vanillaiceys

1.  Botox Blues
2. Selfie Issues
3. Music to Fuck Boys to
4 Betty Boop Boop (Remastered)
5. Francesco's cannelloni
6. You're Not Gangsta
7. I Just Ride (That D)
8. Visually, Sonically, Thematically
9. Floppyviolence
10. Daddy's Chevy 
 

i'm like 99% sure K doesn't even exist or is just an amalgamation of different boyfriends

Please tell me you're kidding...

A probable white-feminist criticizing a woman. Oh

Tbh Katy and Lana have different styles .  

I don't want Auerbach returning just like I don't want Haynie returning. Either one would color the sound too much and it'd sound either like UV2 or BTD2. The one producer I'd like to return is Kahne because he was able to produce the widest variety of tracks. Unlike BTD and UV, none of the songs on AKA really sound like each other, but it's still a cohesive work. Unfortunately, I don't think that's ever gonna happen again.

It's kind of an extreme invasion of privacy, moreso than normally acceptable. You'd be able to find her friends & family there, and who's to say someone wouldn't use that information in a bad way? That could lead to problems for people close to Lana. I know you weren't implying this, but I just want to say it anyway; She is a person, no matter how famous, and deserves privacy just like everyone else. I agree with the other mods in that active personal accounts being posted is not okay. I hope I worded all that well.

Acid? I don't think so, if she is a melancholic person, acid isn't a good choice, but she definitely do weed

HONEYMOON POSTER

 

I wanted to do a poster for the upcoming album so I did using a very exclusive  image of Lana for L'Uomo by Francesco. Hope you like it as I do

 



 

(right click for bigger size if needed)

 

 

EDIT: Here's the original image  http://i.imgur.com/UEKEMVi.jpg

the second half of this song is so beautiful, and the way she ends it is really nice, lyrically. I like this one a lot, wow!

what's so bad about weed anyway? tbh most people have at least tried it...just because she's a celebrity doesn't mean she can't do weed.

May Jailer maybe good friends with Mary Jane, and that's ok with me.
 

If she still does, I don't think she takes them in the same way as she did during her Lizzy days.

An alternate version of Kinda Outta Luck

I was born bad
But then I met you
You made me nice for a while
But my dark side's true
You never cared what I did at all
Motel singer or the silver pole
I did what I had to do

Femme fatale, always on the run
Diamonds on my neck, whiskey on my tongue
Before I get back, I gotta get drunk
So get over here, pour me a cold one
Babe he can see that I'm danger
Teetering off of the stage, yeah
Sparkling in sequins, say hey-yeah
Time to give in to the kindness of strangers

Is it wro-wrong that I think it's kind of fun
When I hit you in the back of the head with a gun
Her daddy's in the trunk of his brand new truck
I really want him back but I'm flat out of luck
Is it wro-wrong that I think it's kind of fun
When I hit you in the back of the head with a gun
Now daddy's in the trunk of his brand new truck
I really want him back but I'm kinda outta luck

Wrong, I know, killing someone
Gets a little easier after done it once
You know that I'm fine, you know that I'm young
So tell me you're mine, let's get it on

Babe he can see that I'm danger
Glamorous but I'm deranged, yeah
Dancing on top of the tables
I said it really nice, hey, can you be my saviour?

Is it wro-wrong that I think it's kind of fun
When I hit you in the back of the head with a gun
Her daddy's in the trunk of his brand new truck
I really want him back but I'm flat out of luck
Is it wro-wrong that I think it's kind of fun
When I hit you in the back of the head with a gun
Now daddy's in the trunk of his brand new truck
I really want him back but I'm kinda outta luck

I love you, my little darling
You, my little darling
You, my little darling
You, my little darling

Dancing on top of the tables
Stronger, I wish I was able
Someone spilled blood I'm not capable [?]
I gotta get you back, 'cause I gotta live able

Is it wro-wrong that I think it's kind of fun
When I hit you in the back of the head with a gun
Her daddy's in the trunk of his brand new truck
I really want him back but I'm flat out of luck
Is it wro-wrong that I think it's kind of fun
When I hit you in the back of the head with a gun
Now daddy's in the trunk of his brand new truck
I really want him back but I'm kinda outta luck

I'm surprised that this hasn't been posted or even mentioned here yet.
 
Audio: http://soundcloud.com/triple_j/lana-del-rey-talks-pepsi
 
Found here: http://www.abc.net.au/triplej/tomandalex/
 
I can't believe how much these hosts are fixated on the lyric. They're like twelve year old boys. I'll take this moment to say that the overwhelming majority of the reaction to Cola has been so juvenile and tiring. It reminds me of being in class, like in COLLEGE, and the professor says something, for example, about "the penal system" and people start giggling under their breath. Obviously she's more explicit in Cola than this example, but the reaction to it still feels like that same sort of shit. OH MY GOD, THIS WOMAN IS TALKING ABOUT HER VULVA...HA HA HA PEPSI REFERENCES...LET'S NEVER LET THIS GO.
 
So, whatever, now we know: it's something Barrie told her.
 
I suspect that the line "Everyone around me [...] just thought it was really weird" sums up a lot about reactions to her in general.
 
Anyway, on to more important things...what about that Cola a cappella demo she did on GarageBand?? When's THAT gonna leak?

