White Dress

In The Shitty aged like milk, hoping nothing of the sort makes it onto the album

In The City feels like a figment of my imagination

Pretty sure this Charli’s feature on the new Thy Slaughter (AG and Easyfun) album coming next month!

I don’t want any more half baked wink wink nudge nudge middle finger up tongue out synth trap Taylor-lite Jack beats… it worked for A&W but no more please. I don’t like “lowkey” bops. I want raw emotion and fire. I can’t lie, I want some grit back. Obviously most of us always ask for a UV type sound but after 3 very paired down energy kind of albums, I want something more assertive sounding.

Make You Mine is cute. Still waiting for some true fire from her… haven’t really felt obsessed with anything she’s done since HIFN

I love Ethel but after sitting with this album for months, I feel like she sometimes takes herself a little too seriously. I hope on the next project she “lets her hair down” a little bit more or whatever.

This is actually well done and mixed excellently. His voice sounds much better here than he has in the past. Not really counting this as a Lana feature, also just not my mind of music (it feels like a compromise much like Taylor’s where everything’s a mid tempo sort of synth ballad). That said, cute!

The mixing all over this is horrid, should have brought in an actual industrial/digital hardcore producer

Which of these are AG/PC anybody or Dylan produced? Only really interested in those lol

I think my issue with In The City is it just sounds so… uncool

This is so aesthetically pleasing to me

This is so safe for what I was expecting. Literally could go smack in the middle of FN which isn’t bad per se but like… I was expecting more idk Chorus is also just such a non-event

I know Charles well and I can tell she’s very effected by how much we don’t love In The City. I think she thought she’d have a little smash on her hands and is probs gonna do the whole “I don’t like that one anyway” thing a year down the line. I kind of wish she didn’t put it out because it just was such a mess even without the Sam feature (para MI)

This. It’s undoubtedly because Ali Payami was at the helm of production choices. I can respect him pushing his usual sterile pop boundaries to do something vaguely more industrial leaning but he just doesn’t seem to have those tools in his toolbox. Good ideas across this thing, poor execution. It’s like if you asked Dua Lipa to make a Nine Inch Nails album lol

So… is this song doing anything commercially? Was it really worth it Charles?