prostitutestare

This shows how transparent Lana is, and it validates the reason why I give her such praise for her songwriting. The girl is, in my opinion, a musical genius. She has so many layers, and I like that she is able to articulate it through her writing. This constant use of the word "blue." I would have never thought of it. Work, Ultraviolenc3.

I have been listening to the song all morning, and I am not sure if anyone has commented on this already, but I am so undone over the fact that Lana channeled all of the goddesses of the Motown era to vocally produce this track. Work, Lana. I am surprised that I did not hear it at first. Am I the only one who gets Diana, Gladys, 50s 60s doo wop tease, especially from the chorus? The last little bit SMACKS of Minnie Ripperton, and yes, I know she is not of the Motown era. There is even a bit of bird whistling in the background during Lana's humming that alludes to her paying homage to Miss Minnie, the queen of the sickening, bird like whistle note. Yes, Lana. She has clearly studied the mothers of music.

This shows how transparent Lana is, and it validates the reason why I give her such praise for her songwriting. The girl is, in my opinion, a musical genius. She has so many layers, and I like that she is able to articulate it through her writing. This constant use of the word "blue." I would have never thought of it. Work, Ultraviolenc3.

This is ovah. Is there an actual track or only a live version? LOL. Lana kills me when she gives us Dolly Parton tease, but always with her unique flair.

#unlistenableguitar

Lana is an American Icon. I can't wait to get enraptured by Ultraviolence.

+Roses and Yayo (Ultraviolence Version)

This shows how transparent Lana is, and it validates the reason why I give her such praise for her songwriting. The girl is, in my opinion, a musical genius. She has so many layers, and I like that she is able to articulate it through her writing. This constant use of the word "blue." I would have never thought of it. Work, Ultraviolenc3.

By the time UV is released it will be a 30 track 3 hour experience
Happy tho!

SHE IS SO GENEROUS

The song is just so sexy! A beautiful ode to a cold-hearted womanizer 

Oooh Baby - LOVE LOVE LOVE the vibe of this song
Backfire - Discovered this song not so long ago and instantly fell in love with it. this song deserves so much more recognition than it gets! It's heartbreaking and beautiful!
Dangerous Girl - This song is the shit! So Americana-Lana...I just love the retro vibes and it's seductive nature...makes me wanna grind all the time tbh
Prom Song (Gone Wrong) - OMG. This song...I associate it with a specific time of my life I'm not gonna go too much into detail about.   
Driving in Cars with Boys  - there is something about this song that made me fall in love with it right from the start.
Meet Me in the Pale Moonlight - best leaked we've got since BB.
TV in Black in White - How fucking beautiful is this song? Definitely in my TOP 3. It makes me really sad sometimes, tho. It's kinda lighthearted but really tragic at the same time.
Never Let Me Go - Loved this better one year ago I still really like it though
You & Me - Haunting. Listened to it during Winter 2013 and damn that was quite an experience.
Black Beauty - This song is essential. Praying it's on UV
Hollywood - This song really reminds me of summer. I can't wait tolisten to it all summer long (along with UV, of course )
 
The ones in red are my TOP 3 unreleased songs. I just couldn't leave the other ones unmentioned.

meth

West Coast was a sign of great things to come. Shades of Cool is proof of that greatness. It almost killed me at first listen. Seriously, during the chorus I felt the strongest euphoria I've felt since maybe the first few weeks of discovering Lana for the first time. 
I was a bit sceptical the first seconds, but that passed quickly. This is probably an accurate description of my reactions during this song:
 
 

*rummages through purse, furiously looking for heroin needle**
 
Lana is speaking to me so clearly this era. From the art direction of this promo single cover to the dreariness of both song releases, I assume Mother Lana is returning to her true origins, yet she has stepped her game up stupendously. This is giving me "Disco," "Black Beauty," and "Bel Air," all of which happen to be some davorites of mine, with the "violentest" flair.
 
I will not take Lana this season!
Yes, Lana, stay in your lane, sis. Do what works for you. Why change the formula? It is glamourous sadcore teas, and you all will live.

**DROPS** @ Lana giving Gramma-esque curls on the cover. I love the "Lolita" cover.

Down! It seems as if people have forgotten about the Phenomena era. Lana was everything during that time.
 
Is there a full Phenomena EP, or was that just an era?

This is slaying me so much that I just cannot take it. I love it. It is raw, it is natural as someone stated earlier, it screams this era --- the music we have already received from this era. It speaks to that. I love it so much. My goodness. Work, Lana. You know just what feeds some of your fans.
 
**Drops**@ the vacant look in her eyes. Sickening! Heroin-addicted casual fish. Work it, Lana, sis.

I need this pre-order.

I mean nothing official, but I guess the songs we have would include
 
Rehab
Disco
Trash Magic
Pin Up Galore
Dance Man
""The Man I Love""

BOUNDDD OFF DA STAIRS
 
I AM IN DA SHOWEEERR

Money, Power, Glory & FMUTTT sound like they could actually relate to the theme of HDB. And just because she says "Ultraviolent Swing" in the song doesn't mean it deserves to be on UV. So far, we don't know much about the theme of UV, yet.  
@@prostitutestare My assumptions about Kill Kill are based on the fact that Lana uploaded it as "Florida Dark" (Kill Kill was never meant to be the title of that track), that it's a bonus track and that the West Coast video is actually using images from the Kill Kill lyrics. Also, the fact that she said she wanted to remake it and that she has already remade Yayo is supporting that theory. Oh and by the way, I don't even care that much about Kill Kill but I wanna see if she's able to improve it.

I'm guessing there's not one Brooklyn sound, but rather something reminiscent of her experience and what type of music she made in Brooklyn. Praying for Lizzy Grant and the Phenomena-type stuff.

@ OK, the hair bit over the "ULTRAVIOLENCE" looks spastic, I only had less than half an hour to do it, but here it is:

 
EDIT: It looks more spastic than I thought

YES!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! EXACTLY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
 
Oh and that was me by the way