What is actually going on here at this place, like...????   
 
Some of you should really consider stanning for Emile rather than Lana, tbqfh.
 
The intro of the song is lovely, but afterwards she loses me. In the end, it's not her song, she only gave the vocals and that's okay for me.
 
The annoying "OMG this is what UV should have sounded like" is so annoying and disrespectful towards Lana with all my respect for different tastes.
 
Maybe after the next era the annoying loon stans will finally realise that if they wanna stan Loon they should better ditch Lana. 

ANYway, i do like the ~summer~ vibes i get from the track, i hope they continue onto Honeymoon (albeit in a better style)

Mmm....
 
Why you make me work so hard
To put on that evening show
When you know that all I want
Is to make your money grow?
 
You're like a baby who don't got nowhere to go
I feel you eyeing me, you keep it on the low
(on the low, on the low)
 
But I can't let you in
And I can't keep you out
I wait for life to [win/mend/end?]
But it never comes around
And I can't hear you call
And I can't hear me [shout?]
I wait for it to break
But it never comes around
 
And I'm lonely
I'm lonely
I'm lonely
 
Why you make me take that shit
To put on that evening show
When you know I don't need it
Better than your booze and blow?
 
You're like a baby, don't know better, you don't know
You drag me down, you try to keep it on the low
 
But I can't let you in
And I can't keep you out
I wait for life to [win/mend/end?]
But it never comes around
And I can't hear you call
And I can't hear me [shout?]
I wait for it to break
But it never comes around
 
(Scatting)
Feel like I'm falling apart
(Scatting)
Feel like I'm falling apart

(Scatting)
Feel like I'm falling apart

 
Would you tell me?
Would you tell me?
Would you tell me?
 
But I can't let you in
And I can't keep you out
I wait for life to [win/mend/end?]
But it never comes around
And I can't hear you call
And I can't hear me [shout?]
I wait for it to break
But it never comes around
 
And I'm lonely
I'm lonely
I'm lonely

This is exactly what I wanted the BTD production to be like.

awww, no you guys, I loved it. What he said about Lana being so disappointed by life that she had to create her own little world to live in... Thats how I've always read her. All the "K" and "daddies" and "diamonds and pearls" and "motorcycles", its something she's dreamed up. imo

Some photos:
 




 

The production on OTTR is not the best imo. Her vocals are extremely overproduced.

Why do some people consider Ultraviolence a flop? It didn't do bad at all.

So... Wow...

I just read through 90% of this thread and.... 

I gotta say I'm really kind of overwhelmed, shocked and ultimately disappointed by so many of the comments I see here. It would seem that a large majority of the fans here really don't give a fuck about the content or concept of Lana's music as long as we "get a new look for the era" or she stops doing "boring jazz" (which is an oxymoron) or she stops wearing "jeans and tshirts" or starts "using makeup." Again and again the comments here read like a tug of war with everyone pulling her in all different directions. This is one of the first times I have ever truly hoped she does not ever read this forum. There used to be a lot of constructive, thought out criticism here from people who had a wealth of knowledge about music- from genre specialties to music history- and could discuss Lana's work in an interesting way. People could really discuss the cultural significance of what she was doing or dissect her lyrics. This is all just like... "stan" vomit. And if Lana were to ever read through this... Wow... I can't imagine. I would be SO uninspired to see what my fans were discussing and valuing about my art. It's not that there is criticism- I have read thoughtful critiques on her work here before that I wish Lana could/would read because I think they would inspire her so much. However, so many of the comments here miss the mark completely on what is important. She is an ARTIST. Allow an artistic process to HAPPEN. She is not your barbie doll to dress up and style. She is a person who is trying to communicate her soul through a difficult business called the Music Industry that has become LESS and LESS about the actual music.

Do you guys see how so many of us have been conditioned to value the PACKAGE over the PRODUCT in this industry? They are destroying our minds and our ability to appreciate diversity and art in the music world. By us placing so much emphasis on how she looks, we keep perpetuating the kind of business models that starved funding our of Ultraviolence. Labels send interns onto forums like this to get a read on what the fan bases are looking for, what they want. The music industry has taught you to care more about Lana's hair than her words, so now when a label lackey comes on here to read through this garbage, what they will report back to their bosses is "They want a pretty girl, the music seems so secondary." This means, ultimately, more label control. The label could pressure Lana into a package she isn't comfortable with and as a result, we get a less authentic and self-expressing artist. 

This is all hypothetical, but this is how things happen. Consumers of art need to seriously take more responsibility when using their voice. 

I can't imagine how I would feel if I read through pages and pages of comments that missed the point of what I do completely. I would be completely devastated and hollow. 

(Not to say that EVERY post was like this, but I'm just highlighting a few that really stuck with me. Come on guys, we can do better than this. And I'm not even saying Lana's look isn't important to some degree- as she has often used it as an extension of expression of the music. But come on, some of these comments... We are smarter than that and we care about Lana's authentic expression more than that... right?) 

I would LOVE LOVE LOVE for her to return to the flower crown, surf noir, summery 50's inspired looks for this new era. I would really like her to reunite with Emile for songs along the lines of Off to the Races, This Is What Makes Us Girls and Diet Mountain Dew.
 
and also some blonde hair