ust=1544333359003070

Yeah but that’s not how Grammys work, everyone involved with a song or project gets nominated & wins. But yes, SOPHIE is definitely the first trans woman to receive a solo nomination as the lead artist on a project.

Yeah but that’s not how Grammys work, everyone involved with a song or project gets nominated & wins. But yes, SOPHIE is definitely the first trans woman to receive a solo nomination as the lead artist on a project.

Tied, actually. https://www.google.com/url?sa=i&source=web&cd=&ved=2ahUKEwik1L6bwI_fAhVkiOAKHYHaB_YQzPwBegQIARAC&url=https%3A%2F%2Fwww.refinery29.com%2Fen-us%2F2018%2F12%2F218854%2Fteddy-geiger-grammy-nomination-trans-artist-history&psig=AOvVaw3a8sq--7zAOzyCd6ttiJV6&ust=1544333359003070

First trans woman nominated ever 

I think Bibi's project will come out eventually, but I have a feeling Basside's is happening...never. Doesn't seem like SOPHIE's that keen on the songs, their manager (and "label head") was saying on another forum that it doesn't seem likely. :/ 
 
I also don't think that Hayden's release will feature SOPHIE productions. Only time will tell, and I love the ones they did together, but I think A. G. and her have done most of the new ones she's been performing. 
 
She might have a song on the 10-track Hannah album, but not sure. 
 
Also kinda very pissed at BC Kingdom for not have that "mini-album" out tonight.